{"id":58794,"date":"2020-10-27T09:48:55","date_gmt":"2020-10-27T08:48:55","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=58794"},"modified":"2024-10-03T09:58:23","modified_gmt":"2024-10-03T07:58:23","slug":"buechel-frisch-ergruendet","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2020\/10\/buechel-frisch-ergruendet","title":{"rendered":"B\u00fcchel appena scandagliato"},"content":{"rendered":"
\"\"
Balthasar Streiff e Yannick Wey. Foto: B\u00fcchelbox<\/figcaption><\/figure>\n

Il B\u00fcchel \u00e8 la versione maneggevole dell'alphorn, per cos\u00ec dire. Il nome deriva dalla parola \"piegare\" e deriva dal fatto che il corpo sonoro \u00e8 piegato due volte e di conseguenza \u00e8 pi\u00f9 corto. Il B\u00fcchel \u00e8 classificato come strumento di ottone, \u00e8 rivestito di corteccia di betulla e ha un suono simile a quello della tromba barocca. Come la tromba barocca e l'alphorn, non ha n\u00e9 fori n\u00e9 valvole, per cui le note devono essere prodotte esclusivamente tramite la pressione dell'aria e l'embouchure. In un'intervista sulla piattaforma online, Balthasar Streiff spiega che il fatto che il B\u00fcchel abbia ancora oggi un'esistenza piuttosto misera, mentre l'alphorn sta vivendo un boom in un'ampia variet\u00e0 di contesti musicali, \u00e8 probabilmente dovuto al fatto che \u00e8 cos\u00ec difficile da suonare Aprire il pianeta del suono<\/em>. \"Poich\u00e9 tutto \u00e8 pi\u00f9 piccolo rispetto all'alphorn, \u00e8 pi\u00f9 delicato, pi\u00f9 difficile e richiede un approccio migliore\".<\/p>\n

Originariamente scultore, Streiff ha trovato la sua strada verso la musica attraverso la land art e il concetto di esplorare lo \"spazio\" attraverso il suono. Per molti anni ha esplorato i suoni dell'alphorn e di molti altri strumenti a fiato naturali provenienti da tutto il mondo. Si \u00e8 fatto conoscere non da ultimo con il duo sperimentale Stimmhorn, che ha pubblicato cinque album e ha vinto lo Swiss Cabaret Award. Yannick Wey \u00e8 assistente di ricerca presso l'Universit\u00e0 di Scienze Applicate e Arti di Lucerna e suona la tromba e il B\u00fcchel in varie formazioni e da solo.<\/p>\n

Con il B\u00fcchelbox<\/em> e il libro musicale pubblicato contemporaneamente, che si basano su un anno di intense ricerche, i due musicisti presentano la prima raccolta di brani di B\u00fcchel completa dal punto di vista stilistico, storico e geografico. L'arco cronologico spazia dai compositori barocchi italiani e austriaci Bartolomeo Bismantova e Romanus Weichlein a brani anonimi e \"tradizionali\", trascritti tra gli altri dal musicologo tedesco Christian Kaden, fino alle composizioni del compositore di Svitto Alois Bucher, alias B\u00fcchel-Wisi, morto nel 2009, e dello stesso Balthasar Streiff. Molti contributi sono legati alla Valle della Muota, la roccaforte svizzera di B\u00fcchel, ed evocano immagini di splendidi mondi montani semplicemente per abitudine. La diversit\u00e0 stilistica dei 47 pezzi brevi simili a vignette \u00e8 notevole. Il Segnali dei pastori della Turingia<\/em> La musica ricorda i giochi di domande e risposte del gospel, mentre i tre duetti anonimi dell'Ungheria, che risalgono al XVIII secolo, hanno un tono pi\u00f9 alto e un suono decisamente spettrale. Il fatto che i toni a volte scivolino naturalmente e che la scala non si adatti alla musica radiofonica convenzionale del nostro tempo crea comunque un ponte affascinante tra la tradizione senza tempo e la modernit\u00e0 sperimentale.<\/p>\n

\n
\n
\"Image<\/dt>\n<\/dl>\n<\/div>\n
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B\u00fcchelbox. Balthasar Streiff e Yannick Wey. <\/em>Zytglogge, EAN 7611698043694<\/em><\/p>\n

Il libro di musica per il CD \u00e8 pubblicato da M\u00fcllrad-Verlag di Altdorf (Art.Nr. 1064, Fr. 34.00).<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Balthasar Streiff e Yannick Wey hanno esplorato a fondo il suono e il repertorio di questo antico strumento. Ora presentano un'impressionante raccolta di brani in termini di suono e scrittura. <\/p>","protected":false},"author":29,"featured_media":58799,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-58794","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":{"author":"Hanspeter K\u00fcnzler"},"yoast_head":"\nB\u00fcchel frisch ergr\u00fcndet - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2020\/10\/buechel-frisch-ergruendet\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"B\u00fcchel frisch ergr\u00fcndet - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Balthasar Streiff und Yannick Wey haben Klang und Repertoire dieses alten Instruments gr\u00fcndliche erkundet. 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