{"id":51664,"date":"2024-02-07T15:00:46","date_gmt":"2024-02-07T14:00:46","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=51664"},"modified":"2024-02-15T15:05:09","modified_gmt":"2024-02-15T14:05:09","slug":"musiktherapie-zhdk","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2024\/02\/musiktherapie-zhdk","title":{"rendered":"\"Per favore, sto cercando di parlare\"."},"content":{"rendered":"<figure id=\"attachment_51718\" aria-describedby=\"caption-attachment-51718\" style=\"width: 1400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-51718\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2.jpg\" alt=\"\" width=\"1400\" height=\"992\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2-300x213.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2-1024x726.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2-768x544.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2-1536x1088.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2-247x175.jpg 247w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2-494x350.jpg 494w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2-1129x800.jpg 1129w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/02\/Halter_1_und_2-920x652.jpg 920w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-51718\" class=\"wp-caption-text\">J\u00fcrg Halter si \u00e8 esibito al simposio della ZHdK \"Sprachkunst in der Musiktherapie\" il 26 gennaio 2024. Foto: zVg\/ZHdK<\/figcaption><\/figure>\n<p>Termini come linguaggio musicale, parola musicale e linguaggio del corpo indicano che il linguaggio, la musica e il corpo si relazionano l'uno con l'altro e sono addirittura reciprocamente dipendenti. Idealmente - e non solo gli artisti di teatro lo sanno - i tre elementi si condensano in un insieme artistico.<\/p>\n<p><a href=\"https:\/\/www.zhdk.ch\/meldung\/sprachkunst-in-der-musiktherapie-symposium-2024-7164\" target=\"_blank\" rel=\"noopener\">Il simposio \"Le arti linguistiche nella musicoterapia\" del 26 e 27 gennaio<\/a> all'Universit\u00e0 delle Arti di Zurigo (ZHdK) si \u00e8 concentrato sulle \"transizioni tra linguaggio e musica\". Esperti provenienti dai campi della letteratura, della musica, della performance e della terapia hanno fatto luce su questo tema ombrello da diverse prospettive nel corso di conferenze e workshop. Beate Roelcke e Diandra Russo hanno moderato l'evento.<\/p>\n<p>La musica e il linguaggio sono utilizzati in terapia in modo responsabile e scientificamente valido, ma anche in modo artistico e creativo. Michael Eidenbenz, direttore del Dipartimento di Musica della ZHdK, ha detto nel suo discorso di benvenuto: \"Chi fa musica ha la responsabilit\u00e0 di fare buona musica. Questo \u00e8 ancora pi\u00f9 vero in un contesto terapeutico\".<\/p>\n<p>I tre interventi principali hanno coperto un'ampia gamma di aspetti: Sandra Lutz Hochreutener ha parlato del quadro scientifico della musicoterapia con il titolo \"Corpo, musica e linguaggio delle parole in dialogo a tre\" e ha illustrato il suo lavoro con esempi pratici. Benjamin Hoeltje ha parlato della \"musicoterapia rap\", che funziona bene con i \"giovani a rischio\", mentre il noto autore, poeta, performer e artista visivo svizzero J\u00fcrg Halter si \u00e8 rivelato la persona perfetta per dimostrare l'importanza del linguaggio in combinazione con la musica in forma artistica.<\/p>\n<h3><strong>Combinare senso e suono<\/strong><\/h3>\n<p><a href=\"https:\/\/www.juerghalter.com\/\" target=\"_blank\" rel=\"noopener\">J\u00fcrg Halter<\/a> ha lavorato con successo come poetry slammer e come personaggio di fantasia Kutti MC. All'inizio della sua conferenza \"Please, I'm trying to speak\" (Per favore, sto cercando di parlare), ha subito presentato il titolo in modo scenico. Balbettando e lottando con le parole, si \u00e8 fatto strada verso il palco e ha discusso la sua comprensione del linguaggio usando molti esempi e citazioni, alcuni tratti dalle sue stesse poesie. Si aggirava inquieto tra due leggii, come se cercasse di raccogliere le sue argomentazioni. In realt\u00e0, ha parlato liberamente e ha improvvisato per lunghi tratti. \"Quando mente e corpo si uniscono, il linguaggio pu\u00f2 emergere\", ha detto e ha continuato: \"Senso e suono, vi unir\u00f2\". L'intreccio delle parole deve sempre avere un ritmo. Lui la chiamava \"musica delle parole\". Non si limitava a citare, ma eseguiva i brani del testo, li rivestiva di un canto particolare e li dotava dei freschi movimenti in avanti delle braccia che gli erano familiari nel rap.<\/p>\n<h3><strong>Nessuna paura di fallire<\/strong><\/h3>\n<p>L'improvvisazione nella musica e nel linguaggio ha molto a che fare con la consapevolezza e l'espansione di s\u00e9, ha spiegato Halter, ricollegandosi cos\u00ec al tema dell'evento. Egli si espone consapevolmente alla paura di fallire e non prepara mai le performance nei minimi dettagli. Gli piacciono le persone che si espongono al rischio di imbarazzo. \"Tuttavia, la questione \u00e8 a quale livello si fallisce\", ha aggiunto con un sorriso. Per prepararsi a un'improvvisazione, entra in uno \"stato tra la concentrazione assoluta e il lasciarsi andare\".<\/p>\n<p>Ha dimostrato le sue capacit\u00e0 di improvvisazione in modo sorprendente con una performance spontanea basata sul termine \"papere\" datogli dal pubblico. Dopo poco tempo, si \u00e8 trovato in una sorta di trance. Come se stesse leggendo da un immaginario gobbo, ha recitato un testo perfetto nella sua insensatezza.<\/p>\n<p>\"Il linguaggio \u00e8 il tentativo di farsi capire\", ha sottolineato Halter, eppure il pericolo di essere fraintesi lo accompagna. L'obiettivo sarebbe quello di trovare un linguaggio comune in cui i malintesi possano essere ampiamente evitati. La riflessione critica sul mezzo linguistico \u00e8 indispensabile per le persone pensanti.<\/p>","protected":false},"excerpt":{"rendered":"<p>J\u00fcrg Halter ha usato questo titolo per il suo intervento al simposio \"Sprachkunst in der Musiktherapie\" alla ZHdK. Improvvisando, ha riflettuto sulla comprensione e sull'essere compresi e si \u00e8 mosso virtuosamente nelle transizioni tra linguaggio, musica e performance fisica. <\/p>","protected":false},"author":23,"featured_media":51718,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[28,1540],"tags":[3640,3641,3639,3645,3643,2431,3642,3644,1974,3638],"class_list":["post-51664","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-berichte","category-tagungen","tag-beate-roelcke","tag-diandra-russo","tag-juerg-halter","tag-koerpersprache","tag-musiksprache","tag-musiktherapie","tag-sprachkunst","tag-wortmusik","tag-zhdk","tag-zuercher-hochschule-der-kuenste"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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