{"id":6342,"date":"2015-09-09T00:00:00","date_gmt":"2015-09-08T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/die-saeulen-des-repertoires\/"},"modified":"2024-08-07T15:46:34","modified_gmt":"2024-08-07T13:46:34","slug":"die-saeulen-des-repertoires","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2015\/09\/die-saeulen-des-repertoires","title":{"rendered":"I pilastri del repertorio"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Saeu.jpg\" alt=\"\" width=\"554\" height=\"439\" \/><figcaption class=\"wp-caption-text\">Foto: moga07\/pixelio.de<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Nella ricerca degli eccessi borghesi del termine \"canone\", entrato in voga qualche anno fa, ci si imbatte rapidamente nella <em>Canone letterario <\/em>di Marcel Reich-Ranicki. Il fatto che finora (per fortuna?) non si sia trovato un critico o uno studioso che presentasse qualcosa di paragonabile nel campo della musica non \u00e8 necessariamente dovuto all'argomento o a uno scrupolo generale. Piuttosto, manca una personalit\u00e0 deliziosamente offensiva, competente e di carattere con una presenza mediatica simile e pubblicabile.<\/p>\n<p>Naturalmente, con la pubblicazione di questo manuale, non ci sar\u00e0 pi\u00f9 bisogno di preoccuparsi della teoria e della storia di un \"canone musicale\" (da non confondere con il canone in musica). 34 testi di 35 autori coprono uno spettro molto ampio: dalla definizione dell'argomento alle specifiche formazioni di repertorio attraverso i secoli, fino agli aspetti mediatici e sistematici. Inoltre, \u00e8 presente un testo inedito di Ernst Ludwig Gerber del 1805: <em>Sui mezzi per preservare la memoria di artisti discografici meritevoli per i posteri<\/em> - un articolo che \u00e8 ancora oggi istruttivo, anche (o soprattutto) quando un editore in esso citato si lamenta che \"i musicisti non hanno comprato opere storiche\". Presumibilmente poco \u00e8 cambiato. Ed \u00e8 proprio per questo che \u00e8 necessario inserire questo manuale nelle varie liste di lettura pubbliche e private delle universit\u00e0 e dei college - anche se, per un motivo o per l'altro, non \u00e8 stato possibile prendere in considerazione tutti gli aspetti possibili e si pu\u00f2 immaginare una nuova edizione ampliata per includere i contributi attuali in qualche momento futuro. In questo caso, per\u00f2, il \"manuale\" dovrebbe davvero diventare tale: Con le sue impressionanti 950 pagine, il peso complessivo di 1,716 kg e la superficie liscia della carta fotografica utilizzata, non \u00e8 n\u00e9 una lettura maneggevole n\u00e9 facile da lavorare.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Kan.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Il canone della musica. Teoria e storia. Un manuale, a cura di Klaus Pietschmann e Melanie Wald-Fuhrmann, 950 p., \u20ac 79,00, edizione testo+kritk, Monaco 2013, ISBN 978-3-86916-106-8<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Per la musica non esiste ancora una compilazione di opere esemplari. Ma la teoria e la storia di queste formazioni di canoni esistono. <\/strong><\/p>","protected":false},"author":1,"featured_media":6343,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[],"class_list":["post-6342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Die S\u00e4ulen des Repertoires - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2015\/09\/die-saeulen-des-repertoires\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Die S\u00e4ulen des Repertoires - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Eine Zusammenstellung der musterg\u00fcltigen Werke gibt es f\u00fcr die Musik bisher nicht. 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