{"id":5962,"date":"2020-10-27T00:00:00","date_gmt":"2020-10-26T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/ein-kanon-von-meisterstuecken\/"},"modified":"2024-03-12T17:14:39","modified_gmt":"2024-03-12T16:14:39","slug":"ein-kanon-von-meisterstuecken","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2020\/10\/ein-kanon-von-meisterstuecken","title":{"rendered":"Un canone di capolavori?"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/aniyora-j-PhuxBx5bOCk-unsplash.jpg\" alt=\"\" width=\"554\" height=\"405\" \/><figcaption class=\"wp-caption-text\">Foto: <a href=\"https:\/\/unsplash.com\/photos\/PhuxBx5bOCk\" target=\"_blank\" rel=\"noopener\">Aniyora J\/unsplash.com<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Opere chiave: da un lato, sono pezzi che aprono qualcosa di nuovo a un'epoca, in modo che tutto sia diverso da prima. Dall'altro lato, sono pezzi che rendono un'epoca accessibile a noi in retrospettiva, in modo da comprenderla meglio. Di quali pezzi si tratta? Alcuni di essi, <em>L'Orfeo<\/em>la Nona o la <em>Wozzeck<\/em> per esempio, sar\u00e0 facile essere d'accordo, ma poi inizia la discussione. E naturalmente ognuno sceglie in modo diverso!<\/p>\n<p>Ed \u00e8 per questo che anche una prima occhiata all'indice di questo libro fa sorgere dei dubbi. Solo un brano di Chopin, Ravel o Cage? Nessun Antoine Brumel, Gottfried Heinrich St\u00f6lzel o Pierre Henry, ma un concerto per pianoforte di Norbert Burgm\u00fcller o il quartetto per pianoforte di Guillaume Lekeu? E l'interpretazione di Glenn Gould della <em>Variazioni Goldberg<\/em> essere intesa come un'opera? La questione diventa ancora pi\u00f9 difficile quando gli autori non possono decidere a favore di una sola opera. Per esempio, scelgono una sinfonia ciascuno di Haydn e Mozart, ma mettono tutte le nove opere di Beethoven in una pagina e tutte le sue sonate per pianoforte in mezza pagina. \u00c8 impossibile formare un canone in questo modo.<\/p>\n<p>Forse un libro di \"opere chiave della musica\" non dovrebbe essere visto come una conferma delle proprie opinioni, ma piuttosto come una sfida. Ed \u00e8 esattamente quello che \u00e8: 268 opere chiave di 180 compositori dal Medioevo anonimo all'inizio del XXI secolo sono qui riunite e discusse in modo esemplare. Tuttavia, spesso non si tratta di ritratti di opere, ma piuttosto di ritratti di compositori, basati su un'opera. Ci\u00f2 testimonia anche una certa indecisione nei confronti dell'\"opera chiave\".<\/p>\n<p>Accessibilit\u00e0 e comprensibilit\u00e0 sono il programma: la musica classica oggi non \u00e8 pi\u00f9 qualcosa di elitario, ma facilmente afferrabile, affermano gli autori all'inizio della prefazione, e lo fanno cercando di non impelagarsi in una terminologia tecnica. A volte riescono a raccontare piccole storie. Decostruiscono i luoghi comuni e ne creano di propri in modo aneddotico. Il linguaggio contiene umorismo e ironia in alcuni punti, ma a volte \u00e8 un po' troppo lezioso, ad esempio quando si parla del libro di Witold Lutos\u0142awski <em>Giochi di societ\u00e0 <\/em>conclude: \"Le quattro brevi frasi sono incredibilmente vivaci, soprattutto l'ultima. La citt\u00e0 lagunare dovrebbe potersi riconoscere in esse\". Cosa dovrebbe significare? Nonostante i numerosi suggerimenti e informazioni, il libro lascia un'impressione un po' ambivalente. Un concetto pi\u00f9 chiaro avrebbe aiutato.\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/11_crit_buch_Meyer_schluuesselwerke.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Bernd Asmus, Claus-Steffen Mahnkopf, Johannes Menke: opere musicali fondamentali, 304 p., \u20ac 26,80, Wolke, Hofheim 2019, ISBN 978-3-95593-125-4<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>In questo libro sono presentate 268 opere chiave di 180 compositori. Tuttavia, i criteri di selezione rimangono vaghi.<\/strong><\/p>","protected":false},"author":1,"featured_media":5963,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[],"class_list":["post-5962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen"],"acf":{"author":"Thomas Meyer"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ein Kanon von Meisterst\u00fccken? - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2020\/10\/ein-kanon-von-meisterstuecken\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ein Kanon von Meisterst\u00fccken? - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"268 Schl\u00fcsselwerke von 180 Komponistinnen und Komponisten werden in diesem Buch vorgestellt. 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