{"id":62165,"date":"2025-02-02T17:15:34","date_gmt":"2025-02-02T16:15:34","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=62165"},"modified":"2025-02-03T09:03:57","modified_gmt":"2025-02-03T08:03:57","slug":"wdr-studio","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/02\/wdr-studio","title":{"rendered":"Dove la musica elettronica irradiava"},"content":{"rendered":"<figure id=\"attachment_62168\" aria-describedby=\"caption-attachment-62168\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-62168 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Stockhausen_1994_WDR.jpg\" alt=\"\" width=\"1024\" height=\"705\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Stockhausen_1994_WDR.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Stockhausen_1994_WDR-300x207.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Stockhausen_1994_WDR-768x529.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Stockhausen_1994_WDR-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Stockhausen_1994_WDR-254x175.jpg 254w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Stockhausen_1994_WDR-508x350.jpg 508w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Stockhausen_1994_WDR-920x633.jpg 920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-62168\" class=\"wp-caption-text\">Karlheinz Stockhausen nell'ottobre 1994 nello studio di musica elettronica della WDR, durante la produzione di \"Freitag aus Licht\". Foto: Kathinka Pasveer \/ wikimedia commons<\/figcaption><\/figure>\n<p>Heinz Sch\u00fctz: il nome mi era sconosciuto in precedenza. Tuttavia, in questa storia dello Studio Elettronico della WDR di Colonia compare in modo preponderante. <em>Alba<\/em> \u00e8 il titolo del suo breve e concentrato brano su nastro del 1952, che a volte fa riferimento anche all'epocale opera di Stockhausen <em>Canzone dei giovani<\/em> (1955\/56). Tuttavia, Sch\u00fctz non si considerava un compositore, era un tecnico e aveva elaborato un pezzo dimostrativo per conto del capo dello studio Herbert Eimert. Ma con molto sentimento.<\/p>\n<p>Questo esempio dimostra quanto potenziale creativo ci fosse in quello studio, non solo tra i compositori, ma anche nella tecnologia. Erano tutti curiosi e coinvolti nel processo creativo. La musica elettronica, all'epoca ancora incomprensibile per molti ascoltatori, era una terra incognita che veniva esplorata in gruppo. Fino alla chiusura dello studio, avvenuta nel 2001, sono state create opere fondamentali. Lo studio aveva un carisma che lo ha reso leggendario - Miles Davis e i Beatles vi si sono ispirati - soprattutto, ovviamente, per merito dello stesso Stockhausen, che a volte si \u00e8 elevato a direttore. Ma c'erano anche altre innovazioni e tendenze molto stimolanti.<\/p>\n<p>Ci\u00f2 emerge con chiarezza in questa pubblicazione, curata dall'ex redattore della WDR Harry Vogt e dalla produttrice radiofonica Martina Seeber. Si tratta di un pezzo formativo della storia della musica che viene qui documentato e analizzato in saggi di vari autori. I cinque CD allegati, con oltre sei ore e mezza di musica, sono particolarmente preziosi. Oltre ai capolavori, contengono anche brani dimenticati o introvabili. Dal punto di vista svizzero, il <em>Dialoghi<\/em> del 1977, in cui Thomas Kessler combina strumenti europei ed extraeuropei con l'elettronica. Quando arriv\u00f2 l\u00ec, racconta il recentemente scomparso Kessler, Stockhausen aveva appena terminato la sua opera galattica <em>Sirio<\/em> aveva gi\u00e0 finito. \"L'ho trovato pi\u00f9 interessante di qualsiasi introduzione tecnica, perch\u00e9 potevo immaginare che il mio corpo potesse diventare un'antenna intergalattica semplicemente toccando un dispositivo\". Il risultato \u00e8 un ricco compendio, altamente informativo, facile da leggere e ricco di aneddoti.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-62169 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/01_02_crit_buch_Meyer-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/01_02_crit_buch_Meyer-203x300.jpg 203w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/01_02_crit_buch_Meyer-8x12.jpg 8w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/01_02_crit_buch_Meyer-118x175.jpg 118w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/01_02_crit_buch_Meyer-236x350.jpg 236w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/01_02_crit_buch_Meyer-300x444.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/01_02_crit_buch_Meyer.jpg 304w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/p>\n<p><em>Il suono di Radio Colonia. Das Studio f\u00fcr Elektronische Musik des WDR, a cura di Harry Vogt e Martina Seeber, 287 p., tedesco\/inglese, ill., con 5 CD, \u20ac 39,00, Wolke, Hofheim 2024, ISBN 978-3-95593-259-6<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Un volume ricco di fatti e aneddoti con cinque CD documenta la storia dello Studio per la musica elettronica di WDR.<\/p>","protected":false},"author":29,"featured_media":62168,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[4720,4719,4722,4721],"class_list":["post-62165","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-heinz-schuetz","tag-karlheinz-stockhausen","tag-studio-fuer-elektronische-musik-des-wdr","tag-thomas-kessler"],"acf":[],"yoast_head":"<!-- This site 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