{"id":62154,"date":"2025-02-01T16:31:18","date_gmt":"2025-02-01T15:31:18","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=62154"},"modified":"2025-02-03T09:02:27","modified_gmt":"2025-02-03T08:02:27","slug":"orgelmusik-der-tudor-zeit","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit","title":{"rendered":"Musica d'organo del periodo Tudor"},"content":{"rendered":"
\"\"
Thomas Tallis su una vetrata della chiesa di St Alfege a Greenwich, nella cui chiesa medievale il compositore fu sepolto. Foto: Andy Scott \/ wikimedia commons<\/a><\/figcaption><\/figure>\n

Mentre la musica elisabettiana per strumenti a tastiera di compositori come Byrd, Gibbons, Farnaby e Bull ha trovato spazio nel repertorio concertistico, l'ampio corpus di musica organistica sopravvissuta del periodo Tudor, composta intorno al 1520-1560, non \u00e8 quasi mai stato ascoltato. Con due volumi Musica per organo dei primi Tudor <\/em>i curatori John Caldwell (*1938) e Danis Stevens avevano gi\u00e0 reso disponibili le fonti essenziali per l'uso pratico nel 1966 in un'opera pionieristica - principalmente il MS 29996, conservato presso la British Library. A distanza di quasi 60 anni, \u00e8 stata pubblicata una splendida nuova edizione in due volumi di questo repertorio, sempre a cura di Caldwell, che soddisfa i pi\u00f9 recenti standard accademici e lo stato attuale della ricerca sotto ogni aspetto.<\/p>\n

Si tratta di musica esclusivamente liturgica, che veniva eseguita in occasione del Uso di Sarum <\/em>forma praticata di canto gregoriano, ma anche con \"faburdens\" polifonici (alcuni dei quali sono stampati in appendice) o movimenti vocali \"composti\" alternati: Versetti per inni, antifone, per il Te Deum o il Magnificat e per l'Ordinario della Messa. Un'ampia prefazione fornisce numerose informazioni sulla prassi esecutiva, sulla costruzione degli organi Tudor, sui compositori (i pi\u00f9 noti, insieme a molti Anonimi, sono probabilmente Thomas Tallis, Thomas Preston e John Redford) e su questioni editoriali e di critica delle fonti.<\/p>\n

Gli oltre 100 brani - ciascuno introdotto da dettagliate relazioni critiche, spiegazioni e dettagli dei modelli vocali - offrono uno spaccato di un mondo sonoro che a prima vista appare un po' strano, caratterizzato da un'impostazione rigorosa e da un'affascinante complessit\u00e0 ritmica. Se volete saperne di pi\u00f9 sulla realizzazione tonale, troverete online una serie di nuove registrazioni (anche sui pochi strumenti di questo periodo finora ricostruiti) e di \"rievocazioni\" liturgiche e musicologiche.\" <\/em>servizi di questo periodo, ad esempio nell'ambito del progetto di ricerca \"Experience of Worship\" della Bangor University.<\/p>\n

Conclusione: Chiunque desideri studiare a fondo questo repertorio in gran parte sconosciuto trover\u00e0 qui una pubblicazione che soddisfa gli standard pi\u00f9 elevati e il cui prezzo elevato \u00e8 giustificato dalla preparazione straordinariamente accurata dei due volumi.<\/p>\n

\"\"<\/p>\n

Early Tudor Organ Music, Vol. 1 e 2, a cura di John Caldwell, (Early English Church Music Volume 65\/66), EECM65\/EECM66, 246\/210. p., \u00a3 100\/85, Stainer & Bell, London 2024<\/em><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Due volumi di qualit\u00e0 eccezionale aprono un repertorio finora poco conosciuto. <\/p>","protected":false},"author":29,"featured_media":62159,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[4714,4713,4717,1699,4716,4715,4712],"class_list":["post-62154","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-danis-stevens","tag-john-caldwell","tag-john-redford","tag-orgel","tag-thomas-preston","tag-thomas-tallis","tag-tudor-zeit"],"acf":[],"yoast_head":"\nOrgelmusik der Tudor-Zeit - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Zwei qualitativ hervorragende B\u00e4nde mit Orgelmusik erschliessen ein bislang wenig bekanntes Repertoire.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Orgelmusik der Tudor-Zeit - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Zwei qualitativ hervorragende B\u00e4nde mit Orgelmusik erschliessen ein bislang wenig bekanntes Repertoire.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-02-01T15:31:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-03T08:02:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"694\" \/>\n\t<meta property=\"og:image:height\" content=\"458\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Orgelmusik der Tudor-Zeit\",\"datePublished\":\"2025-02-01T15:31:18+00:00\",\"dateModified\":\"2025-02-03T08:02:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit\"},\"wordCount\":398,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg\",\"keywords\":[\"Danis Stevens\",\"John Caldwell\",\"John Redford\",\"Orgel\",\"Thomas Preston\",\"Thomas Tallis\",\"Tudor-Zeit\"],\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit\",\"name\":\"Orgelmusik der Tudor-Zeit - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg\",\"datePublished\":\"2025-02-01T15:31:18+00:00\",\"dateModified\":\"2025-02-03T08:02:27+00:00\",\"description\":\"Zwei qualitativ hervorragende B\u00e4nde mit Orgelmusik erschliessen ein bislang wenig bekanntes Repertoire.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg\",\"width\":694,\"height\":458},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/orgelmusik-der-tudor-zeit#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Orgelmusik der Tudor-Zeit\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Musica d'organo dell'epoca Tudor - Rivista musicale svizzera","description":"Due volumi di eccellente qualit\u00e0 dedicati alla musica per organo aprono le porte a un repertorio finora poco conosciuto.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit\/","og_locale":"it_IT","og_type":"article","og_title":"Orgelmusik der Tudor-Zeit - Schweizer Musikzeitung","og_description":"Zwei qualitativ hervorragende B\u00e4nde mit Orgelmusik erschliessen ein bislang wenig bekanntes Repertoire.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2025-02-01T15:31:18+00:00","article_modified_time":"2025-02-03T08:02:27+00:00","og_image":[{"width":694,"height":458,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Orgelmusik der Tudor-Zeit","datePublished":"2025-02-01T15:31:18+00:00","dateModified":"2025-02-03T08:02:27+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit"},"wordCount":398,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg","keywords":["Danis Stevens","John Caldwell","John Redford","Orgel","Thomas Preston","Thomas Tallis","Tudor-Zeit"],"articleSection":["Noten","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit","name":"Musica d'organo dell'epoca Tudor - Rivista musicale svizzera","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg","datePublished":"2025-02-01T15:31:18+00:00","dateModified":"2025-02-03T08:02:27+00:00","description":"Due volumi di eccellente qualit\u00e0 dedicati alla musica per organo aprono le porte a un repertorio finora poco conosciuto.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/St_Alfege_Church_Greenwich_stained_glass_Thomas_Tallis.jpg","width":694,"height":458},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/orgelmusik-der-tudor-zeit#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Orgelmusik der Tudor-Zeit"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/62154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=62154"}],"version-history":[{"count":5,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/62154\/revisions"}],"predecessor-version":[{"id":62163,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/62154\/revisions\/62163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/62159"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=62154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=62154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=62154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}