{"id":63823,"date":"2025-03-19T14:49:44","date_gmt":"2025-03-19T13:49:44","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=63823"},"modified":"2025-03-20T07:56:11","modified_gmt":"2025-03-20T06:56:11","slug":"schweizer-kunstlieder","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2025\/03\/schweizer-kunstlieder","title":{"rendered":"Canzoni d'autore svizzere riscoperte"},"content":{"rendered":"<figure id=\"attachment_63841\" aria-describedby=\"caption-attachment-63841\" style=\"width: 960px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-63841 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II.jpg\" alt=\"\" width=\"960\" height=\"768\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II.jpg 960w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-300x240.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-768x614.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-15x12.jpg 15w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-219x175.jpg 219w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-438x350.jpg 438w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-920x736.jpg 920w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption id=\"caption-attachment-63841\" class=\"wp-caption-text\">Hans Thoma: Sera in Svizzera II, 1916. fonte: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hans_Thoma_-_Abend_in_der_Schweiz_II_(1916).jpg\" target=\"_blank\" rel=\"noopener\">wikimedia commons<\/a><\/figcaption><\/figure>\n<p>Con il loro straordinario CD <em>Canti della patria<\/em> a partire dal 2019, il rinomato soprano lucernese Regula M\u00fchlemann non solo ha dimostrato coraggio nella scelta del repertorio, ma ha anche innescato una nuova tendenza (<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2021\/06\/mehr-als-einfache-heimatlieder\" target=\"_blank\" rel=\"noopener\">Recensione di Verena Naegele<\/a>). \u00c8 dedicato all'attenta selezione e al rilancio di opere in parte dimenticate di compositori svizzeri. Recentemente sono apparse diverse nuove registrazioni dedicate a tali ambientazioni, alcune delle quali sono poesie dialettali, che fanno luce sul tema della casa.<\/p>\n<h3>Amore svizzero<\/h3>\n<p>Franziska Heinzen (soprano) e Benjamin Mead (pianoforte) hanno creato il \"pezzo di Capodanno\" per l'anno 2025 alla Biblioteca Centrale di Zurigo. Con il titolo <em>L'amore svizzero. Il dolore e la lussuria dell'amore<\/em> Storie d'amore di tutte le sfumature sono presentate in un programma in cui il duo intreccia abilmente canzoni di Lothar Kempter, Johann Carl Eschmann, Yvonne R\u00f6thlisberger e Wilhelm Baumgartner, alcune delle quali registrate per la prima volta, con canzoni popolari arrangiate di recente.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63843 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-300x300.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-1024x1024.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-768x768.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-1536x1536.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-2048x2048.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-12x12.jpg 12w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-350x350.jpg 350w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-800x800.jpg 800w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-920x920.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-1400x1400.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-96x96.jpg 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-250x250.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<h3>Hei cho<\/h3>\n<p>La seconda registrazione presenta con il titolo <em>Hei cho<\/em> Composizioni di poesie di Josef Reinhart, noto pedagogista e scrittore della regione di Soletta nella prima met\u00e0 del XX secolo. Sono state composte da Richard Flury, Ernst Honegger, Emil Adolf Hoffmann, Walter Lang, Friedrich Niggli, Heinrich Pestalozzi e Karl Schell. Il soprano Stephanie B\u00fchlmann - che non \u00e8 nemmeno il suo primo lavoro in dialetto - \u00e8 riuscita a ingaggiare per questo progetto il tenore Daniel Behle e il pianista Benjamin Engeli, entrambi specialisti riconosciuti.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63846 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-300x300.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-12x12.jpg 12w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-350x350.jpg 350w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-96x96.jpg 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-250x250.