{"id":52476,"date":"2024-03-02T15:10:26","date_gmt":"2024-03-02T14:10:26","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=52476"},"modified":"2024-03-04T15:33:53","modified_gmt":"2024-03-04T14:33:53","slug":"schoellhorn","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2024\/03\/schoellhorn","title":{"rendered":"La musica dell'appropriazione"},"content":{"rendered":"
\"\"
Immagine: PantherMediaSeller\/depositphotos.com<\/figcaption><\/figure>\n

Nella sua musica, il compositore tedesco Johannes Sch\u00f6llhorn (*1962) ha ripetutamente esplorato la musica di altri, trascrivendola e trasformandola, facendo musica sulla musica, come Bach e Ravel, Purcell e Satie e, meravigliosamente, Gabriel Faur\u00e9. Diversi di questi brani si trovano nel doppio CD S\u00e9rigrafie<\/em> (bastille musique 20).<\/p>\n

Sch\u00f6llhorn stesso \u00e8 quindi un esperto di appropriazione e trasformazione. La dialettica di questo approccio \u00e8 anche l'oggetto del suo libro di 500 pagine, una raccolta di testi pi\u00f9 brevi, in parte sciolti ma internamente coerenti. La conquista del mondo \u00e8 al centro, cos\u00ec come la musica che l'accompagna, che \u00e8 sempre stata un'appropriazione, persino un furto - e un ordinamento: ecco perch\u00e9 mappa, orologio e spartito giocano il ruolo principale nel titolo.<\/p>\n

La nostra cultura europea ha fatto proprio il globo con l'aiuto di questi strumenti. Sch\u00f6llhorn segue queste tracce, fino alla stampa e attraverso i mari, nella pittura e nella tecnica compositiva, nel passato e nel futuro. E poich\u00e9 ha un orizzonte ampio, c'\u00e8 molto da imparare da lui. Il libro sembra scritto in fretta e si legge anche velocemente. Questa spontaneit\u00e0 \u00e8 rinfrescante, piena di brio, a volte l'autore \u00e8 preso dalla rabbia, a volte i pensieri corrono selvaggi e confusi, perch\u00e9 Sch\u00f6llhorn si avventura in territori sconosciuti con l'aiuto di una buona letteratura secondaria.<\/p>\n

L'intera opera non \u00e8 sistematica, non raggruppa le cose, ma espone dei fili che possono essere ricondotti a un punto centrale. Ci sono alcune lacune che si vorrebbero colmare, altre che si vorrebbero conoscere meglio, e spesso si hanno obiezioni durante la lettura, molte in realt\u00e0, ma dovrebbero andare bene. Perch\u00e9 il libro \u00e8 stimolante e, nonostante i dubbi e la disperazione, non ci lascia senza speranza, perch\u00e9 \"la musica pu\u00f2 sempre fare una cosa: confortarci\".\"\"<\/p>\n

Johannes Sch\u00f6llhorn: Mappa, orologio e partitura. Variationen und Volten \u00fcber Eroberung und ihre Begleitmusik, a cura di Rainer Nonnenmann, 512 p., \u20ac 24,00, MusikTexte, Colonia 2022, ISBN 978-3-982467-0-2<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Con la mappa, l'orologio e la partitura al centro delle sue riflessioni, Johannes Sch\u00f6llhorn scrive della conquista e della musica che l'accompagna. <\/p>","protected":false},"author":29,"featured_media":52477,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[3725,3724],"class_list":["post-52476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-eroberung","tag-johannes-schoellhorn"],"acf":[],"yoast_head":"\nDie Musik der Aneignung - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" 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