{"id":63677,"date":"2025-03-14T09:08:52","date_gmt":"2025-03-14T08:08:52","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=63677"},"modified":"2025-03-14T09:39:52","modified_gmt":"2025-03-14T08:39:52","slug":"sonoritads-revoluziunaras","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras","title":{"rendered":"Sonoritads revoluziunaras"},"content":{"rendered":"<p>Guerre e violenze hanno attraversato il continente a partire dalla Rivoluzione francese e con essa le nuove idee di libert\u00e0 e uguaglianza. In Svizzera ci sono state turbolenze che hanno provocato la Rivoluzione svizzera del 1798, con l'appoggio della Francia, e la Repubblica elvetica, che \u00e8 esistita fino al 1803, ha trasformato la confederazione in uno Stato unitario. Questi eventi turbolenti hanno dato origine a una grande quantit\u00e0 di opere sonore e musicali: chanzuns e composizioni, descrizioni personali e protocolli ufficiali per la numerazione dei mo in p\u00e8r. Il progetto, finanziato dal Fondo Nazionale Svizzero per la Ricerca Scientifica e realizzato dall'autore di questo contributo, ha l'obiettivo di implementare queste funzioni. Al centro c'\u00e8 l'interazione tra la dimensione sonora e gli eventi politici e sociali dell'epoca: il termine \"paesaggio sonoro\" viene utilizzato per descrivere le attivit\u00e0 sonore e musicali e le interazioni tra i vari attori.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Chanzuns e imnis<\/strong><\/p>\n<p>Nel 1792 si conclude la prima guerra tra l'armata della Rivoluzione francese e i suoi avversari, soprattutto l'Austria. Surtut al cunfin da Basilea \u00e8n las armadas stadas confruntadas plirs onns a las duas rivas dal Rain. La Confederazione svizzera ha assunto un contingente di debitori dei Cantoni per osservare e difendere il Cantone in caso di emergenza. In questo contesto, \u00e8 stata creata una raccolta di reminiscenze di canti dell'ex Confederazione, che coprono l'arrivo delle truppe, l'arrivo a Basilea, l'ascesa dei difensori della patria e la vittoria. In repertori diversi da melodias, che ston esser stadas enconuschentas a blers, furmava la base musicale da quelle chanzuns. Il pi\u00f9 impressionante di questi \u00e8 l'originale Kaplied di Daniel Schubart (1787), composto per il pagamento dei debiti dalla Germania all'Africa. Verso la fine del 1797 nacque la retorica popolare del popolo di Basilea e politici progressisti come Peter Ochs (1752-1821) fomentarono una nuova rivoluzione che, tra l'altro, riconosceva alla popolazione rurale e a quella cittadina gli stessi diritti. Le feste delle sezzas rivoluzionarie erano un tempo stadas eveniments sonors, nua che che tuns da chanun, chanzuns da libertad e suns dal zain \u00e8n stads ina soundscape imposanta. Con l'intenzione di mantenere la neutralit\u00e0, ci sono state canzoni dei rivoluzionari francesi come la Marsigliese. La cantavano nella piazza della cattedrale con un testo adattato.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>La Repubblica Helvetica<\/strong><\/p>\n<p>Nei primi giorni del 1798, la pioggia fu registrata anche in altri cantoni, in alcuni casi sotto la pressione militare dei francesi. La vita musicale fu sospesa in molti luoghi - la sala del Collegium Musicum di Winterthur, ad esempio, serv\u00ec per un certo periodo come sala da concerto per gli ufficiali francesi. La nuova Repubblica elvetica, controllata per la maggior parte dagli svizzeri dell'ovest, ha organizzato una serie di rituali e festeggiamenti, in cui la musica, il canto e la danza hanno giocato un ruolo importante. Tra i rituali c'era la dedica della nuova repubblica che il popolo era stato costretto a compiere durante la citt\u00e0 del 1798; in parte con una veemente resistenza, brutalmente soppressa. Il tun e la musica han giug\u00e0 ina gronda rolla tar questas inscenaziuns. Music d'orchester sa maschadada cun tuns da tamburs e cun il chor da las vuschs - l'udida \u00e8 stada in med per crear il citadin helvetic. Chanzuns per questa chaschun sco \"Neues Freyheitslied, zu singen bey der Feyerlichkeit der B\u00fcrgereidleistung des Kantons Z\u00fcrich\", sin la melodia dal \u00c7a ira, \u00e8n stadas manifestaziuns da las novas relaziuns da pussanza.<\/p>","protected":false},"excerpt":{"rendered":"<p>In project dal Fond naziunal svizzer per la perscrutaziun scientifica prenda sut la marella ils tuns e la musica en Svizra suenter l'onn 1789.<\/p>","protected":false},"author":58047,"featured_media":63678,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[31,1562],"tags":[],"class_list":["post-63677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basis","category-smg"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sonoritads revoluziunaras - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sonoritads revoluziunaras - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"In project dal Fond naziunal svizzer per la perscrutaziun scientifica prenda sut la marella ils tuns e la musica en Svizra suenter l\u2019onn 1789.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-14T08:08:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-14T08:39:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Matheiu-SMZ-klein.