{"id":53528,"date":"2024-04-02T15:01:32","date_gmt":"2024-04-02T13:01:32","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=53528"},"modified":"2024-04-03T08:23:27","modified_gmt":"2024-04-03T06:23:27","slug":"horowitz","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2024\/04\/horowitz","title":{"rendered":"Composizione del mago della tastiera"},"content":{"rendered":"<figure id=\"attachment_53531\" aria-describedby=\"caption-attachment-53531\" style=\"width: 904px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-53531 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Vladimir_Horowitz.jpeg\" alt=\"\" width=\"904\" height=\"597\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Vladimir_Horowitz.jpeg 904w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Vladimir_Horowitz-300x198.jpeg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Vladimir_Horowitz-768x507.jpeg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Vladimir_Horowitz-265x175.jpeg 265w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Vladimir_Horowitz-530x350.jpeg 530w\" sizes=\"auto, (max-width: 904px) 100vw, 904px\" \/><figcaption id=\"caption-attachment-53531\" class=\"wp-caption-text\">Vladimir Horowitz, probabilmente negli anni '30. Fotografo sconosciuto, fonte: <a href=\"https:\/\/www.loc.gov\/pictures\/collection\/ggbain\/item\/2005689511\/\" target=\"_blank\" rel=\"noopener\">Collezione Bain\/Biblioteca del Congresso.<\/a><\/figcaption><\/figure>\n<p>\u00c8 generalmente noto che Vladimir Horowitz, il leggendario pianista, interpretava spesso il testo musicale in modo molto personale e non lesinava interventi. Nell'opera di Mussorgsky <em>Immagini di una mostra <\/em>Il movimento del pianoforte corrispondeva alla sua concezione pi\u00f9 orchestrale del suono. La Seconda Sonata per pianoforte di Rachmaninov o la <em>Valzer di Mefisto<\/em> che suonava nelle sue versioni private. Per non parlare delle numerose trascrizioni per pianoforte, che testimoniano anch'esse il suo temperamento creativo e hanno costituito parte della sua fama.<\/p>\n<p>Tuttavia, anche i fan pi\u00f9 accaniti potrebbero rimanere sorpresi nell'apprendere che Horowitz, a quanto pare, da adolescente era anche un ambizioso compositore e scrisse un'intera serie di opere originali per pianoforte. Tuttavia, quando la Rivoluzione russa raggiunse Kiev e la sua famiglia ne soffr\u00ec molto, dovette rinunciare a questo sogno. Cerc\u00f2 quindi di intraprendere la carriera di pianista per poter almeno sostenere economicamente la sua famiglia. \"Se la rivoluzione non si fosse accanita sulla sua famiglia e non lo avesse costretto a dare concerti, probabilmente il mondo avrebbe conosciuto un Horowitz diverso\", ha detto la sua ex compagna di classe Vera Resnikov.<\/p>\n<p>Quando in seguito Horowitz veniva interrogato sulle sue composizioni in Occidente, rispondeva sempre che i manoscritti erano rimasti in un luogo segreto in Russia. Solo nel 1986, quando finalmente pot\u00e9 tornare in patria, ricevette gli spartiti. Schott Music si \u00e8 ora prefissata il compito di pubblicare queste opere finora sconosciute come parte della Horowitz Edition.<\/p>\n<p>Di seguito \u00e8 riportato <em>Frammento douloureux <\/em>op. 14, probabilmente l'ultima composizione scritta a Kiev. Il brano \u00e8 composto da sole 73 battute e inizia \"lento, lugubre, misterioso\" come una sorta di marcia funebre in tempo 3\/4. I motivi sospirati e gli arpeggi che seguono ricordano fortemente Rachmaninov, mentre i numerosi trilli a partire dalla battuta 27 ricordano maggiormente la scrittura di Scriabin. Con un costante aumento del tempo e della dinamica, il brano raggiunge il suo culmine alle battute 47\/48 e da quel momento in poi ritorna gradualmente all'atmosfera dell'inizio \"poco a poco a tempo lento\". (Presumibilmente qui va aggiunto anche un diminuendo).<\/p>\n<p>Nella sua brevit\u00e0, questo <em>Frammento douloureux<\/em> una sorta di dramma in miniatura. La scrittura pianistica \u00e8 piuttosto impegnativa e pu\u00f2 essere padroneggiata solo da mani grandi. Le possibilit\u00e0 dello strumento sono sfruttate con grande abilit\u00e0. Horowitz ha dedicato l'opera al suo insegnante di pianoforte Felix Blumenfeld, a sua volta grande pianista e compositore.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-53533 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/04_crit_note_Kolly-228x300.jpg\" alt=\"\" width=\"228\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/04_crit_note_Kolly-228x300.jpg 228w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/04_crit_note_Kolly-777x1024.jpg 777w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/04_crit_note_Kolly-768x1012.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/04_crit_note_Kolly-133x175.jpg 133w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/04_crit_note_Kolly-266x350.jpg 266w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/04_crit_note_Kolly-607x800.jpg 607w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/04_crit_note_Kolly-300x395.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/04_crit_note_Kolly.jpg 759w\" sizes=\"auto, (max-width: 228px) 100vw, 228px\" \/><\/p>\n<p><em>Vladimir Horowitz: Fragment douloureux pour piano, The Horowitz Edition, ED 23085, \u20ac 12,00, Schott, Mainz<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Le composizioni del giovane Vladimir Horowitz, a lungo perse dietro la cortina di ferro, appaiono in una serie a s\u00e9 stante. <\/p>","protected":false},"author":29,"featured_media":53531,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[3861,1587,3860],"class_list":["post-53528","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-fragment-douloureux","tag-klavier","tag-vladimir-horowitz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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