{"id":51019,"date":"2024-02-01T10:55:27","date_gmt":"2024-02-01T09:55:27","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=51019"},"modified":"2024-02-05T14:35:20","modified_gmt":"2024-02-05T13:35:20","slug":"klingende-tafel","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2024\/02\/klingende-tafel","title":{"rendered":"Tavola di risonanza"},"content":{"rendered":"
\"\"
Heinrich Ignaz Franz Biber, incisione su rame o acquaforte di Paul Seel, 1680. Indice dei ritratti digitali<\/a><\/figcaption><\/figure>\n

Nel 1680, Heinrich Ignaz Franz Biber (1644-1704) scrisse sei suite come musica da tavola per suo fratello, il principe arcivescovo Maximilian Gandolf von Kuenburg a Salisburgo. Si tratta di brani volutamente non troppo difficili, dalle forme chiare e privi di \"effetti spettacolo\" virtuosistici, a differenza della maggior parte delle opere strumentali di Biber.<\/p>\n

L'editore ha fornito le prime due partite con chiavi e segni di tempo moderni. Nella Partita I<\/em> una Sonata Largo racchiude i movimenti di danza Allemanda, Courante, Sarabanda, Gavotte e Gigue. Nella Partita II<\/em> un'Intrada apre tre balletti in tempo breve, separati da due sarabande tranquille. Poich\u00e9 la prima viola non occupa mai la corda C, c'\u00e8 una parte aggiuntiva di secondo violino, per cui queste suite potrebbero essere facilmente eseguite con un quartetto d'archi (o un'orchestra) e un continuo. \"\"<\/p>\n

Heinrich Ignaz Franz Biber: Mensa Sonora, Partite I e II, per violino, 2 viole (2 violini, viola) e basso continuo, a cura di Markus Eberhardt, EW 1051, \u20ac 19,80, Walhall, Magdeburg<\/em><\/p>\n

 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

A differenza di altre composizioni di Biber, questa musica da camera \u00e8 semplice e nella presente edizione \u00e8 arrangiata per due diversi strumenti. <\/p>","protected":false},"author":29,"featured_media":51020,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[3609,1924,3610,3613,3612,3611],"class_list":["post-51019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-heinrich-ignaz-franz-biber","tag-kammermusik","tag-mensa-sonora","tag-partita","tag-streicher","tag-tafelmusik"],"acf":[],"yoast_head":"\nKlingende 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