{"id":64703,"date":"2025-05-04T18:48:16","date_gmt":"2025-05-04T16:48:16","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=64703"},"modified":"2025-05-06T15:56:51","modified_gmt":"2025-05-06T13:56:51","slug":"mit-intuitiver-musik-der-welt-zugewandt","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt","title":{"rendered":"Affrontare il mondo con la musica intuitiva"},"content":{"rendered":"
\"\"
Cartolina postale di Stockhausen a Michael von Hintzenstern, che si trovava a Boswil alla fine del 1976\/inizio 1977 e aveva visitato Stockhausen durante il suo viaggio di andata. Illustrazione dal libro<\/figcaption><\/figure>\n

Storie che la vita scrive: Grazie a un premio al Concorso Internazionale di Composizione di Boswil, nel 1976 Michael von Hintzenstern pot\u00e9 intraprendere il suo primo viaggio in Occidente dalla DDR. Non solo approfitt\u00f2 del soggiorno di studio e lavoro di tre mesi nella Svizzera rurale che gli era stato assegnato, ma cambi\u00f2 anche il suo itinerario, ovviamente non autorizzato dal regime della DDR: si rec\u00f2 a Colonia per visitare il venerato \"maestro\" Karlheinz Stockhausen. L'approccio di Stockhausen alla \"musica intuitiva\" caratterizzer\u00e0 sia Hintzenstern sia il suo Ensemble for Intuitive Music Weimar (EFIM) - e in ultima analisi anche il libro riccamente illustrato e divertente I suoni del momento<\/em>che, tra l'altro, riproduce alcune testimonianze manoscritte della corrispondenza con Stockhausen.<\/p>\n

L'attenzione \u00e8 rivolta alla storia dell'ensemble, fondato nel 1980 e composto da quattro musicisti tanto intraprendenti quanto sperimentali: Michael von Hintzenstern suona l'organo e tutti i tipi di sintetizzatore, Hans Tutschku \u00e8 lo specialista della musica elettro-acustica ed elettronica, il \"jazzista\" Daniel Hoffmann suona il corno e la tromba, Matthias von Hintzenstern suona abitualmente il violoncello, ma fa anche la sua comparsa con installazioni sonore.<\/p>\n

All'inizio, le opere di Stockhausen sono al centro dell'attenzione, come le 15 composizioni testuali per musica intuitiva in strumentazione variabile Dai sette giorni<\/em> (1968) o il noto Zodiaco<\/em> (1974\/75). Sempre pi\u00f9 spesso, anche a causa della caduta del Muro di Berlino nel 1989, i programmi si ampliano. Tutschku contribuisce sempre di pi\u00f9 con la sua esperienza nella musica elettroacustica francese, l'EFIM cerca luoghi lontani dalle sale da concerto, suona in parchi, giardini botanici o in miniere di potassio a 670 metri di profondit\u00e0. L'EFIM \u00e8 ora in grado di raccogliere inviti a concerti e workshop in 30 Paesi di 4 continenti.<\/p>\n

Chiunque sia appassionato di musica sperimentale sar\u00e0 entusiasta di questo documentario. Ma vale la pena leggerlo anche per chi \u00e8 interessato alla storia culturale della DDR. In particolare nella musica c'era un ampio margine di manovra che l'EFIM ha utilizzato in modo sorprendentemente aperto, intelligente e comprensivo.<\/p>\n

\"\"<\/p>\n

Michael von Hintzenstern: Kl\u00e4nge des Augenblicks - 44 Jahre Ensemble f\u00fcr intuitive Musik Weimar 1980-2024, 256 p., oltre 300 illustrazioni, \u20ac 44,00, Weimar 2024, ISBN 978-3-00-078834-5,
\nhintzenstern.eu<\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"

