{"id":5947,"date":"2021-01-20T00:00:00","date_gmt":"2021-01-19T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/ein-diskreter-maezen\/"},"modified":"2026-03-10T10:10:27","modified_gmt":"2026-03-10T09:10:27","slug":"ein-diskreter-maezen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen","title":{"rendered":"Un mecenate discreto"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/reinhart-neu.jpeg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Werner Reinhart. Estratto dalla copertina del libro<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Grazie alla collezione d'arte di alto livello di R\u00f6merholz, di propriet\u00e0 di Oskar Reinhart (1885-1965), originario di Winterthur, \"Reinhart\" \u00e8 ancora un nome che risuona in tutta la Svizzera. Il fatto che suo fratello Werner (1884-1951) abbia raggiunto risultati altrettanto significativi nel campo della musica \u00e8 ormai noto soprattutto agli addetti ai lavori. Werner Reinhart fu pi\u00f9 attivo sullo sfondo, sostenendo il Musikkollegium Winterthur e portando a Eulachstadt l'importante direttore d'orchestra Hermann Scherchen. Grazie a loro, l'orchestra divenne un centro europeo per la musica contemporanea tra il 1923 e il 1951.<\/p>\n<p>Reinhart era un eccellente clarinettista dilettante che aveva una predisposizione per la nuova musica e la poneva al centro del suo lavoro. Tuttavia, il suo impegno era discreto e il suo coinvolgimento finanziario nelle esecuzioni spesso non veniva nemmeno menzionato. Grazie al lavoro standard di Peter Sulzer <em>10 compositori intorno a Werner Reinhart<\/em> (volume I, 1979; volume II, 1980), \u00e8 noto da tempo che egli, come Paul Sacher a Basilea, sostenne e rafforz\u00f2 a lungo termine alcuni compositori selezionati a Winterthur. Tra questi, Stravinsky, Krenek e Honegger, ma anche Hindemith e Richard Strauss. Strauss in particolare, che era \"associato\" al regime hitleriano, diede ripetutamente adito a speculazioni in relazione a Reinhart. Si diceva molto, ma non si sapeva nulla di pi\u00f9.<\/p>\n<p>Ora sono stati aperti gli archivi del Musikkollegium, compresi quelli privati di Reinhart; la musicologa Ulrike Thiele ha potuto consultarli e scrivere la sua tesi di laurea. Il risultato \u00e8 stato pubblicato da B\u00e4renreiter. L'entusiasmo era grande, ma alcune aspettative non sono state soddisfatte. Il resoconto della Thiele \u00e8 ricco di sfumature e sempre equilibrato. Questo vale, ad esempio, per i rapporti di Reinhart con gli spettacoli di musica da camera di Donaueschingen, che furono messi in regola dopo il 1933 e che egli frequentava e sosteneva ancora nel 1938.<\/p>\n<p>La valutazione di Thiele del famoso caso dell'opportunista Wilhelm Furtw\u00e4ngler, che diresse a Winterthur nel febbraio 1945 nonostante le accese proteste, come \u00abdimostrazione di una posizione politico-musicale\u00bb, \u00abche si basa sull'idea di una rigida separazione tra arte e politica\u00bb, lascia un po' perplessi. Lo stesso vale per la valutazione della gestione di Richard Strauss da parte di Reinhart.<\/p>\n<p>D'altra parte, ci rallegriamo di mecenatismi prima sconosciuti, come il fatto che l'esecuzione di De Falla di <em>Lo spettacolo di marionette del maestro Pedro <\/em>al Teatro delle Marionette di Zurigo nel 1926 \u00e8 stato reso possibile da Reinhart. O quanto abbia sostenuto Clara Haskil per molti anni, sia idealmente che materialmente, assicurandole cos\u00ec la sopravvivenza. Nel complesso, la tesi di Thiele contiene una grande quantit\u00e0 di informazioni e fonti sulla storia della musica in Svizzera nel XX secolo.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/1_2_crit_buch_Naegele.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Ulrike Thiele: Mecenate e mentore. Werner Reinhart come pioniere del modernismo musicale, Schweizer Beitr\u00e4ge zur Musikforschung, vol. 27, 332 p., \u20ac 39,95, B\u00e4renreiter, Kassel 2019, ISBN 978-3-7618-7201-7<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Ulrike Thiele ha raccolto le sue ricerche negli archivi ora aperti del Musikkollegium e nell'archivio privato di Werner Reinhart nella sua tesi di laurea. <\/strong><\/p>","protected":false},"author":1,"featured_media":5948,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[],"class_list":["post-5947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen"],"acf":{"author":"Verena Naegele"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ein diskreter M\u00e4zen - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ein diskreter M\u00e4zen - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Ihre Forschungen in den nun ge\u00f6ffneten Archiven des Musikkollegiums und Werner Reinharts Privatarchiv hat Ulrike Thiele in ihrer Dissertation zusammengetragen.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-19T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-10T09:10:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/reinhart-neu.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"369\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Ein diskreter M\u00e4zen\",\"datePublished\":\"2021-01-19T23:00:00+00:00\",\"dateModified\":\"2026-03-10T09:10:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen\"},\"wordCount\":423,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/reinhart-neu.jpeg\",\"articleSection\":[\"B\u00fccher\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen\",\"name\":\"Ein diskreter M\u00e4zen - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/reinhart-neu.jpeg\",\"datePublished\":\"2021-01-19T23:00:00+00:00\",\"dateModified\":\"2026-03-10T09:10:27+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/reinhart-neu.jpeg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/reinhart-neu.jpeg\",\"width\":554,\"height\":369},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2021\\\/01\\\/ein-diskreter-maezen#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ein diskreter M\u00e4zen\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Un mecenate discreto - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen\/","og_locale":"it_IT","og_type":"article","og_title":"Ein diskreter M\u00e4zen - Schweizer Musikzeitung","og_description":"Ihre Forschungen in den nun ge\u00f6ffneten Archiven des Musikkollegiums und Werner Reinharts Privatarchiv hat Ulrike Thiele in ihrer Dissertation zusammengetragen.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2021-01-19T23:00:00+00:00","article_modified_time":"2026-03-10T09:10:27+00:00","og_image":[{"width":554,"height":369,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/reinhart-neu.jpeg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Ein diskreter M\u00e4zen","datePublished":"2021-01-19T23:00:00+00:00","dateModified":"2026-03-10T09:10:27+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen"},"wordCount":423,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/reinhart-neu.jpeg","articleSection":["B\u00fccher","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen","name":"Un mecenate discreto - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/reinhart-neu.jpeg","datePublished":"2021-01-19T23:00:00+00:00","dateModified":"2026-03-10T09:10:27+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/reinhart-neu.jpeg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/reinhart-neu.jpeg","width":554,"height":369},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2021\/01\/ein-diskreter-maezen#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Ein diskreter M\u00e4zen"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Redazione Musikzeitung","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/5947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=5947"}],"version-history":[{"count":3,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/5947\/revisions"}],"predecessor-version":[{"id":71596,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/5947\/revisions\/71596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/5948"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=5947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=5947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=5947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}