{"id":51477,"date":"2024-01-26T09:29:46","date_gmt":"2024-01-26T08:29:46","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=51477"},"modified":"2024-01-26T09:33:31","modified_gmt":"2024-01-26T08:33:31","slug":"ars-electronica-forum-wallis-2024","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/news\/2024\/01\/ars-electronica-forum-wallis-2024","title":{"rendered":"Ars Electronica Forum Vallese 2024"},"content":{"rendered":"<figure id=\"attachment_51478\" aria-describedby=\"caption-attachment-51478\" style=\"width: 1343px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-51478\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1.jpg\" alt=\"\" width=\"1343\" height=\"1000\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1.jpg 1343w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1-300x223.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1-1024x763.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1-768x572.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1-235x175.jpg 235w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1-470x350.jpg 470w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1-1074x800.jpg 1074w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1-920x685.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_1-1400x1043.jpg 1400w\" sizes=\"auto, (max-width: 1343px) 100vw, 1343px\" \/><figcaption id=\"caption-attachment-51478\" class=\"wp-caption-text\">Compositori della Selezione Ars Electronica Forum Wallis 24 (AEFW) (l'altra met\u00e0 \u00e8 visibile alla fine dell'articolo). Composizione dell'immagine: AEFW<\/figcaption><\/figure>\n<p>301 compositori provenienti da 51 Paesi e da tutti i continenti hanno presentato un totale di 327 opere, un numero mai raggiunto prima. \u00c8 notevole che la proporzione di opere di compositrici donne tra quelle presentate sia inferiore al 20%, ma ammonti a quasi 30% tra le opere selezionate. Rispetto agli anni precedenti, si \u00e8 registrata anche una percentuale significativamente pi\u00f9 alta di opere selezionate di compositori provenienti da Paesi dell'America Latina e dell'Asia (45%).<\/p>\n<p>Nei ranghi dei <a href=\"https:\/\/forumwallis.ch\/programm-2024arselectronicaforumwallis.htm\" target=\"_blank\" rel=\"noopener\">Ars Electronica Forum Vallese 2024<\/a> La selezione dei concerti comprendeva un totale di 23 opere. Inoltre, altri 18 brani hanno ricevuto una menzione speciale.<\/p>\n<h3>Selezione di concerti (in ordine alfabetico)<\/h3>\n<p>Gabriel Ara\u00fajo, Saw (BRA)<br \/>\nStudio Bariya (Pratyush Pushkar &amp; Riya Raagini), Delhi Polyphones (IND\/IND)<br \/>\nNatasha Barrett, Momenti impossibili da Venezia 2 (NOR\/GBR)<br \/>\nBeau Beaumont, Senza Ingresso (GBR)<br \/>\nS\u00e9bastien B\u00e9ranger, Superflu(x) (BEL)<br \/>\nAlex Buck, Otherness (BRA)<br \/>\nMikel Kuehn, Unlocking The Keys (USA)<br \/>\nL\u00e9o Magnien, un rilievo sospeso per trasparenza (FRA)<br \/>\nPaolo Montella, Cairo al contrario (ITA)<br \/>\nCameron Naylor, Spent (GBR)<br \/>\nProtocollo Naxal (Piero Stanig), Microinsurrezioni (ITA\/SGP)<br \/>\nPaul Oehlers, Automaton (USA)<br \/>\nLucie Prod'homme, Tu es d\u00e9masqu\u00e9 (FRA)<br \/>\nLuis Quintana, Junkyard Construction (PRI)<br \/>\nFrancesco Santagata, Overthinking - ascoltare musica e non parlare \u00e8 la cosa migliore, credo (ITA)<br \/>\nDimitris Savva, Tranglitchuiliser (CYP)<br \/>\nBernd Schumann, Canone per 4 altoparlanti (GER)<br \/>\nSylvain Souklaye, corpo invisibile (FRA\/USA)<br \/>\nMehmet Ali Uzunselvi, Parco di Ikl\u0131k (TUR)<br \/>\nFrida Vasquez de la Sota \/ Kathia Rudametkin, Arrampicata (MEX\/MEX)<br \/>\nJorge Vicario, Poltergeist II (ESP)<br \/>\nBihe Wen, non ancora affermato (CHN)<br \/>\nYunjie Zhang, Le Cam\u00e9l\u00e9on (CHN)<\/p>\n<h3>Menzione speciale (in ordine alfabetico)<\/h3>\n<p>Giuseppe De Benedittis, sottosuolo (ITA)<br \/>\nManuella Blackburn, Cupboard Love (GBR)<br \/>\nMaria Fernanda Castro, Arb\u00f3reo (COL)<br \/>\nMauro Diciocia, Rygerfjord (ITA)<br \/>\nChristian Eloy, Dans les jardins de Cyb\u00e8le (FRA)<br \/>\nJuro Kim Feliz, Kinalugar\u00e1n (PHL)<br \/>\nNicole Fior-Greant, un-Form 3 (CHE)<br \/>\nJohn Fireman, Lacis (USA)<br \/>\nMariam Gviniashvili, Free Flow (GEO)<br \/>\nAndrew Lewis, Due Laghi (GBR)<br \/>\nYannis Loukos, Meditazione 3D (GRC)<br \/>\nManolo M\u00fcller, identit\u00e0 emblematiche (CHE)<br \/>\nRodrigo Pascale, Meditazione discontinua I (BRA)<br \/>\nLucie Prod'homme, Comme un malentendu (FRA)<br \/>\nPaul Rudy, Da una goccia all'oceano (USA)<br \/>\nNicolas V\u00e9rin, M\u00e9ditation sur l'Ukraine (FRA)<br \/>\nChen Wang, Paradosso del cyberspazio (CHN)<br \/>\nOtto Wanke, Ciclismo (CZE)<\/p>\n<p>I brani della selezione di concerti dell'Ars Electronica Forum Wallis 2024 saranno eseguiti l'8, il 9 e il 10 marzo sull'acusmonium a 16 canali dell'Istituto di Musica di Wallis.<a href=\"http:\/\/mebu.umsnjip.ch\" target=\"_blank\" rel=\"noopener\"> MEbU (M\u00fcnster Earport)<\/a> nell'ambito del <a href=\"https:\/\/forumwallis.ch\/programm-2024arselectronicaforumwallis.htm\" target=\"_blank\" rel=\"noopener\">Festival per la nuova musica<\/a> Forum Wallis \u00e8 stato interpretato da Simone Conforti (IRCAM Parigi). La giuria era composta dal giapponese Kotoka Suzuki (UTSC Toronto), dal peruviano Jaime Oliver La Rosa (Waverly Labs NYU New York), dal neozelandese Reuben de Lautour (Canterbury University NZ) e dallo svizzero Javier Hagen (ISCM Svizzera, Forum Wallis, presidente di giuria).<\/p>\n<p>Il <a href=\"http:\/\/forumwallis.ch\" target=\"_blank\" rel=\"noopener\">Forum Vallese<\/a> \u00e8 il festival annuale di nuova musica organizzato dall'IGNM-VS, il capitolo vallesano dell'International Society for New Music. Si svolger\u00e0 per la 17a volta nel 2024.<\/p>\n<figure id=\"attachment_51479\" aria-describedby=\"caption-attachment-51479\" style=\"width: 1415px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-51479 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_2.jpg\" alt=\"\" width=\"1415\" height=\"999\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_2.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_2-300x212.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_2-1024x723.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_2-768x542.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_2-248x175.jpg 248w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_2-496x350.jpg 496w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_2-1133x800.jpg 1133w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/aefw24-selectedcomposers_2-920x650.jpg 920w\" sizes=\"auto, (max-width: 1415px) 100vw, 1415px\" \/><figcaption id=\"caption-attachment-51479\" class=\"wp-caption-text\">Compositori della Selezione Ars Electronica Forum Wallis 24 (AEFW) (l'altra met\u00e0 \u00e8 visibile all'inizio dell'articolo). Composizione dell'immagine: AEFW<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"<p>Sono stati annunciati i risultati del 9\u00b0 concorso Ars Electronica Forum Valais per la musica acusmatica. Le opere vincitrici saranno eseguite a M\u00fcnster\/Goms nel mese di marzo.<\/p>","protected":false},"author":23,"featured_media":51479,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[27],"tags":[1939,2115,1940,1941,3627,2113],"class_list":["post-51477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-akusmatische-musik","tag-akusmonium","tag-ars-electronica","tag-forum-wallis","tag-javier-hagen","tag-muenster-earport"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ars Electronica Forum Wallis 2024 - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Die Resultate des 9. 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