Il documentario sull'Ensemble for Intuitive Music Weimar mostra un pezzo di storia della musica contemporanea nella DDR e il rapporto con Karlheinz Stockhausen. Il Concorso Internazionale di Composizione della K\u00fcnstlerhaus Boswil non \u00e8 insignificante in questo contesto.<\/p>","protected":false},"author":29,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[4901,2274,4898,4900,4719,1787,4902,4899],"class_list":["post-64703","post","type-post","status-publish","format-standard","hentry","category-buecher-rezensionen","category-rezensionen","tag-daniel-hoffmann","tag-ddr","tag-efim-ensemble-fuer-intuitive-musik-weimar","tag-hans-tutschku","tag-karlheinz-stockhausen","tag-kuenstlerhaus-boswil","tag-matthias-von-hintzenstern","tag-michael-von-hintzenstern"],"acf":[],"yoast_head":"\nMit intuitiver Musik der Welt zugewandt - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Die Dokumentation \u00fcber das Ensemble f\u00fcr intuitive Musik Weimar zeigt ein St\u00fcck Geschichte der zeitgen\u00f6ssischen Musik in der DDR.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mit intuitiver Musik der Welt zugewandt - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die Dokumentation \u00fcber das Ensemble f\u00fcr intuitive Musik Weimar zeigt ein St\u00fcck Geschichte der zeitgen\u00f6ssischen Musik in der DDR.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-04T16:48:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-06T13:56:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"985\" \/>\n\t<meta property=\"og:image:height\" content=\"703\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Mit intuitiver Musik der Welt zugewandt\",\"datePublished\":\"2025-05-04T16:48:16+00:00\",\"dateModified\":\"2025-05-06T13:56:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\"},\"wordCount\":376,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Postkarte-Stockhauses.jpg\",\"keywords\":[\"Daniel Hoffmann\",\"DDR\",\"EFIM \u2013 Ensemble f\u00fcr intuitive Musik Weimar\",\"Hans Tutschku\",\"Karlheinz Stockhausen\",\"K\u00fcnstlerhaus Boswil\",\"Matthias von Hintzenstern\",\"Michael von Hintzenstern\"],\"articleSection\":[\"B\u00fccher\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\",\"name\":\"Mit intuitiver Musik der Welt zugewandt - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Postkarte-Stockhauses.jpg\",\"datePublished\":\"2025-05-04T16:48:16+00:00\",\"dateModified\":\"2025-05-06T13:56:51+00:00\",\"description\":\"Die Dokumentation \u00fcber das Ensemble f\u00fcr intuitive Musik Weimar zeigt ein St\u00fcck Geschichte der zeitgen\u00f6ssischen Musik in der DDR.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Postkarte-Stockhauses.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Postkarte-Stockhauses.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Mit intuitiver Musik der Welt zugewandt\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Con la musica intuitiva rivolta al mondo - Rivista musicale svizzera","description":"Il documentario sull'Ensemble f\u00fcr intuitive Musik Weimar (Ensemble per la musica intuitiva di Weimar) racconta un pezzo di storia della musica contemporanea nella DDR.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt\/","og_locale":"it_IT","og_type":"article","og_title":"Mit intuitiver Musik der Welt zugewandt - Schweizer Musikzeitung","og_description":"Die Dokumentation \u00fcber das Ensemble f\u00fcr intuitive Musik Weimar zeigt ein St\u00fcck Geschichte der zeitgen\u00f6ssischen Musik in der DDR.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2025-05-04T16:48:16+00:00","article_modified_time":"2025-05-06T13:56:51+00:00","og_image":[{"width":985,"height":703,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Mit intuitiver Musik der Welt zugewandt","datePublished":"2025-05-04T16:48:16+00:00","dateModified":"2025-05-06T13:56:51+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt"},"wordCount":376,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg","keywords":["Daniel Hoffmann","DDR","EFIM \u2013 Ensemble f\u00fcr intuitive Musik Weimar","Hans Tutschku","Karlheinz Stockhausen","K\u00fcnstlerhaus Boswil","Matthias von Hintzenstern","Michael von Hintzenstern"],"articleSection":["B\u00fccher","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt","name":"Con la musica intuitiva rivolta al mondo - Rivista musicale svizzera","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg","datePublished":"2025-05-04T16:48:16+00:00","dateModified":"2025-05-06T13:56:51+00:00","description":"Il documentario sull'Ensemble f\u00fcr intuitive Musik Weimar (Ensemble per la musica intuitiva di Weimar) racconta un pezzo di storia della musica contemporanea nella DDR.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Mit intuitiver Musik der Welt zugewandt"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/64703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=64703"}],"version-history":[{"count":4,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/64703\/revisions"}],"predecessor-version":[{"id":64709,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/64703\/revisions\/64709"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=64703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=64703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=64703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}