{"id":55979,"date":"2024-07-10T15:28:25","date_gmt":"2024-07-10T13:28:25","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=55979"},"modified":"2024-07-11T08:59:15","modified_gmt":"2024-07-11T06:59:15","slug":"publikumspraeferenzen-bei-digitalen-klassik-events","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/news\/2024\/07\/publikumspraeferenzen-bei-digitalen-klassik-events","title":{"rendered":"Preferenze del pubblico per gli eventi di musica classica digitale"},"content":{"rendered":"
\"\"
(Immagine: Petr Kratochvil\/publicdomainpictures.net)<\/figcaption><\/figure>\n

Nell'ambito di un progetto di ricerca pi\u00f9 ampio sulla produzione e la progettazione di esperienze concertistiche digitali, il team di ricerca ha condotto un'indagine online su 1619 persone che utilizzano lo streaming di concerti di musica classica. Queste persone hanno fornito informazioni sui loro dati socio-demografici, sulla loro esperienza nell'uso delle piattaforme di streaming e sulle loro preferenze riguardo a varie possibili caratteristiche di produzione di eventi di musica classica digitale.<\/p>\n

Pi\u00f9 della met\u00e0 apparteneva agli \"appassionati di concerti digitali\". Questo gruppo \u00e8 aperto alle caratteristiche innovative e diversificate dei concerti che sfruttano appieno le possibilit\u00e0 della digitalit\u00e0 e l'uso dei canali dei social media. I \"puristi del concerto digitale\" sono circa un terzo. Preferiscono i concerti tradizionali e gli streaming on-demand. Circa il 15% degli intervistati era piuttosto indeciso sulle proprie preferenze ed \u00e8 stato quindi descritto come \"indeciso e meno impegnato\".<\/p>\n

I risultati dello studio sono stati pubblicati di recente sulla rivista specializzata La rivista di gestione delle arti, diritto e societ\u00e0<\/em> sono stati pubblicati. Essi mostrano che le caratteristiche socio-demografiche e le preferenze musicali hanno una correlazione significativa, anche se debole, con l'appartenenza ai gruppi di pubblico sopra citati. Questi risultati suggeriscono la necessit\u00e0 di sviluppare tipologie di concerti classici chiaramente differenziate per raggiungere il pubblico pi\u00f9 ampio possibile.<\/p>\n

Articolo originale:<\/strong>
\nEgermann, H., Siebrasse, A., Weining, C., O'Neill, K., Tr\u00f6ndle, M., & Wald-Fuhrmann, M. (2024). Sviluppare l'offerta digitale di concerti classici: una tipologia di preferenze del pubblico. The Journal of Arts Management, Law, and Society, 54(3), 125-141. doi:10.1080\/10632921.2024.2347397.<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Un gruppo di ricercatori del Max Planck Institute for Empirical Aesthetics (MPIEA) di Francoforte sul Meno ha studiato se esistono diversi tipi di pubblico per i concerti di musica classica ed \u00e8 riuscito a identificare tre gruppi.<\/p>","protected":false},"author":30,"featured_media":50822,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[27],"tags":[2328,2075],"class_list":["post-55979","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-mpiea","tag-streaming"],"acf":[],"yoast_head":"\nPublikumspr\u00e4ferenzen bei digitalen Klassik-Events - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Ein Forschungsteam hat 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