{"id":63807,"date":"2025-03-18T16:06:47","date_gmt":"2025-03-18T15:06:47","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=63807"},"modified":"2025-03-21T11:26:06","modified_gmt":"2025-03-21T10:26:06","slug":"migration","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/03\/migration","title":{"rendered":"Musica in terra straniera"},"content":{"rendered":"
\"\"
Foto: Anke van Wyk \/ depositphotos.com<\/figcaption><\/figure>\n

Se la patria, devastata dalla guerra, diventa una minaccia per la vita o non ci sono pi\u00f9 soldi sufficienti per vivere, la fuga \u00e8 spesso l'unica scelta possibile. Ma cosa succede nell'altro Paese? In altre parole, dove i rifugiati sono tagliati fuori dalla loro cultura? E nei casi ancora peggiori, dove non sono i benvenuti?<\/p>\n

Si tratta di questioni di politica culturale estremamente importanti che Musica e migrazione<\/em> viene trattato. La musica \u00e8 sempre stata un fattore di definizione dell'identit\u00e0. Non sorprende quindi che i migranti o i rifugiati continuino ad ascoltare e a coltivare la musica della loro terra d'origine, che si tratti di canzoni popolari, di rap nella loro lingua o di melodie pentatoniche della loro area culturale. Leggendo i saggi di questa ampia antologia, ci si rende conto di un'altra cosa: la musica allevia la sofferenza e aiuta anche ad affrontare i traumi. A pagina 215, Anna Papaeti e M. J. Grant raccontano di un rifugiato siriano. Quando arriva in barca in Grecia, canta \"un misto di lamento e preghiera\", rivolto al mare, che \"possa smettere di uccidere bambini tra le sue onde\".<\/p>\n

Situazioni cos\u00ec drastiche sono solo a<\/em> Aspetto del tema molto complesso Musica e migrazione<\/em>. Inoltre, ci sono le questioni e i problemi della \"societ\u00e0 multiculturale\", gli aspetti dell'appropriazione culturale, compreso il campo attualmente sconosciuto del postcolonialismo. I curatori della densa antologia di 746 pagine hanno fatto bene a spiegare i \"termini chiave\" in stile lessico, non solo \"postcolonialismo\", ma anche molti termini presi in prestito dall'etnologia o dalla sociologia, come \"agency\", \"embodiment\" o \"liminality\". Il campo di ricerca si basa fondamentalmente sulla collaborazione interdisciplinare e tende quindi a collocarsi pi\u00f9 nell'ambito degli studi culturali che in quello pi\u00f9 solido della musicologia. Questo rende il libro a tratti difficile da leggere. Da un lato, a causa di problemi difficili da afferrare e, dall'altro, a causa di metodi di ricerca appena consolidati.<\/p>\n

Ciononostante, c'\u00e8 molto da togliere dopo la lettura. Tra le altre cose, la consapevolezza che i processi di acculturazione musicale, cio\u00e8 la compenetrazione di culture diverse, sono del tutto normali. I concetti di \"proprio\" e \"straniero\" sono solo costruzioni ausiliarie - e questo smaschera anche i patrioti, i nazionalisti e gli europei talvolta troppo sicuri di s\u00e9, i cui appelli a una \"cultura dominante\" o a una \"purezza\" culturale sono nel migliore dei casi abbreviazioni senza senso. Come scrivono Katarzyna Grebosz-Haring e Magnus Gaul a pagina 25? Platone aveva gi\u00e0 discusso il fenomeno dell'acculturazione. E questo nel III secolo a.C.!\"\"<\/p>\n

Musica e migrazione, Volume 3, un libro di teoria e metodi, a cura di Wolfgang Gratzer, Nils Grosch, Ulrike Pr\u00e4ger e Susanne Scheiblhofer, 746 p., \u20ac 69,90, Waxmann, M\u00fcnster 2023, ISBN 978-3-8309-4630-4, accesso libero<\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"

