{"id":58632,"date":"2022-03-29T14:54:16","date_gmt":"2022-03-29T12:54:16","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=58632"},"modified":"2024-09-30T14:58:30","modified_gmt":"2024-09-30T12:58:30","slug":"lakonischer-witz-feister-groove","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2022\/03\/lakonischer-witz-feister-groove","title":{"rendered":"Umorismo laconico, un ritmo vivace"},"content":{"rendered":"
\n
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re pepe e le regine. Foto: zVg<\/figcaption><\/figure>\n

Nemmeno per un solo bip di sintetizzatore sarebbe sorto il sospetto che all'inferno con l'eternit\u00e0 <\/em>come tanti altri album degli ultimi mesi, \u00e8 un'opera di chiusura telecomandata. Al contrario, i ritmi colpiscono le gambe come una freccia rossa e la voce laconica di lui stesso, il Re Pepe, non \u00e8 meno laconica, malinconica e pigra di quella dei suoi lavori precedenti. L'album \u00e8 stato registrato quasi interamente a distanza. \"Quindi registrare le tracce e mandarle l'uno all'altro e rimandarle indietro, ecc.\", scrive Simon Hari, la manifestazione carnale dell'eccentrica musa King Pepe, via e-mail. \"In seguito, sarebbe stato possibile andare in studio insieme, ma abbiamo pensato che le registrazioni a distanza fossero fantastiche e abbiamo detto: Dai, finiamola cos\u00ec!\". In precedenza, i processi avrebbero richiesto pi\u00f9 tempo. \"Di solito in studio dicevo: \"Ehi, proviamo di nuovo questo ritornello in un modo diverso, cos\u00ec smielato, cos\u00ec liscio o altro\". Qui il feedback veniva dato per e-mail o per telefono, e ci volevano altri dieci giorni prima di avere una nuova versione\".<\/p>\n

Ironia della sorte, Hari ha realizzato il suo ultimo album Karma OK <\/em>L'album \u00e8 stato assemblato interamente al computer e poi faticosamente \"portato alla vita\" con il co-produttore Rico Baumann. Questa volta, oltre a Baumann (batteria, tastiere), erano presenti anche Sibill Urweider (tastiere, voce), Jeremias Keller (basso, voce), Giulin St\u00e4ubli (batteria) e l'ingegnere del suono Sander Wartmann, sebbene nelle loro \"rispettive case\" (come recita la copertina disegnata dal figlio di nove anni di Hari). Hari stesso ha contribuito con chitarra, pianoforte, tromba e ottavino ai suoi testi spesso succinti in tedesco-bernese, costellati di ogni tipo di doppi e tripli sensi. \"Ho trovato impressionante\", racconta, \"la facilit\u00e0 con cui la vita entra in gioco con la musica suonata in modo genuino. Si ottiene la vita completa gratuitamente. Attraverso tutti i Veler, le cose divertenti! \u00c8 bellissimo! Anche se non \u00e8 stato registrato nella stessa stanza!\".<\/p>\n

All'inferno l'eternit\u00e0<\/em> inizia con una hit di successo, ovvero la title track. Il synth ribolle e ronza quasi come negli anni Ottanta, le percussioni e la batteria galoppano come cavalli. Nel frattempo, Re Pepe si lamenta del suo destino da Tannh\u00e4user: circondato da angeli etericamente danzanti che sorridono sempre stupidamente, siede in paradiso e si annoia mortalmente. La luce al neon abbaglia all'infinito e la musica angelica \u00e8 esclusivamente in do maggiore. Con il suo groove psichedelico e variegato alla Giorgio Moroder, il sardonico Geit scho<\/em> e che letteralmente grida per un maxi singolo di undici minuti \"Extended Disco Mix\". Ehi luna <\/em>\u00e8 un'ode nostalgica al corpo celeste malato: \"Mier geits m\u00e4ngisch \u00e4\u00e4nlich, nimm's bitte nid nid so schw\u00e4r\". Fingiguet<\/em> \u00e8 un inno minimalista al \"sentirsi bene\" in generale e al Stoubsuger <\/em>una canzone d'amore cantata in modo sognante con un climax brillante. Giocoso, versatile, ironico, un po' eccentrico, ma anche profondamente serio - magnifico.\"\"<\/p>\n

king pepe & the queens, to hell with eternity, Big Money Records<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

L'ultimo album di Simon Hari, alias King Pepe, \u00e8 giocoso, eccentrico e anche profondamente serio. Non si sentono affatto le sue origini contadine. <\/p>","protected":false},"author":29,"featured_media":58633,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-58632","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":{"author":"Hanspeter K\u00fcnzler"},"yoast_head":"\nLakonischer Witz, feister Groove - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2022\/03\/lakonischer-witz-feister-groove\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lakonischer Witz, feister Groove - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Das j\u00fcngste Album von Simon Hari, alias King Pepe, ist verspielt, verschroben und auch tief ernst. 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