{"id":6034,"date":"2019-09-04T00:00:00","date_gmt":"2019-09-03T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/skandale-oder-skandaelchen\/"},"modified":"2024-08-13T14:28:52","modified_gmt":"2024-08-13T12:28:52","slug":"skandale-oder-skandaelchen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen","title":{"rendered":"Scandali o scandali?"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/holger-link-jm5AwAXSIA8-unsplash.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Foto: <a href=\"https:\/\/unsplash.com\/@photoholgic\" target=\"_blank\" rel=\"noopener\">Holger Link \/ Unsplash<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Le domande sono interessanti: quanta responsabilit\u00e0 ha un musicista rock? Quando raggiunge il limite in cui la provocazione sconfina in zone tab\u00f9, nei cosiddetti \"no-gos\"? I musicisti rock e pop si sono sempre scatenati in aree precarie - che si tratti di fantasie sessuali apertamente mostrate (i Rammstein in modo eloquente: <em>Piegarsi<\/em>) o scene cupe di violenza con riferimenti al Terzo Reich (Slayer: <em>Angelo della morte<\/em>). Ma non tutti i testi vanno presi al valore nominale. Alcuni - vedi i Rammstein - sono ironicamente infranti, altri - vedi gli Slayer - sono deliberatamente inscritti in quello scandalo e non necessariamente a sfondo politico, ma solo per promuovere le vendite. Un grande clamore \u00e8 una pubblicit\u00e0. Suscita interesse.<\/p>\n<p>I numerosi fenomeni pop e rock difficilmente possono essere ridotti a un comune denominatore. A questo proposito, l'autore e critico pop Jens Balzer farebbe bene a partire da alcuni esempi selezionati. Ci sono, ad esempio, quei rapper che hanno nel mirino i tardo-adolescenti. \"Giovane, brutale, bello xxx\" \u00e8 lo slogan dei rapper Kollegah e Farid Bang. I loro testi sono pieni di sesso, violenza e persino antisemitismo, che ha portato allo scandalo Echo. \"Il mio corpo \u00e8 pi\u00f9 definito di quello dei detenuti di Auschwitz\", dice la canzone <em>0815<\/em>. Altrove rappano: \"Fate un altro Olocausto, forza con le Molotov\".<\/p>\n<p>Se una cosa del genere possa essere giustificata con il concetto di libert\u00e0 artistica rimane dubbio. Per Balzer, in ogni caso, tali misfatti sono indice dell'abbrutimento della morale. Egli vede chiari parallelismi tra la musica e la politica odierna, dove siriani, musulmani o ebrei si trovano nel mirino verbale. Per Balzer, la responsabilit\u00e0 del pop significherebbe una consapevole controreazione alla nuova destra, nel senso di testi intelligenti senza frasi fatte, senza frasi ad effetto alla Kollegah. E anche un linguaggio politicamente corretto, come descrive nel caso dell'artista performativo inglese Planningtorock, aperto al diverso, allo straniero nel senso di considerazioni transgender differenziate. \"Si tratta\", riassume Balzer, \"dell'insostituibile speranza che il pop possa darci luoghi e spazi, momenti e opportunit\u00e0 in cui persone magari molto diverse da noi ci incontrino non come concorrenti e avversari, ma come amici\".<\/p>\n<p>Il libro di 200 pagine <em>Pop e populismo <\/em>fa gi\u00e0 riflettere. Tuttavia, c'\u00e8 da chiedersi se il mantello del silenzio non sia un'alternativa migliore della critica, che \u00e8 facile nel caso dei rapper meno intellettuali, ma che alla fine non porta da nessuna parte. Il pop come fenomeno di massa \u00e8 di solito superficiale o altamente imbarazzante di per s\u00e9. Lo stesso vale per la politica di destra. Anche l\u00ec i testi sono \"emotivi\", ma molto pi\u00f9 pericolosi della musica per adolescenti che vogliono solo essere forti.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Pop-1.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Jens Balzer: Pop e populismo. Sulla responsabilit\u00e0 nella musica, 206 p., \u20ac 17,00, Edition K\u00f6rber, Amburgo 2019, ISBN 978-3-89684-272-5<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>In \"Pop e populismo\", Jens Balzer analizza i testi delle canzoni, che secondo lui stanno diventando pi\u00f9 provocatori e aggressivi in parallelo con la politica. Il recensore concorda con questa analisi solo in misura limitata. <\/strong><\/p>","protected":false},"author":1,"featured_media":6035,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[],"class_list":["post-6034","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen"],"acf":{"author":"Torsten M\u00f6ller"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Skandale oder Skand\u00e4lchen? - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Skandale oder Skand\u00e4lchen? - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"In \u00abPop und Populismus\u00bb analysiert Jens Balzer Songtexte, die, wie er findet, parallel zur Politik provokanter und aggressiver werden. Der Rezensent stimmt dieser Analyse nur bedingt zu.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-03T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-13T12:28:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/holger-link-jm5AwAXSIA8-unsplash.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"369\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Skandale oder Skand\u00e4lchen?\",\"datePublished\":\"2019-09-03T23:00:00+00:00\",\"dateModified\":\"2024-08-13T12:28:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen\"},\"wordCount\":473,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/holger-link-jm5AwAXSIA8-unsplash.jpg\",\"articleSection\":[\"B\u00fccher\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen\",\"name\":\"Skandale oder Skand\u00e4lchen? - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/holger-link-jm5AwAXSIA8-unsplash.jpg\",\"datePublished\":\"2019-09-03T23:00:00+00:00\",\"dateModified\":\"2024-08-13T12:28:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/holger-link-jm5AwAXSIA8-unsplash.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/holger-link-jm5AwAXSIA8-unsplash.jpg\",\"width\":554,\"height\":369},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/09\\\/skandale-oder-skandaelchen#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Skandale oder Skand\u00e4lchen?\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Scandali o scandali? - Giornale musicale svizzero","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen\/","og_locale":"it_IT","og_type":"article","og_title":"Skandale oder Skand\u00e4lchen? - Schweizer Musikzeitung","og_description":"In \u00abPop und Populismus\u00bb analysiert Jens Balzer Songtexte, die, wie er findet, parallel zur Politik provokanter und aggressiver werden. Der Rezensent stimmt dieser Analyse nur bedingt zu.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2019-09-03T23:00:00+00:00","article_modified_time":"2024-08-13T12:28:52+00:00","og_image":[{"width":554,"height":369,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/holger-link-jm5AwAXSIA8-unsplash.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"4 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Skandale oder Skand\u00e4lchen?","datePublished":"2019-09-03T23:00:00+00:00","dateModified":"2024-08-13T12:28:52+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen"},"wordCount":473,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/holger-link-jm5AwAXSIA8-unsplash.jpg","articleSection":["B\u00fccher","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen","name":"Scandali o scandali? - Giornale musicale svizzero","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/holger-link-jm5AwAXSIA8-unsplash.jpg","datePublished":"2019-09-03T23:00:00+00:00","dateModified":"2024-08-13T12:28:52+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/holger-link-jm5AwAXSIA8-unsplash.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/holger-link-jm5AwAXSIA8-unsplash.jpg","width":554,"height":369},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/09\/skandale-oder-skandaelchen#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Skandale oder Skand\u00e4lchen?"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Redazione Musikzeitung","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/6034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=6034"}],"version-history":[{"count":2,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/6034\/revisions"}],"predecessor-version":[{"id":56661,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/6034\/revisions\/56661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/6035"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=6034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=6034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=6034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}