L'antologia \"Musica e migrazione\" fornisce sia definizioni che saggi pi\u00f9 lunghi di questo multiforme campo di ricerca. <\/p>","protected":false},"author":29,"featured_media":63971,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[4786,3109,2924,4785,4784,4783],"class_list":["post-63807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-akkulturation","tag-migration","tag-nils-grosch","tag-susanne-scheiblhofer","tag-ulrike-praeger","tag-wolfgang-gratzer"],"acf":[],"yoast_head":"\nMusik in der Fremde - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Der Sammelband \u00abMusik und Migration\u00bb liefert sowohl Begriffskl\u00e4rungen wie l\u00e4ngere Aufs\u00e4tze aus diesem vielverzweigten Forschungsgebiet.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/03\/migration\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musik in der Fremde - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Der Sammelband \u00abMusik und Migration\u00bb liefert sowohl Begriffskl\u00e4rungen wie l\u00e4ngere Aufs\u00e4tze aus diesem vielverzweigten Forschungsgebiet.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/03\/migration\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-18T15:06:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-21T10:26:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Depositphotos_6303610_S.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"669\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Musik in der Fremde\",\"datePublished\":\"2025-03-18T15:06:47+00:00\",\"dateModified\":\"2025-03-21T10:26:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration\"},\"wordCount\":413,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Depositphotos_6303610_S.jpg\",\"keywords\":[\"Akkulturation\",\"Migration\",\"Nils Grosch\",\"Susanne Scheiblhofer\",\"Ulrike Pr\u00e4ger\",\"Wolfgang Gratzer\"],\"articleSection\":[\"B\u00fccher\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration\",\"name\":\"Musik in der Fremde - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Depositphotos_6303610_S.jpg\",\"datePublished\":\"2025-03-18T15:06:47+00:00\",\"dateModified\":\"2025-03-21T10:26:06+00:00\",\"description\":\"Der Sammelband \u00abMusik und Migration\u00bb liefert sowohl Begriffskl\u00e4rungen wie l\u00e4ngere Aufs\u00e4tze aus diesem vielverzweigten Forschungsgebiet.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Depositphotos_6303610_S.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Depositphotos_6303610_S.jpg\",\"width\":1000,\"height\":669},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/03\\\/migration#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Musik in der Fremde\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Musica in terra straniera - Schweizer Musikzeitung","description":"L'antologia \"Musica e migrazione\" fornisce sia definizioni che saggi pi\u00f9 lunghi di questo multiforme campo di ricerca.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/03\/migration\/","og_locale":"it_IT","og_type":"article","og_title":"Musik in der Fremde - Schweizer Musikzeitung","og_description":"Der Sammelband \u00abMusik und Migration\u00bb liefert sowohl Begriffskl\u00e4rungen wie l\u00e4ngere Aufs\u00e4tze aus diesem vielverzweigten Forschungsgebiet.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/03\/migration\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2025-03-18T15:06:47+00:00","article_modified_time":"2025-03-21T10:26:06+00:00","og_image":[{"width":1000,"height":669,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Depositphotos_6303610_S.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Musik in der Fremde","datePublished":"2025-03-18T15:06:47+00:00","dateModified":"2025-03-21T10:26:06+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration"},"wordCount":413,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Depositphotos_6303610_S.jpg","keywords":["Akkulturation","Migration","Nils Grosch","Susanne Scheiblhofer","Ulrike Pr\u00e4ger","Wolfgang Gratzer"],"articleSection":["B\u00fccher","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration","name":"Musica in terra straniera - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Depositphotos_6303610_S.jpg","datePublished":"2025-03-18T15:06:47+00:00","dateModified":"2025-03-21T10:26:06+00:00","description":"L'antologia \"Musica e migrazione\" fornisce sia definizioni che saggi pi\u00f9 lunghi di questo multiforme campo di ricerca.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Depositphotos_6303610_S.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Depositphotos_6303610_S.jpg","width":1000,"height":669},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Musik in der Fremde"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/63807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=63807"}],"version-history":[{"count":4,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/63807\/revisions"}],"predecessor-version":[{"id":63972,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/63807\/revisions\/63972"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/63971"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=63807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=63807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=63807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}