{"id":60910,"date":"2024-12-05T15:15:53","date_gmt":"2024-12-05T14:15:53","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=60910"},"modified":"2024-12-10T16:45:54","modified_gmt":"2024-12-10T15:45:54","slug":"generalbass","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2024\/12\/generalbass","title":{"rendered":"Basso continuo: Tutti gli inizi sono facili"},"content":{"rendered":"
\"\"
Il concerto. Dipinto a olio di Aniello Falcone (1606-1656). Museo del Prado \/ wikimedia commons<\/a><\/figcaption><\/figure>\n

Suonare il basso continuo su strumenti a tastiera richiede diverse abilit\u00e0: tecnica esecutiva, comprensione dell'armonia, capacit\u00e0 di leggere e reagire durante l'accompagnamento e anche fantasia improvvisativa, dato che la maggior parte delle note non \u00e8 scritta nello spartito. La maggiore difficolt\u00e0 iniziale \u00e8 quella di suonare senza una notazione precisa, ma questo \u00e8 molto pi\u00f9 facile quando si suona insieme ad altre voci, purch\u00e9 la musica non sia troppo impegnativa.<\/p>\n

Questo \u00e8 esattamente il punto in cui Greensleeves e torte di budino<\/em> . Nel contesto di brani d'insieme a una o a scelta a due voci superiori, tratti dalla musica da ballo prevalentemente inglese del primo barocco, i principianti del livello pi\u00f9 basso (livello 1) possono muovere i primi passi nell'improvvisazione del continuo senza molta preparazione: 1.) con gli stessi bassi (e accordi) percossi ripetutamente, 2.) con i bassi a pendolo, 3.) sequenze di primi passi, 4.) su punti d'organo con armonie mutevoli, dove le figure possono gi\u00e0 essere eseguite.) con gli stessi bassi (e accordi) colpiti ripetutamente, 2.) con bassi a pendolo, 3.) sequenze di primi passi, 4.) su punti d'organo con armonie mutevoli, dove le figure possono gi\u00e0 essere lette, fino a 6.) movimenti di basso con accordi sostenuti della \"mano destra\". Su questa semplice base, non ci sono limiti a ci\u00f2 che il \"principiante del continuo\" pu\u00f2 creare: ritmicamente, armonicamente, figurativamente, melodicamente, ornamentalmente, ecc. Tutto ci\u00f2 di cui si ha bisogno \u00e8 uno strumento, un compagno e, naturalmente, l'invitante libretto della clavicembalista, arpista e flautista dolce di Amburgo Monika Mandelartz. I livelli 2 e 3 sono gi\u00e0 in attesa del seguito!<\/p>\n

\"\"Monika Mandelartz: Greensleeves e Pudding Pies. Basso figurato e improvvisazione storica, 50 pezzi per 2 o pi\u00f9 strumentisti, livello 1, EW 1220, \u20ac 26,50, Walhall, Magdeburgo<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Monika Mandelartz utilizza esempi di musica da ballo per lo pi\u00f9 inglese del primo periodo barocco per mostrare come affrontare l'improvvisazione storica.<\/p>","protected":false},"author":29,"featured_media":60912,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[4605,4604,4603,4606],"class_list":["post-60910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-continuo","tag-generalbass","tag-historische-improvisation","tag-monika-mandelartz"],"acf":[],"yoast_head":"\nGeneralbass: Aller Anfang ist leicht 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