{"id":55581,"date":"2024-06-27T11:35:45","date_gmt":"2024-06-27T09:35:45","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=55581"},"modified":"2024-06-28T14:13:31","modified_gmt":"2024-06-28T12:13:31","slug":"bach-cembalo","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2024\/06\/bach-cembalo","title":{"rendered":"Bach - in una nuova articolazione?"},"content":{"rendered":"
\"\"
Foto: Nikolaev\/depositphotos.com<\/figcaption><\/figure>\n

I concerti per clavicembalo di Johann Sebastian Bach sono famosi e possono essere suonati bene anche senza l'accompagnamento degli archi. Inoltre, sono tutti arrangiamenti di concerti conosciuti anche con altri strumenti solisti: il Concerto in re maggiore \u00e8 pi\u00f9 noto come Concerto per violino in mi maggiore.<\/p>\n

La nuova edizione della partitura di studio e della riduzione per pianoforte non si basa, nel testo musicale e nella prefazione, sulla partitura autografa di Bach, ma sul suo facsimile, curato da Christoph Wolff (B\u00e4renreiter), che a sua volta si basa, in modo pi\u00f9 o meno esplicito, sulle precedenti ricerche di Werner Breig (B\u00e4renreiter), che aveva curato i concerti nella New Bach Edition (B\u00e4renreiter). Anche i curatori della nuova edizione Henle devono ammettere nelle \"Osservazioni\" - in modo piuttosto nascosto - che in realt\u00e0 devono le loro conoscenze a Breig.<\/p>\n

La loro lettura si differenzia dalle edizioni precedenti soprattutto per la pretesa di essere pi\u00f9 precisi dei loro predecessori con la notazione flippante delle legature di Bach, ma tuttavia devono ammettere di non sapere esattamente come fare. Considerando l'uso sommario e incoerente che Bach fa delle legature, non possono fare nemmeno questo. Pertanto, come interprete, \u00e8 sufficiente sapere che le legature lanciate in modo non sistematico qui illustrano solo un raggruppamento che \u00e8 gi\u00e0 insito nella notazione in fasci di quattro, e che le differenze tra gli intervalli al tempo di Bach determinavano in ultima analisi la loro articolazione - basandosi vagamente su Leopold Mozart (1756, 4\u00b0 pezzo principale, \u00a7 29): Gli intervalli piccoli devono essere generalmente legati. Pi\u00f9 sono grandi, pi\u00f9 devono essere \"eseguiti separatamente\". Sono importanti le differenziazioni fini, la \"piacevole alternanza\".\"\"<\/p>\n

Johann Sebastian Bach: Concerto per clavicembalo n. 3 in re maggiore BWV 1054, a cura di Maren Minuth e Norbert M\u00fcllemann; riduzione per pianoforte di Johannes Umbreit: HN 1382, \u20ac 17,50; partitura di studio: HN 7382, \u20ac 11,50; G. Henle, Monaco di Baviera<\/em><\/p>","protected":false},"excerpt":{"rendered":"

La nuova edizione del Concerto per clavicembalo in re maggiore BWV 1054 di Bach non pu\u00f2 risolvere in ultima analisi la questione del legato o del non legato. <\/p>","protected":false},"author":29,"featured_media":55583,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[4162,2222,4167,3951,4163,4164,4165],"class_list":["post-55581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-cembalokonzert","tag-johann-sebastian-bach","tag-legatobogen","tag-leopold-mozart","tag-maren-minuth","tag-norbert-muellemann","tag-werner-breig"],"acf":[],"yoast_head":"\nBach 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