{"id":5941,"date":"2021-02-23T00:00:00","date_gmt":"2021-02-22T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/von-abel-bis-zolotareff\/"},"modified":"2024-08-13T12:20:41","modified_gmt":"2024-08-13T10:20:41","slug":"von-abel-bis-zolotareff","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2021\/02\/von-abel-bis-zolotareff","title":{"rendered":"Da Abel a Zolotareff"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/david-pisnoy-S_ao-YqXl2w-unsplash.jpg\" alt=\"\" width=\"554\" height=\"415\" \/><figcaption class=\"wp-caption-text\">Foto: <a href=\"https:\/\/unsplash.com\/photos\/S_ao-YqXl2w\" target=\"_blank\" rel=\"noopener\">David Pisnoy\/unsplash.com<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Come il manuale <em>Musica per viola. Il ricco repertorio da Aaltonen a Zytowitsch<\/em>La cui quarta versione \u00e8 stata pubblicata nel 2013, l'opera ora dedicata alla musica per quartetto d'archi e anch'essa autopubblicata \u00e8 anche una raccolta di esperienze e consigli molto personali. All'et\u00e0 di diciassette anni, l'insegnante di scuola secondaria Konrad Ewald suonava gi\u00e0 il violino e la viola in un'orchestra locale. In seguito, questo dilettante estremamente avventuroso ha fatto parte di diversi quartetti d'archi, suonando circa 1000 opere di quasi 400 compositori nell'arco di sei decenni.<\/p>\n<p>La parte principale del libro, illustrata con i frontespizi delle partiture, si rivela una guida non convenzionale alla letteratura quartettistica poco conosciuta. Nell'introduzione, l'autore commenta le opere annotate: \"Il fatto che siano sconosciute non ha nulla a che fare con loro, ma con noi. Noi non li conosciamo. Tutti ci hanno dato qualcosa (o volevano darci qualcosa), ma non ne abbiamo preso nota\". Ewald \u00e8 stato ispirato a scrivere dalla domanda: \"Perch\u00e9 la maggior parte delle formazioni di quartetti d'archi suonano sempre le stesse 100 opere di soli 20 compositori?\".<\/p>\n<p>Il titolo del libro si riferisce all'opera standard pubblicata per la prima volta nel 1936. <em>Il quartetto d'archi, tranquillamente godibile<\/em> di Ernst Heimeran, che dalla diciassettesima edizione del 1969 contiene recensioni di nuova formulazione di opere di Bruno Aulich. Ewald sostiene spesso le sue raccomandazioni con citazioni dalle guide di musica da camera di Wilhelm Altmann e dai tre volumi di Friedhelm Krummacher. <em>Storia del quartetto d'archi<\/em>. Nei contributi, organizzati in ordine alfabetico, non si occupa solo di problemi tecnici e del contenuto musicale delle composizioni, ma anche di nuove edizioni di opere da tempo esaurite e di registrazioni in CD.<\/p>\n<p>Con la sua profonda competenza, Ewald mette in difficolt\u00e0 molti ignari professori di musica da camera che non conoscono n\u00e9 lo spirito di scoperta n\u00e9 la passione. Particolarmente emozionanti sono i commenti intelligenti alle opere di Elfrida Andr\u00e9e, Carl Czerny, il compositore svizzero del primo romanticismo Friedrich Theodor Fr\u00f6hlich, Friedrich Gernsheim, Louis Th\u00e9odore Gouvy, Alexander Gretschaninow, Emilie Mayer, i fratelli Lachner, Friedrich Lux, Louis Massonneau, Bernhard Molique, Nikolai Myaskovsky, Ignaz Joseph Pleyel, Carl Gottlieb Reissiger, l'allievo di Beethoven Ferdinand Ries, Anton Rubinstein, Anton Ferdinand Titz e Wenzel Heinrich Veit.<\/p>\n<p>Il libro di Ewald d\u00e0 un'idea dell'inesauribile ricchezza di quartetti che Hermann Walther ha descritto nel suo <em>Catalogo del quartetto d'archi. Composizioni per quartetto d'archi dal 1700 a oggi<\/em> (Schott, Mainz 2017, cfr. <a href=\"\/de\/rezensionen\/buecher\/2020\/03\/streichquartett.html\" target=\"_blank\" rel=\"noopener\"><em>Giornale musicale svizzero<\/em> 3\/2020,<\/a> p. 21) con opere di oltre 11.000 compositori. Chiunque voglia dare uno sguardo approfondito alla musica internazionale per quartetto d'archi trover\u00e0 entrambi i libri indispensabili.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/03_crit_buch_Labhart_Ewald.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Konrad Ewald: Cosa non c'\u00e8 nell'\"Heimeran\". Ulteriori possibilit\u00e0 di esecuzione dal ricco repertorio per quartetto d'archi (da Abel a Zolotareff), 224 p., Fr. 36.00, autoprodotto da Konrad Ewald, Liestal 2020, distribuito da Schl\u00f6hlein GmbH, Basilea, ISMN 979-0-50274-999-6<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Le possibilit\u00e0 di esecuzione per quartetto d'archi al di l\u00e0 delle cento opere standard si trovano nel nuovo libro di Konrad Ewald. <\/strong><\/p>","protected":false},"author":1,"featured_media":5942,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[],"class_list":["post-5941","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen"],"acf":{"author":"Walter Labhart"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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