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1355\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean Damien Humair\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean Damien Humair\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras\"},\"author\":{\"name\":\"Jean Damien Humair\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/a31b8cba578bde81984ffd46715f51dd\"},\"headline\":\"Sonoritads revoluziunaras\",\"datePublished\":\"2025-03-14T08:08:52+00:00\",\"dateModified\":\"2025-03-14T08:39:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras\"},\"wordCount\":580,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Matheiu-SMZ-klein.jpg\",\"articleSection\":[\"Basis\",\"SMG\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras\",\"name\":\"Sonoritads revoluziunaras - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Matheiu-SMZ-klein.jpg\",\"datePublished\":\"2025-03-14T08:08:52+00:00\",\"dateModified\":\"2025-03-14T08:39:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Matheiu-SMZ-klein.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Matheiu-SMZ-klein.jpg\",\"width\":1355,\"height\":1000},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smg\\\/2025\\\/03\\\/sonoritads-revoluziunaras#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sonoritads revoluziunaras\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/a31b8cba578bde81984ffd46715f51dd\",\"name\":\"Jean Damien Humair\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/19050aec28313b06b13b79b92029ec1dc485922fedd58cd581bfc6cd4b965244?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/19050aec28313b06b13b79b92029ec1dc485922fedd58cd581bfc6cd4b965244?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/19050aec28313b06b13b79b92029ec1dc485922fedd58cd581bfc6cd4b965244?s=96&d=mm&r=g\",\"caption\":\"Jean Damien Humair\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/jean-damien-humair\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sonoritads revoluziunaras - Giornale svizzero di musica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras\/","og_locale":"it_IT","og_type":"article","og_title":"Sonoritads revoluziunaras - Schweizer Musikzeitung","og_description":"In project dal Fond naziunal svizzer per la perscrutaziun scientifica prenda sut la marella ils tuns e la musica en Svizra suenter l\u2019onn 1789.","og_url":"https:\/\/www.musikzeitung.ch\/it\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2025-03-14T08:08:52+00:00","article_modified_time":"2025-03-14T08:39:52+00:00","og_image":[{"width":1355,"height":1000,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Matheiu-SMZ-klein.jpg","type":"image\/jpeg"}],"author":"Jean Damien Humair","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Jean Damien Humair","Tempo di lettura stimato":"4 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras"},"author":{"name":"Jean Damien Humair","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/a31b8cba578bde81984ffd46715f51dd"},"headline":"Sonoritads revoluziunaras","datePublished":"2025-03-14T08:08:52+00:00","dateModified":"2025-03-14T08:39:52+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras"},"wordCount":580,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Matheiu-SMZ-klein.jpg","articleSection":["Basis","SMG"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras","url":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras","name":"Sonoritads revoluziunaras - Giornale svizzero di musica","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Matheiu-SMZ-klein.jpg","datePublished":"2025-03-14T08:08:52+00:00","dateModified":"2025-03-14T08:39:52+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Matheiu-SMZ-klein.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Matheiu-SMZ-klein.jpg","width":1355,"height":1000},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/basis\/smg\/2025\/03\/sonoritads-revoluziunaras#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Sonoritads revoluziunaras"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/a31b8cba578bde81984ffd46715f51dd","name":"Jean Damien Humair","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/19050aec28313b06b13b79b92029ec1dc485922fedd58cd581bfc6cd4b965244?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/19050aec28313b06b13b79b92029ec1dc485922fedd58cd581bfc6cd4b965244?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/19050aec28313b06b13b79b92029ec1dc485922fedd58cd581bfc6cd4b965244?s=96&d=mm&r=g","caption":"Jean Damien Humair"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/jean-damien-humair"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/63677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/58047"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=63677"}],"version-history":[{"count":1,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/63677\/revisions"}],"predecessor-version":[{"id":63679,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/63677\/revisions\/63679"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/63678"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=63677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=63677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=63677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}