{"id":54327,"date":"2024-04-29T18:01:52","date_gmt":"2024-04-29T16:01:52","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=54327"},"modified":"2024-05-13T17:37:40","modified_gmt":"2024-05-13T15:37:40","slug":"benedetto-marcello","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello","title":{"rendered":"Opere sconosciute di Benedetto Marcello"},"content":{"rendered":"<figure id=\"attachment_54328\" aria-describedby=\"caption-attachment-54328\" style=\"width: 681px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-54328 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg\" alt=\"\" width=\"681\" height=\"477\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg 681w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d-300x210.jpeg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d-250x175.jpeg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d-500x350.jpeg 500w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><figcaption id=\"caption-attachment-54328\" class=\"wp-caption-text\">Incisione di Vincenzo Roscioni. Fonte: <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b8426535d\/f1.item\" target=\"_blank\" rel=\"noopener\">gallica.bnf.fr \/ Biblioteca nazionale di Francia<\/a><\/figcaption><\/figure>\n<p>Due musiciste che si conoscono da tempo sono responsabili di queste nuove scoperte di opere di Benedetto Marcello (1686-1739) che vale la pena ascoltare. Il soprano Nuria Rial e la direttrice d'orchestra Nicoleta Paraschivescu si sono conosciute naturalmente a Basilea: l'una ha studiato all'Universit\u00e0 della Musica, l'altra con Andrea Marcon alla Schola Cantorum Basiliensis, dove ha fondato il suo ensemble La Floridiana nel 2011. Entrambi amano esplorare la musica barocca, dove il bacino musicale sembra inesauribile.<\/p>\n<p>Un prezioso manoscritto decorato con disegni costituisce il punto di partenza per la registrazione delle cantate; appartiene alla Collezione Schneider-Genewein di Zurigo. Un colpo di fortuna per Paraschivescu: \"Queste cantate non sono mai state registrate prima. In totale sono documentate circa 400 cantate solistiche di Marcello, molte delle quali in diversi manoscritti e in diverse biblioteche. Ma questo manoscritto in particolare contiene due pezzi unici. Questo manoscritto \u00e8 speciale anche perch\u00e9 \u00e8 molto elegante ed elaborato, con iniziali dipinte\".<\/p>\n<p>L'entusiasmo e il legame con la musica di Marcello sono inconfondibili nelle interpretazioni. La musica \u00e8 colorata e molto agile. La sequenza di opere scelta \u00e8 entusiasmante e vincente, poich\u00e9 la sinfonia e le cantate si alternano, rendendo il tutto ancora pi\u00f9 vivace. Anche le cantate sono piene di emozioni. <em>Ti sento Amor, ti sento<\/em> \u00e8 un brano dal carattere tipicamente lamentiano, nel quale <em>Qual turbine improvviso<\/em> Al contrario, dominano la tempesta e la rabbia selvaggia.<\/p>\n<p>La piena ricchezza di questa musica si dispiega nell'armonia del soprano argenteo e perfettamente diretto di Nuria Rial e del ritmo incalzante e ricco di sfumature dell'Ensemble La Floridiana. L'effetto spaziale dell'acustica completa la registrazione.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-54329 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-300x300.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-1024x1024.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-768x768.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-350x350.jpg 350w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-800x800.jpg 800w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-920x920.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-1400x1400.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-96x96.jpg 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele-250x250.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/05_crit_cd_Naegele.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Benedetto Marcello: Sinfonias &amp; Cantatas, La Floridiana, Nuria Rial, Nicoleta Paraschivescu. Harmonia Mundi tedesca 196587106829<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Nuria Rial canta cantate solistiche da un prezioso manoscritto; l'ensemble La Floridiana sotto la direzione di Nicoleta Paraschivescu accompagna e contribuisce con brani strumentali.  <\/p>","protected":false},"author":29,"featured_media":54328,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[3990,3993,3992,3991],"class_list":["post-54327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-benedetto-marcello","tag-la-floridiana","tag-nicoleta-paraschivescu","tag-nuria-rial"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Unbekanntes von Benedetto Marcello - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Nuria Rial singt Solokantaten aus einem kostbaren Manuskript; das Ensemble La Floridiana unter der Leitung von Nicoleta Paraschivescu begleitet.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Unbekanntes von Benedetto Marcello - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Nuria Rial singt Solokantaten aus einem kostbaren Manuskript; das Ensemble La Floridiana unter der Leitung von Nicoleta Paraschivescu begleitet.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-04-29T16:01:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-05-13T15:37:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"681\" \/>\n\t<meta property=\"og:image:height\" content=\"477\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Unbekanntes von Benedetto Marcello\",\"datePublished\":\"2024-04-29T16:01:52+00:00\",\"dateModified\":\"2024-05-13T15:37:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello\"},\"wordCount\":301,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/04\\\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg\",\"keywords\":[\"Benedetto Marcello\",\"La Floridiana\",\"Nicoleta Paraschivescu\",\"Nuria Rial\"],\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello\",\"name\":\"Unbekanntes von Benedetto Marcello - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/04\\\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg\",\"datePublished\":\"2024-04-29T16:01:52+00:00\",\"dateModified\":\"2024-05-13T15:37:40+00:00\",\"description\":\"Nuria Rial singt Solokantaten aus einem kostbaren Manuskript; das Ensemble La Floridiana unter der Leitung von Nicoleta Paraschivescu begleitet.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/04\\\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/04\\\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg\",\"width\":681,\"height\":477},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/04\\\/benedetto-marcello#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Unbekanntes von Benedetto Marcello\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Opere sconosciute di Benedetto Marcello - Schweizer Musikzeitung","description":"Nuria Rial canta cantate solistiche tratte da un prezioso manoscritto; accompagna l'ensemble La Floridiana sotto la direzione di Nicoleta Paraschivescu.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello\/","og_locale":"it_IT","og_type":"article","og_title":"Unbekanntes von Benedetto Marcello - Schweizer Musikzeitung","og_description":"Nuria Rial singt Solokantaten aus einem kostbaren Manuskript; das Ensemble La Floridiana unter der Leitung von Nicoleta Paraschivescu begleitet.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2024-04-29T16:01:52+00:00","article_modified_time":"2024-05-13T15:37:40+00:00","og_image":[{"width":681,"height":477,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Unbekanntes von Benedetto Marcello","datePublished":"2024-04-29T16:01:52+00:00","dateModified":"2024-05-13T15:37:40+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello"},"wordCount":301,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg","keywords":["Benedetto Marcello","La Floridiana","Nicoleta Paraschivescu","Nuria Rial"],"articleSection":["Rezensionen","Tontr\u00e4ger"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello","name":"Opere sconosciute di Benedetto Marcello - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg","datePublished":"2024-04-29T16:01:52+00:00","dateModified":"2024-05-13T15:37:40+00:00","description":"Nuria Rial canta cantate solistiche tratte da un prezioso manoscritto; accompagna l'ensemble La Floridiana sotto la direzione di Nicoleta Paraschivescu.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/04\/Benedetto_Marcello___V_Roscioni_.Roscioni_Vincenzo_btv1b8426535d.jpeg","width":681,"height":477},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/04\/benedetto-marcello#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Unbekanntes von Benedetto Marcello"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/54327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=54327"}],"version-history":[{"count":4,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/54327\/revisions"}],"predecessor-version":[{"id":54622,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/54327\/revisions\/54622"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/54328"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=54327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=54327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=54327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}