{"id":6357,"date":"2015-04-22T00:00:00","date_gmt":"2015-04-21T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/das-getoese-in-den-staedten\/"},"modified":"2024-08-07T15:54:55","modified_gmt":"2024-08-07T13:54:55","slug":"das-getoese-in-den-staedten","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2015\/04\/das-getoese-in-den-staedten","title":{"rendered":"Il clamore nelle citt\u00e0"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Vaux.jpg\" alt=\"\" width=\"554\" height=\"317\" \/><figcaption class=\"wp-caption-text\">Giardini di Vauxhall, 1810 Fonte: Microcosm of London Plate 089\/wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Chi il titolo <em>La musica popolare nel paesaggio sonoro urbano<\/em> probabilmente penserete a festival all'aperto o a Bob Dylan che si esibisce nella zona pedonale. Non \u00e8 un'idea sbagliata. Ma questa affascinante antologia di dieci saggi non parla di oggi, bens\u00ec di ieri, del pop dei tempi passati, per cos\u00ec dire. Si parla dei Vauxhall Gardens di Londra a met\u00e0 del XVIII secolo, delle bande di ottoni di Amburgo nel XIX secolo e degli enormi impianti audio dei primi anni del secolo scorso.<\/p>\n<p>Che cos'era il pop nel 1800? Il musicologo Martin Thrun si interess\u00f2 ai concerti pubblici nei Vauxhall di Londra, quei parchi di divertimento dove si svolgevano i fuochi d'artificio, dove erano appesi i quadri e le statue, dove si mangiava o ci si sedeva. Nel 1764, Leopold Mozart lod\u00f2 la \"bella musica\" dei concerti di Vauxhall; intorno al 1794, Joseph Haydn not\u00f2 che la musica nei parchi di Londra era \"abbastanza buona\". \u00c8 impressionante la constatazione di Thrun che il cambiamento del repertorio avvenne proprio con Beethoven come rappresentante della musica assoluta. Mentre Joseph Haydn e George Frideric Handel erano ancora spesso in programma fino al 1803, l'attenzione si concentrava ora maggiormente sulla musica da marcia e da ballo, valzer, quadriglia e musica per ottoni per bande militari. Il risultato: nel 1815 la stampa specializzata tedesca riferiva di \"concerti molto mediocri\", nel 1834 i critici tedeschi giudicavano la \"musica da marcia e da ballo\" come \"roba leggera e inconsistente\".<\/p>\n<p>Ci sono molte altre scoperte interessanti quando i musicologi e gli storici della cultura si allontanano dal canone elitario della cultura alta. Oggi si parla di \"inquinamento acustico\". Ma esisteva gi\u00e0 nel XIX secolo, quando le bande di strada tedesche avevano successo a Londra e persino a New York, ma allo stesso tempo incontravano meno favore a causa del loro volume. La musicologa Sonja Neumann analizza le dimensioni politiche dell'amplificazione pubblica nel suo articolo \"Gli inizi dell'amplificazione elettroacustica nelle aree urbane\". I cosiddetti altoparlanti a fungo dell'azienda Telefunken furono utilizzati in occasione della commemorazione del Putsch di Hitler il 9 novembre 1935 sulla K\u00f6nigsplatz di Monaco; anche il programma musicale della processione per la Giornata dell'arte tedesca del 1937, che consisteva in frammenti di musica di Richard Wagner, Georg Friedrich Handel e Anton Bruckner, fu amplificato elettricamente. Il fatto che il frastuono dell'amplificazione elettrica, delle 86 fanfare e dei 38 timpani fosse certamente discutibile dal punto di vista artistico non toglie che la considerazione della musica negli spazi pubblici sia importante almeno quanto quella della musica da sala da concerto. La musicologia ha trascurato molto in questo campo, ma ora ha molto su cui lavorare.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/REZ_campus_b_Getoese.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p>La musica popolare nel paesaggio sonoro urbano. Prospettive storico-culturali, a cura di Tobias Widmaier e Nils Grosch, 216 p., \u20ac 34,90, Waxmann, M\u00fcnster 2014, ISBN 978-3-8309-2261-2<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Anche nei tempi passati, le persone si sentivano infastidite dal rumore, dalla musica negli spazi pubblici. Questi saggi fanno luce su aspetti della cultura musicale che finora hanno ricevuto poca attenzione. <\/strong><\/p>","protected":false},"author":1,"featured_media":6358,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[],"class_list":["post-6357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen"],"acf":{"author":"Torsten M\u00f6ller"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Das Get\u00f6se in den St\u00e4dten - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2015\/04\/das-getoese-in-den-staedten\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Das Get\u00f6se in den St\u00e4dten - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Auch in vergangenen Zeiten f\u00fchlte man sich durch L\u00e4rm bel\u00e4stigt, durch Musik im \u00f6ffentlichen Raum. 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