{"id":5965,"date":"2020-09-03T00:00:00","date_gmt":"2020-09-02T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/plaedoyer-fuer-offenheit\/"},"modified":"2024-08-13T12:26:27","modified_gmt":"2024-08-13T10:26:27","slug":"plaedoyer-fuer-offenheit","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2020\/09\/plaedoyer-fuer-offenheit","title":{"rendered":"Appello all'apertura"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/philipp-berndt-5i0GnoTTjSE-unsplash.jpg\" alt=\"\" width=\"554\" height=\"399\" \/><figcaption class=\"wp-caption-text\">Foto: <a href=\"https:\/\/unsplash.com\/photos\/5i0GnoTTjSE\" target=\"_blank\" rel=\"noopener\">Philipp Berndt \/ Unsplash<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Lo si potrebbe definire aridamente un \"contributo alla ricerca biografica\". Ma le \"Conversazioni con sei compositori e una compositrice sui loro anni di studio\" di Werner Gr\u00fcnzweig offrono molto di pi\u00f9 che retrospettive soggettive di compositori ormai affermati. Se si leggono con attenzione le interviste a Peter Ablinger, Orm Finnendahl, Georg Friedrich Haas, Hanspeter Kyburz, Bernhard Lang, Isabel Mundry ed Enno Poppe, si ottengono spunti profondi, vivaci e sfaccettati che dicono molto sull'educazione estetica, sulla psicologia e, non ultimo, su un certo ambiente chiamato Nuova Musica.<\/p>\n<p>Il compositore e professore di composizione austriaco G\u00f6sta Neuwirth \u00e8 un punto di riferimento costante. Dal 1980 al 1990 circa, ha insegnato a tutti e sette i ritratti, in parte a Graz e in seguito a Berlino. Neuwirth era un mecenate liberale per il quale la tecnica compositiva significava molto, ma non tutto. Ai suoi studenti parlava di cinema, letteratura e pittura. Hanspeter Kyburz, cresciuto in Svizzera, \u00e8 stato ispirato dal periodo di studio a Graz proprio per la diversit\u00e0: \"Le lezioni di G\u00f6sta erano molto stimolanti, molto aperte, mondi stranieri. Ma cosa fare con questi alieni che hai visto?\".<\/p>\n<p>Una domanda davvero centrale. Chiunque visualizzi lo sviluppo dei sette compositori, molto diversi tra loro, giunge alla conclusione che ognuno di loro ha costruito il proprio mondo estetico. Kyburz ha intrapreso una direzione quasi scientifico-oggettiva, Peter Ablinger ha perseguito un'estetica concettuale che supera i confini, mentre Georg Friedrich Haas si \u00e8 dedicato con successo all'esplorazione del suono microtonale. Il fatto che non abbia sviluppato una scuola nel senso di Arnold Sch\u00f6nberg depone chiaramente a favore di Neuwirth. Ci sono professori di composizione molto pi\u00f9 rigidi e con un concetto di musica molto pi\u00f9 ristretto.<\/p>\n<p>Sebbene Neuwirth sia l'anello di congiunzione, Gr\u00fcnzweig non si occupa principalmente di insegnare la composizione. Nelle interviste - gi\u00e0 condotte nel 2007 e nel 2008 - pone le sue domande apertamente, guidate dal flusso della conversazione e adattate al rispettivo compositore. Questo metodo porta a un'accattivante variet\u00e0 di argomenti e a un tono molto personale. Anche gli specialisti di un compositore o di un altro scopriranno qualcosa di nuovo e saranno in grado di leggere tra le righe (soprattutto quando non vengono citati i nomi). I flashback degli anni Ottanta sono quasi malinconici. All'epoca c'era ovviamente molta pi\u00f9 libert\u00e0 di oggi, quando anche gli studi di composizione stanno gradualmente diventando sempre pi\u00f9 scolastici. Fondamentalmente, il libro \u00e8 un appello all'apertura liberale, un'apertura che rende possibili percorsi autodeterminati e sicuri di s\u00e9.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/09_crit_buch_Moeller_Gruenzweig.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Werner Gr\u00fcnzweig: Come si crea la musica? Conversazioni con sei compositori e una compositrice sul loro periodo di studio, 200 p., \u20ac 19,80, von Bockel-Verlag, Neum\u00fcnster 2019, ISBN 978-3-95675-026-7<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Werner Gr\u00fcnzweig ha intervistato sei compositori e una compositrice sul loro periodo di studio. Una ricerca di indizi sui diversi percorsi di avvicinamento alla musica<br \/><\/strong><\/p>","protected":false},"author":1,"featured_media":5966,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[],"class_list":["post-5965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen"],"acf":{"author":"Torsten M\u00f6ller"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pl\u00e4doyer f\u00fcr Offenheit - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2020\/09\/plaedoyer-fuer-offenheit\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pl\u00e4doyer f\u00fcr Offenheit - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Werner Gr\u00fcnzweig hat sechs Komponisten und eine Komponistin \u00fcber ihre Studienzeit befragt. 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