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2.jpg 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>Canzoni dimenticate, amori dimenticati<\/h3>\n<p>Il terzo CD \u00e8 incentrato sull'opera di Willy Heinz M\u00fcller, violinista, direttore d'orchestra e compositore viennese, attivo nell'area di San Gallo fino agli anni Settanta e che ha coltivato una rete di contatti internazionali. Le sue canzoni, invece, sono rimaste sconosciute per quasi 100 anni, fino a quando il soprano M\u00e9lanie Adami, sua pronipote, ha finalmente trovato il tempo di studiare in dettaglio queste opere dimenticate durante la crisi del coronavirus. Convinta della loro qualit\u00e0, ha trovato nella pianista Judith Polgar e nel baritono \u00c4neas Humm dei colleghi altrettanto curiosi e insieme hanno realizzato la registrazione intitolata <em>Canzoni dimenticate, amori dimenticati<\/em> da registrare. Le composizioni sono state integrate da opere di altri compositori che avevano fatto grande impressione a M\u00fcller o con i quali aveva un rapporto personale, come Ernst von Dohn\u00e1nyi, Franz Ries o Carl G\u00f6tze.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63847 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-300x273.jpg\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-300x273.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-13x12.jpg 13w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-193x175.jpg 193w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-385x350.jpg 385w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3.jpg 736w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Il livello musicale e la qualit\u00e0 della registrazione sono cos\u00ec elevati in tutti e tre i dischi che a volte ci si dimentica che non si sta ascoltando un repertorio standard o addirittura un master. Ad esempio, il fatto che Daniel Behle non parli in dialetto si nota solo all'inizio. Nel complesso, anche questa caratteristica contribuisce a una certa nobilitazione del suono complessivo. E anche se ci sono alcuni passaggi lunghi, le tre registrazioni invitano comunque l'ascoltatore a un viaggio domestico di scoperta che premier\u00e0 anche un pubblico pi\u00f9 ampio.<\/p>\n<p><em>L'amore svizzero. Il dolore e la lussuria dell'amore. Solo Musica SM 477<\/em><\/p>\n<p><em>Hei cho. Canzoni dialettali su poesie di Josef Reinhart. Solo Musica SM 464<\/em><\/p>\n<p><em>Canzoni dimenticate, amori dimenticati. Canzoni dimenticate di Willy Heinz M\u00fcller. Prospero Classical PROSP 0087<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Tre nuovi album dimostrano che c'\u00e8 ancora molto da scoprire quando si tratta di canzoni per pianoforte di compositori svizzeri, sia in dialetto che in alto tedesco.  <\/p>","protected":false},"author":29,"featured_media":63841,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[4795,4791,3430,4806,4790,4800,4799,4804,4805,3429,4801,4802,2749,4794,4803,4796,4793,4807,4788,2747,4787,4789,2888,4798,4792,4797],"class_list":["post-63823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-aeneas-humm","tag-benjamin-engeli","tag-benjamin-mead","tag-carl-goetze","tag-daniel-behle","tag-emil-adolf-hoffmann","tag-ernst-honegger","tag-ernst-von-dohnanyi","tag-franz-ries","tag-franziska-heinzen","tag-friedrich-niggli","tag-heinrich-pestalozzi","tag-johann-carl-eschmann","tag-judith-polgar","tag-karl-schell","tag-lothar-kempter","tag-melanie-adami","tag-mundartlieder","tag-regula-muehlemann","tag-richard-flury","tag-schweizer-kunstlieder","tag-stephanie-buehlmann","tag-walter-lang","tag-wilhelm-baumgartner","tag-willy-heinz-mueller","tag-yvonne-roethlisberger"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Wiederentdeckte Schweizer Kunstlieder - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Drei neue Alben machen deutlich, dass es in Sachen Klavierlieder von Schweizer Komponistinnen und Komponisten noch viel zu entdecken gibt.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2025\/03\/schweizer-kunstlieder\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wiederentdeckte Schweizer Kunstlieder - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Drei neue Alben machen deutlich, dass es in Sachen Klavierlieder von Schweizer Komponistinnen und 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