{"id":58820,"date":"2020-05-26T10:08:10","date_gmt":"2020-05-26T08:08:10","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=58820"},"modified":"2024-10-03T10:10:33","modified_gmt":"2024-10-03T08:10:33","slug":"locker-aus-dem-aermel","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2020\/05\/locker-aus-dem-aermel","title":{"rendered":"Fuori dalla manica"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_58821\" aria-describedby=\"caption-attachment-58821\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-58821 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/SinfonieorchesterBasel_c_MatthiasWilli.jpg\" alt=\"\" width=\"554\" height=\"369\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/SinfonieorchesterBasel_c_MatthiasWilli.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/SinfonieorchesterBasel_c_MatthiasWilli-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/SinfonieorchesterBasel_c_MatthiasWilli-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/SinfonieorchesterBasel_c_MatthiasWilli-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/SinfonieorchesterBasel_c_MatthiasWilli-525x350.jpg 525w\" sizes=\"(max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-58821\" class=\"wp-caption-text\">Orchestra Sinfonica di Basilea con Ivor Bolton. Foto: Matthias Willi<\/figcaption><\/figure>\n<p>Luciano Berio \u00e8 stato un compositore eccezionale. Gi\u00e0 negli anni Sessanta fece scalpore la sua \"estetica aperta\", che port\u00f2 a opere fondamentali come la composizione citazionista <em>Sinfonia <\/em>(1968\/69). \"Prendo in prestito citazioni dal museo\", ha detto una volta, \"e le mescolo con la mia musica\". Il CD registrato dall'Orchestra Sinfonica di Basilea sotto la direzione di Ivor Bolton, dal semplice titolo <em>Trasformazione<\/em> offre ora delle intuizioni speciali. Berio \u00e8 davvero \"aperto\": aperto a Johann Sebastian Bach, a Gustav Mahler, ma anche a classici dei Beatles come <em>Michelle, Ticket to Ride<\/em> o <em>Ieri<\/em>.<\/p>\n<p>Si potrebbe discutere a lungo sui termini arrangiamento, orchestrazione o strumentazione. In ogni caso, Berio non si impegna nella decostruzione tipica dell'avanguardia nei suoi riarrangiamenti. Bach <em>Contrapunctus XIX<\/em> dal <em>L'arte della fuga <\/em>La inserisce in un caldo arrangiamento per fiati. Le voci si presentano ora in modo elegante, non con la \"visione a raggi X\" che era ancora cara alla scuola di Sch\u00f6nberg, strutturalmente orientata. In altri adattamenti, Berio si mostra anche da un lato musicale non dogmatico e completamente lussurioso. La Spagna ardente si riflette nelle trascrizioni dei brani di Manuel de Falla <em>Siete Canciones populares Espa\u00f1olas<\/em> echi. Egli orchestra le canzoni, a volte sfacciate, a volte molto intime, con un'enorme sensibilit\u00e0 sonora, lasciando intatta la parte del mezzosoprano.<\/p>\n<p>La Sonata op. 120 n. 1 per clarinetto (o viola) e pianoforte, scritta da Johannes Brahms nel 1894, sembra scritta di getto. Nel 1986, Berio ha orchestrato la musica da camera in cinque movimenti in una vera e propria sinfonia romantica. Gli adattamenti dei Beatles devono essere classificati come opere occasionali stravaganti e divertenti. Tuttavia, l'opera stranamente barocca, completamente nello spirito dei Beatles, \u00e8 un'altra cosa. <em>Concerto Brandeburghese<\/em><em>valori<\/em> I classici dei Beatles. Probabilmente si tratta pi\u00f9 di una questione privata che di un contributo speciale all'onorevole storia della musica. Cathy Berberian, la cantante americana e poi moglie di Luciano Berio, era \"pazza dei Beatles\" - e allora perch\u00e9 non un saluto d'amore barocco con \"I love you, I love you, I love you\" da <em>Michelle<\/em>? Beh, tutto sommato un doppio CD piacevole, che tra l'altro ha anche un buon sapore quando si cucina.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2020\/06\/berio\/content\/05\/imageBinary\/06_crit_cd_Moeller_Berio.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Trasformazione. Arrangiamenti di Luciano Berio. Sophia Burgos, soprano; Benjamin Appl, baritono; Daniel Ottensamer, clarinetto; Orchestra Sinfonica di Basilea; direttore, Ivor Bolton. Sony classical 190759820728 (2 CD)<\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>L'Orchestra Sinfonica di Basilea, diretta da Ivor Bolton, ha registrato un doppio CD con arrangiamenti di Luciano Berio: Bach, Boccherini, Brahms, Mahler, De Falla e Lennon\/McCartney, senza alcuna differenza. <\/p>","protected":false},"author":29,"featured_media":58821,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-58820","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":{"author":"Torsten M\u00f6ller"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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