{"id":62188,"date":"2025-02-03T10:19:09","date_gmt":"2025-02-03T09:19:09","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=62188"},"modified":"2025-02-12T15:36:19","modified_gmt":"2025-02-12T14:36:19","slug":"daumenlage-kontrabass","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass","title":{"rendered":"La posizione del pollice sul contrabbasso"},"content":{"rendered":"<figure id=\"attachment_62230\" aria-describedby=\"caption-attachment-62230\" style=\"width: 1310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-62230 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL.jpg\" alt=\"\" width=\"1310\" height=\"961\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL.jpg 1310w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL-300x220.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL-1024x751.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL-768x563.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL-16x12.jpg 16w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL-239x175.jpg 239w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL-477x350.jpg 477w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL-1091x800.jpg 1091w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL-920x675.jpg 920w\" sizes=\"auto, (max-width: 1310px) 100vw, 1310px\" \/><figcaption id=\"caption-attachment-62230\" class=\"wp-caption-text\">Foto: rubchikovaa\/depositphotos.com<\/figcaption><\/figure>\n<p>Il volume <em>Posizione del pollice<\/em> \u00e8 \"una raccolta sistematica e progressivamente strutturata con canzoni e brani noti e semplici esercizi tecnici per i registri alti del contrabbasso\". Charlotte Mohrs riassume con successo ci\u00f2 che l'edizione ha da offrire con questa prima frase del testo introduttivo.<\/p>\n<p>Il libretto \u00e8 strutturato in modo chiaro, contiene spiegazioni facili da seguire, esercizi semplici e melodie accattivanti che invitano i contrabbassisti a esplorare la posizione del pollice fin da piccoli. La gioia di suonare \u00e8 sempre al centro dell'attenzione. I vari esempi di letteratura provengono dalla letteratura solistica e orchestrale. Oltre agli estratti, sono presenti anche brani pi\u00f9 lunghi che riassumono musicalmente quanto appreso. Un'introduzione dettagliata \u00e8 seguita da otto capitoli che includono i diagrammi degli schemi di base delle posizioni delle dita; un accompagnamento per pianoforte \u00e8 disponibile per il download. I testi sono scritti in tedesco e in inglese.<\/p>\n<p>Il terzo capitolo, che si concentra sul secondo registro superiore, \u00e8 particolarmente riuscito. I brani e gli esercizi sono facili da eseguire grazie a due armonici che fungono da riferimento e a un minor numero di accidentali. La soglia di inibizione del movimento in questo registro alto viene superata in modo giocoso. Da sottolineare anche il quarto capitolo, dedicato in modo dettagliato agli armonici e solitamente piacevole da suonare.<\/p>\n<p>In una revisione, sarebbe utile aggiungere un indice delle parole chiave in appendice. Il volume tratta anche la tecnica dell'arco, che deve essere adattata nei registri alti. Sarebbe utile un capitolo aggiuntivo con una panoramica su questo aspetto.<\/p>\n<p>Questo libretto appartiene sicuramente alla classe degli insegnanti di contrabbasso, ed \u00e8 auspicabile che <em>Posizione del pollice<\/em> sar\u00e0 in futuro un'opera standard della letteratura per contrabbasso!<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-62189 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_note_Schaefer-229x300.jpg\" alt=\"\" width=\"229\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_note_Schaefer-229x300.jpg 229w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_note_Schaefer-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_note_Schaefer-133x175.jpg 133w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_note_Schaefer-267x350.jpg 267w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_note_Schaefer-300x394.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/01\/01_02_crit_note_Schaefer.jpg 457w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/p>\n<p><em>Charlotte Mohrs: Posizione del pollice. Esercizi e brani per introdurre la posizione del pollice sul contrabbasso, accompagnamento per pianoforte da scaricare, EC 23581, \u20ac 23,50, Schott, Mainz<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Il libretto di Charlotte Mohrs supera la soglia di inibizione alle note molto alte del contrabbasso con una gioia di suonare.<\/p>","protected":false},"author":29,"featured_media":62230,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[4724,4723,4299],"class_list":["post-62188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-charlotte-mohrs","tag-daumenlage","tag-kontrabass"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Die Daumenlage auf dem Kontrabass - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Mit Spielfreude \u00fcberwindet das Heft von Charlotte Mohrs die Hemmschwelle zu den ganz hohen T\u00f6nen auf dem Kontrabass.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Die Daumenlage auf dem Kontrabass - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Mit Spielfreude \u00fcberwindet das Heft von Charlotte Mohrs die Hemmschwelle zu den ganz hohen T\u00f6nen auf dem Kontrabass.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-02-03T09:19:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-12T14:36:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1310\" \/>\n\t<meta property=\"og:image:height\" content=\"961\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Die Daumenlage auf dem Kontrabass\",\"datePublished\":\"2025-02-03T09:19:09+00:00\",\"dateModified\":\"2025-02-12T14:36:19+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass\"},\"wordCount\":302,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/Depositphotos_44902833_XL.jpg\",\"keywords\":[\"Charlotte Mohrs\",\"Daumenlage\",\"Kontrabass\"],\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass\",\"name\":\"Die Daumenlage auf dem Kontrabass - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/Depositphotos_44902833_XL.jpg\",\"datePublished\":\"2025-02-03T09:19:09+00:00\",\"dateModified\":\"2025-02-12T14:36:19+00:00\",\"description\":\"Mit Spielfreude \u00fcberwindet das Heft von Charlotte Mohrs die Hemmschwelle zu den ganz hohen T\u00f6nen auf dem Kontrabass.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/Depositphotos_44902833_XL.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/Depositphotos_44902833_XL.jpg\",\"width\":1310,\"height\":961},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/02\\\/daumenlage-kontrabass#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Die Daumenlage auf dem Kontrabass\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La posizione delle dita sul contrabbasso - Rivista musicale svizzera","description":"Il libretto di Charlotte Mohrs supera la soglia di inibizione alle note molto alte del contrabbasso con una gioia di suonare.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass\/","og_locale":"it_IT","og_type":"article","og_title":"Die Daumenlage auf dem Kontrabass - Schweizer Musikzeitung","og_description":"Mit Spielfreude \u00fcberwindet das Heft von Charlotte Mohrs die Hemmschwelle zu den ganz hohen T\u00f6nen auf dem Kontrabass.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2025-02-03T09:19:09+00:00","article_modified_time":"2025-02-12T14:36:19+00:00","og_image":[{"width":1310,"height":961,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Die Daumenlage auf dem Kontrabass","datePublished":"2025-02-03T09:19:09+00:00","dateModified":"2025-02-12T14:36:19+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass"},"wordCount":302,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL.jpg","keywords":["Charlotte Mohrs","Daumenlage","Kontrabass"],"articleSection":["Noten","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass","name":"La posizione delle dita sul contrabbasso - Rivista musicale svizzera","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL.jpg","datePublished":"2025-02-03T09:19:09+00:00","dateModified":"2025-02-12T14:36:19+00:00","description":"Il libretto di Charlotte Mohrs supera la soglia di inibizione alle note molto alte del contrabbasso con una gioia di suonare.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/02\/Depositphotos_44902833_XL.jpg","width":1310,"height":961},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/02\/daumenlage-kontrabass#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Die Daumenlage auf dem Kontrabass"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/62188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=62188"}],"version-history":[{"count":2,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/62188\/revisions"}],"predecessor-version":[{"id":62231,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/62188\/revisions\/62231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/62230"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=62188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=62188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=62188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}