{"id":58648,"date":"2022-01-19T15:16:42","date_gmt":"2022-01-19T14:16:42","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=58648"},"modified":"2024-09-30T15:19:01","modified_gmt":"2024-09-30T13:19:01","slug":"plaedoyer-fuer-einen-antizykliker","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker","title":{"rendered":"Supplica per un anticiclista"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_58649\" aria-describedby=\"caption-attachment-58649\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-58649 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL.jpeg\" alt=\"\" width=\"554\" height=\"415\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL.jpeg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL-300x225.jpeg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL-16x12.jpeg 16w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL-234x175.jpeg 234w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL-467x350.jpeg 467w\" sizes=\"(max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-58649\" class=\"wp-caption-text\">Orchestre de chambre de Lausanne. Foto: Studio federale<\/figcaption><\/figure>\n<p>La sua musica \u00e8 piena di umorismo, ingegno frizzante e finezza ritmica: Stiamo parlando di Jean Fran\u00e7aix, una figura unica del XX secolo. Nato a Le Mans nel 1912, il compositore francese era tutt'altro che un avanguardista; la sua musica si orienta verso il neoclassicismo di Stravinskij, ma interiorizza anche l'eleganza e la finezza di Francis Poulenc e del Groupe des Six in generale. Fran\u00e7aix rimase fedele alla sua linea fino alla sua morte, avvenuta a Parigi nel 1997.<\/p>\n<p>Sebbene abbia raggiunto il suo successo internazionale nel 1936 a Baden-Baden con un Concertino per pianoforte e orchestra, si distingue soprattutto per la sua vasta opera per strumenti a fiato. L'insolita strumentazione della sua divertente musica per fiati \u00e8 probabilmente il principale ostacolo alla sua diffusione. Ne sono un esempio i suoi noti <em>Caratteristiche dei nuovi pezzi<\/em> che sono state composte per dieci strumenti a fiato e sono quindi raramente ascoltate in sala da concerto.<\/p>\n<p>La sezione di fiati dell'Orchestre de chambre de Lausanne sotto la direzione di Nicolas Chalvin pone ora rimedio a questo, almeno su CD. Ci si meraviglia della precisione ritmica nella progressione motoria del Presto introduttivo e della profondit\u00e0 dell'elegiaco e affascinante Amoroso che segue. \u00c8 un forte appello per una musica poco conosciuta dal pubblico.<\/p>\n<p>La sequenza del programma \u00e8 strutturata in modo intelligente, e inizia in modo sensato con un <em>Musica per divertirsi<\/em> di Poulenc-Fran\u00e7aix, che ci mette al centro di questo raro, arguto ed eloquente \"idioma musicale\" con due flauti, oboi, clarinetti, fagotti e corni. Molti dei brani presentati sono arrangiamenti, come le tre \u00c9cossaises di Chopin o la <em>Cort\u00e8ge burlesque<\/em> di Chabrier.<\/p>\n<p>La registrazione si conclude con <em>Trois marches militaires<\/em> di Schubert-Fran\u00e7aix, che a volte ricordano le serenate per fiati del primo periodo classico, ma che appaiono anche un po' lunghe, nonostante l'ensemble sia stilisticamente sicuro del proprio impegno nei confronti dei brani. Come avvertenza, va notato che le \"miniature\", la maggior parte delle quali non dura pi\u00f9 di due minuti, possono risultare stancanti per un pubblico non esclusivamente affine agli strumenti a fiato.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2022\/01_02\/francaix\/content\/06\/imageBinary\/01Naegele.png\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Jean Fran\u00e7aix: Opere per fiati. Orchestre de chambre de Lausanne; direttore Nicolas Chalvin. CD Claves 50-3032<\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Un doppio quintetto dell'Orchestre de chambre de Lausanne presenta la divertente musica per fiati di Jean Fran\u00e7aix.<\/p>","protected":false},"author":29,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-58648","post","type-post","status-publish","format-standard","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":{"author":"Verena Naegele"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pl\u00e4doyer f\u00fcr einen Antizykliker - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pl\u00e4doyer f\u00fcr einen Antizykliker - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Ein Doppelquintett des Orchestre de chambre de Lausanne stellt die unterhaltsame Bl\u00e4sermusik von Jean Fran\u00e7aix vor.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-19T14:16:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-30T13:19:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL.jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Pl\u00e4doyer f\u00fcr einen Antizykliker\",\"datePublished\":\"2022-01-19T14:16:42+00:00\",\"dateModified\":\"2024-09-30T13:19:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker\"},\"wordCount\":360,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/OCL.jpeg\",\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker\",\"name\":\"Pl\u00e4doyer f\u00fcr einen Antizykliker - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/OCL.jpeg\",\"datePublished\":\"2022-01-19T14:16:42+00:00\",\"dateModified\":\"2024-09-30T13:19:01+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/OCL.jpeg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/OCL.jpeg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/01\\\/plaedoyer-fuer-einen-antizykliker#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Pl\u00e4doyer f\u00fcr einen Antizykliker\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Supplica per un anticiclista - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker\/","og_locale":"it_IT","og_type":"article","og_title":"Pl\u00e4doyer f\u00fcr einen Antizykliker - Schweizer Musikzeitung","og_description":"Ein Doppelquintett des Orchestre de chambre de Lausanne stellt die unterhaltsame Bl\u00e4sermusik von Jean Fran\u00e7aix vor.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2022-01-19T14:16:42+00:00","article_modified_time":"2024-09-30T13:19:01+00:00","og_image":[{"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL.jpeg","type":"","width":"","height":""}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Pl\u00e4doyer f\u00fcr einen Antizykliker","datePublished":"2022-01-19T14:16:42+00:00","dateModified":"2024-09-30T13:19:01+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker"},"wordCount":360,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL.jpeg","articleSection":["Rezensionen","Tontr\u00e4ger"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker","name":"Supplica per un anticiclista - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL.jpeg","datePublished":"2022-01-19T14:16:42+00:00","dateModified":"2024-09-30T13:19:01+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL.jpeg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/09\/OCL.jpeg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2022\/01\/plaedoyer-fuer-einen-antizykliker#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Pl\u00e4doyer f\u00fcr einen Antizykliker"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/58648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=58648"}],"version-history":[{"count":1,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/58648\/revisions"}],"predecessor-version":[{"id":58650,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/58648\/revisions\/58650"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=58648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=58648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=58648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}