{"id":58669,"date":"2022-09-07T15:10:20","date_gmt":"2022-09-07T13:10:20","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=58669"},"modified":"2024-10-01T15:20:44","modified_gmt":"2024-10-01T13:20:44","slug":"saxofon-sounds","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2022\/09\/saxofon-sounds","title":{"rendered":"Suoni di sassofono"},"content":{"rendered":"
\n
\"\"
I sassofonisti di \"Uneven Same\". Foto: zVg<\/figcaption><\/figure>\n

Il sassofono, brevettato nel 1846 e inventato dal belga Adolphe Sax, inizi\u00f2 la sua marcia trionfale solo con la nascita del jazz nella metropoli musicale statunitense di New Orleans. Gi\u00e0 nel 1929, il critico musicale tedesco Alfred Baresel lo defin\u00ec \"il pi\u00f9 importante strumento melodico del genere\". Due nuove pubblicazioni dimostrano che \u00e8 stato a lungo centrale anche in altri ambiti.<\/p>\n<\/div>\n

\n

Il percorso conduce innanzitutto ai Klapparat, che si sono riorganizzati nel 2021 e da allora viaggiano come quintetto con quattro sassofoni e batteria anzich\u00e9 come sestetto. Il loro attuale album Orbita<\/em> dimostra che la band, per la maggior parte originaria di Berna, non solo ha cambiato la propria formazione, ma si \u00e8 anche riorganizzata: I Klapparat sono gi\u00e0 riusciti a distinguersi per l'improvvisazione inventiva e il rumoroso street jazz. Ora, per\u00f2, il loro lavoro ha raggiunto un nuovo livello. Anche perch\u00e9 si \u00e8 rivelata una mossa intelligente arricchire il loro sound con un tubax, un sassofono basso. Questo permette di ottenere toni particolarmente bassi, che scricchiolano e ringhiano. Il risultato \u00e8 costituito da brani come Sofferenza lidiota<\/em>che si snoda tra l'elegante e l'intricato, oppure come Luce della sera<\/em>che si rivela gradualmente un dramma. Altri punti salienti sono la francamente altalenante Parte 3<\/em> e Campi<\/em> - un numero finemente stratificato che sa come impressionare con immagini atmosferiche che variano continuamente. Brani come quelli sopra citati rendono evidente che Klapparat pu\u00f2 lavorare con Orbita <\/em>\u00e8 riuscito a creare un'opera giocosa, dinamica e innovativa.<\/p>\n

\"\"
Apparecchio pieghevole. Foto: Stefan Marthaler<\/figcaption><\/figure>\n<\/div>\n

Al confronto, i quartetti per sassofono scritti da Thomas K. J. Mejer si presentano come semplici e fragili. I suoi undici pezzi, eseguiti dalle quattro sassofoniste Silke Strahl, Vera Wahl, Eva-Maria Karbacher e Manuela Villiger, sono taglienti e si basano su sonorit\u00e0 ritmicamente complesse e impegnative. Mentre Immagini sulpiziane I-IV <\/em>flirta con interiezioni che si rivelano leggere, piacevoli e capricciose, la successiva La neve scura cade sui suonatori di cornamusa<\/em> su quattro sassofoni contralto identici. Tuttavia, la loro interazione non d\u00e0 luogo a nulla di conformista, ma piuttosto a un caleidoscopio di suoni in filigrana che stimolano l'immaginazione ed evocano varie immagini. A volte ricordano lo sferragliare delle macchine da scrivere, altre volte gli alphorn all'alba. Le sonorit\u00e0 proposte, al confine tra la nuova musica e il jazz, non si annidano necessariamente nell'orecchio, ma offrono una visione approfondita di un mondo sonoro frastagliato. Se vi prendete il tempo di ascoltare questa musica, arriverete inevitabilmente alla conclusione che vale la pena esplorarla: Qui la creativit\u00e0 \u00e8 viva e vegeta.<\/p>\n

\"Image<\/p>\n

Quartetti di sassofoni di Thomas K. J. Mejer: Uneven Same. Manuela Villiger, Eva-Maria Karbacher, Vera Wahl, Silke Strahl, sassofoni. Wide Ear Records WER065<\/em><\/p>\n

\n
\n
\"Image<\/dt>\n<\/dl>\n<\/div>\n

Klapparat (Daniel Zumofen, Charlotte Lang, Ivo Prato, Matthias Wenger, sassofoni; Philipp Leibundgut, batteria): Orbit. www.klapparat.ch<\/a>
\n<\/em><\/p>\n

\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Negli attuali album della formazione bernese Klapparat o del compositore Thomas K. J. Mejer, lo strumento si presenta tra improvvisazione e zone di confine. <\/p>","protected":false},"author":29,"featured_media":58670,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-58669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":{"author":"Michael Gasser"},"yoast_head":"\nSaxofon-Sounds - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2022\/09\/saxofon-sounds\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Saxofon-Sounds - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Auf den aktuellen Alben der Berner Formation Klapparat oder des Komponisten Thomas K. 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