{"id":54949,"date":"2024-06-05T11:47:19","date_gmt":"2024-06-05T09:47:19","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=54949"},"modified":"2024-06-06T09:42:59","modified_gmt":"2024-06-06T07:42:59","slug":"orzaiz","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2024\/06\/orzaiz","title":{"rendered":"Immergetevi nei suoni viennesi"},"content":{"rendered":"<figure id=\"attachment_54954\" aria-describedby=\"caption-attachment-54954\" style=\"width: 765px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-54954 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/06\/orzaiz.jpg\" alt=\"\" width=\"765\" height=\"643\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/06\/orzaiz.jpg 765w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/06\/orzaiz-300x252.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/06\/orzaiz-14x12.jpg 14w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/06\/orzaiz-208x175.jpg 208w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/06\/orzaiz-416x350.jpg 416w\" sizes=\"auto, (max-width: 765px) 100vw, 765px\" \/><figcaption id=\"caption-attachment-54954\" class=\"wp-caption-text\">Eloy Orzaiz. Foto: zVg<\/figcaption><\/figure>\n<p>Qui Johann Nepomuk Hummel, l\u00e0 Franz Schubert. I due compositori sono contemporanei, ma stilisticamente distanti. Hummel, ex allievo di Mozart, scrisse in un elegante stile post-classico, condito da un virtuosismo che era in voga nelle sale da concerto e nei salotti musicali viennesi intorno al 1800. La musica di Schubert \u00e8 relativamente pi\u00f9 sottile ed enigmatica, e anche armonicamente pi\u00f9 ricca. Ascolto del CD <em>La Contemplazione<\/em> del pianista spagnolo Eloy Orzaiz, \u00e8 facile capire perch\u00e9 Schubert sia stato il precursore o il pioniere del XIX secolo.<\/p>\n<p>Orzaiz \u00e8 specializzato nella prassi esecutiva storica e si \u00e8 formato, tra l'altro, presso la Schola cantorum di Basilea. Suona le opere pianistiche di Hummel e Schubert su un fortepiano proveniente dalla bottega di Conrad Graf, un costruttore di pianoforti molto popolare a Vienna. Il suono \u00e8 molto pi\u00f9 sottile e delicato di quello di un moderno pianoforte a coda. Orzaiz riesce a ottenere dallo strumento, costruito nel 1826 o 1827, ricchi colori tonali che si sarebbero sviluppati ancora di pi\u00f9 se non avesse sforzato cos\u00ec tanto i tempi. Nell'opera di Hummel <em>Grande Sonata Brillante <\/em>op. 106, enfatizza troppo gli aspetti virtuosistici. Ed \u00e8 proprio all'enigmatica opera tarda di Schubert che appartengono i lavori qui registrati. <em>Tre pezzi per pianoforte<\/em> D 946, il tempo \u00e8 un punto nevralgico. Il primo pezzo per pianoforte in mi bemolle minore sembra un po' affrettato. E nel secondo, in mi bemolle maggiore, la musica manca di un leggero slancio e quindi anche della variazione di tempo.<\/p>\n<p>Ciononostante, questo CD dal design accattivante \u00e8 un piacere da ascoltare con la sua musica variegata e anche con le sue qualit\u00e0 storiche, che permettono di immergersi direttamente nel \"suono viennese\" degli anni Venti dell'Ottocento.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-54950 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller-300x273.jpg\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller-300x273.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller-1024x932.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller-768x699.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller-13x12.jpg 13w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller-192x175.jpg 192w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller-385x350.jpg 385w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller-879x800.jpg 879w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller-920x837.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/05\/06_crit_cd_Moeller.jpg 1099w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>La Contemplazione. Hummel, Schubert. Eloy Orzaiz, Fortepiano Graf. lbs classical 182023<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Su un fortepiano del pianista viennese Konrad Graf, Eloy Orzaiz accosta opere di Hummel e Schubert.<\/p>","protected":false},"author":29,"featured_media":54954,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[4094,4093,4092,1793,4091,4095],"class_list":["post-54949","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-conrad-graf","tag-eloy-orzaiz","tag-fortepiano","tag-franz-schubert","tag-johann-nepomuk-hummel","tag-wien"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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