{"id":5882,"date":"2022-03-30T00:00:00","date_gmt":"2022-03-29T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/ecole-classique\/"},"modified":"2024-08-13T11:42:47","modified_gmt":"2024-08-13T09:42:47","slug":"ecole-classique","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2022\/03\/ecole-classique","title":{"rendered":"Ecole classique"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Foto-Seoul-orizz-klein.jpg\" alt=\"\" width=\"554\" height=\"371\" \/><figcaption class=\"wp-caption-text\">Paolo Crivellaro. Foto: zVg<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Nel 2015, Paolo Crivellaro, professore di organo presso l'Universit\u00e0 delle Arti di Berlino, ha pubblicato il libro <em>La scuola organistica della Germania settentrionale <\/em>(Carus), che offre una raccolta completa di fonti commentate sulla prassi esecutiva e sulla strumentazione di questo panorama organistico. Ora \u00e8 in corso di pubblicazione un'opera analoga, incentrata sull'Ecole classique francese.<\/p>\n<p>Dopo una prima panoramica sul repertorio, le fonti e il contesto liturgico della musica dall'inizio del XVII alla met\u00e0 del XVIII secolo, viene descritto in dettaglio lo strumento specifico prima che i m\u00e9langes caratteristici della scuola francese vengano discussi sulla base di note di registrazione e illustrati con numerose citazioni ed esempi musicali. I capitoli sulla difficile questione dell'in\u00e9galit\u00e9, del tempo, dell'ornamentazione e della diteggiatura completano la ricchezza di informazioni con quegli aspetti della prassi esecutiva storicamente informata che sono centrali in questa musica estremamente \"codificata\", che richiede una grande conoscenza di base. Crivellaro riesce a far luce su questi argomenti con una presentazione chiara, utilizzando fonti annotate disponibili nella formulazione originale e nella traduzione tedesca, e a riassumere lo stato attuale della ricerca; l'ampia bibliografia fornisce informazioni e riferimenti per letture approfondite. Brevi ritratti dei 25 compositori pi\u00f9 importanti (da Eustache du Caurroy a Claude-B\u00e9nigne Balbastre) e delle loro opere completano il libro.<\/p>\n<p>Poich\u00e9 Crivellaro si astiene in larga misura dal \"valutare\" le fonti o dal dare consigli interpretativi specifici sulle singole opere, il suo manuale non esime il lettore dal familiarizzare con la musica sullo strumento, dal provare e dal \"sentire\" letteralmente la strada verso questo linguaggio tonale, ma pone ottime basi per un approccio stilisticamente adeguato a questo repertorio, che certamente far\u00e0 scuola e sar\u00e0 di grande utilit\u00e0 soprattutto per i lettori non francofoni - il libro \u00e8 disponibile anche in una traduzione in inglese e in una in italiano.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Crivellaro.png\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Paolo Crivellaro: Organo e interpretazione - l'Ecole classique francese, 358 p., \u20ac 45,95, Blockwerk Editiones, 2021, ISBN 978-3-9821872-0-4<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Il libro di Paolo Crivellaro pone le basi per un esame stilisticamente adeguato della scuola organistica francese dall'inizio del XVII alla met\u00e0 del XVIII secolo.<\/strong><\/p>","protected":false},"author":1,"featured_media":5883,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[1808,1699,1807,1800],"class_list":["post-5882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-franzoesische-orgelschule","tag-orgel","tag-paolo-crivellaro","tag-tobias-willi"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ecole classique - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2022\/03\/ecole-classique\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ecole classique - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Paolo Crivellaro legt mit seinem Buch die Grundlage f\u00fcr eine stilistisch ad\u00e4quate Auseinandersetzung mit der franz\u00f6sischen Orgelschule von Beginn des 17. bis Mitte 18. 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