{"id":50897,"date":"2024-01-26T17:27:11","date_gmt":"2024-01-26T16:27:11","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=50897"},"modified":"2024-02-05T14:25:23","modified_gmt":"2024-02-05T13:25:23","slug":"slavonic","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic","title":{"rendered":"Classici e curiosit\u00e0"},"content":{"rendered":"<figure id=\"attachment_50898\" aria-describedby=\"caption-attachment-50898\" style=\"width: 1197px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50898 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer.jpg\" alt=\"\" width=\"1197\" height=\"798\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer.jpg 1197w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer-1024x683.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer-600x400.jpg 600w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer-768x512.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer-525x350.jpg 525w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer-920x613.jpg 920w\" sizes=\"auto, (max-width: 1197px) 100vw, 1197px\" \/><figcaption id=\"caption-attachment-50898\" class=\"wp-caption-text\">La flautista Sarah Rumer. Foto: zVg<\/figcaption><\/figure>\n<p>Chiunque pensi per la prima volta alla musica da camera ceca per strumenti ad arco non dovrebbe trascurare il fatto che una delle sonate per flauto pi\u00f9 frequentemente eseguite \u00e8 di un compositore ceco. Insieme alle sonate di Poulenc e Prokofiev, la sonata di Bohuslav Martin\u016f, scritta nel 1945 durante l'esilio in America, \u00e8 uno dei brani pi\u00f9 popolari del repertorio. La lunga catena di incisioni \u00e8 stata ora ampliata da una produzione svizzera che fa alzare il livello di attenzione. Con la flautista solista zurighese dell'Orchestre de la Suisse Romande, Sarah Rumer, e il pianista Ulrich Koella, che insegna all'Universit\u00e0 delle Arti di Zurigo, l'etichetta zurighese Prospero pubblica una nuova registrazione dal titolo <em>Viaggio in slavo<\/em> CD, che offre non solo opere standard ma anche curiosit\u00e0 poco conosciute.<\/p>\n<p>Il capolavoro di Martin\u016f riceve gi\u00e0 un'interpretazione ammirevole. Oltre agli ampi archi di respiro in agili passaggi di semicrome, spiccano le transizioni in pianissimo dalle sezioni verticali a quelle orizzontali-lineari, eseguite con il pi\u00f9 fine rubato. Il flautista e il pianista non devono nulla in termini di brillantezza ai movimenti musicali angolari della sonata di Jind\u0159ich Feld. Nella sonata di Feld <em>Quatre pi\u00e8ces<\/em> per flauto solo cita l'\"Hommage \u00e0 Bart\u00f3k\" dal suo <em>Concerto per orchestra.<\/em> Il duo carica la frequente sonata di Erwin Schulhoff con la necessaria gioia di suonare i numerosi ostinati e attriti armonici.<\/p>\n<p>Grazie al matrimonio con lo scrittore Ji\u0159\u00ed Mucha, figlio del pittore Art Nouveau Alfons Mucha, la compositrice londinese Geraldine Thomson divenne cittadina ceca e fu quindi inclusa in questa produzione. Il suo <em>Na\u0161e cesta<\/em> (Il nostro viaggio) \u00e8 caratterizzato da eleganza e melodie simili a quelle di una canzone popolare. Il libretto, dal design fantasioso, presenta diverse foto della stazione ferroviaria principale di Praga per riflettere il tema del viaggio.<\/p>\n<p>Il sestetto di fiati <em>Ml\u00e1d\u00ed <\/em>(giovani) integrato, stridente che ripete <em>La marcia dei bluethroat<\/em> di Leo\u0161 Jan\u00e1\u010dek per ottavino e pianoforte deriva il suo titolo presumibilmente ornitologico dalle uniformi blu dei coristi. Con la curiosa trascrizione di Sarah Rumer del <em>Fantasia slava<\/em> di Fritz Kreisler \u00e8 una trascrizione di una trascrizione, quest'ultima consiste nell'arrangiamento di Kreisler di due temi di Dvo\u0159\u00e1k.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-50900 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-300x300.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-1024x1024.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-768x768.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-350x350.jpg 350w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-800x800.jpg 800w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-920x920.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-96x96.jpg 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic-250x250.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Labhart_Slavonic.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Viaggio slavo (Martin\u016f, Feld, Schulhoff, Mucha, Jan\u00e1\u010dek, Dvo\u0159\u00e1k\/Kreisler). Sarah Rumer, flauto; Ulrich Koella, pianoforte. Prospero PROSP0049<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p> Sarah Rumer e Ulrich Koella intraprendono un viaggio con la musica ceca per flauto e pianoforte.<\/p>","protected":false},"author":29,"featured_media":50898,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[2198,2063,3573,3576,3574,3572,3575,3570,3569,3571],"class_list":["post-50897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-antonin-dvorak","tag-bohuslav-martinu","tag-erwin-schulhoff","tag-fritz-kreisler","tag-geraldine-mucha","tag-jindrich-feld","tag-leos-janacek","tag-sarah-rumer","tag-tschechische-kammermusik","tag-ulrich-koella"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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