{"id":64753,"date":"2025-05-07T12:34:16","date_gmt":"2025-05-07T10:34:16","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=64753"},"modified":"2025-06-05T15:19:51","modified_gmt":"2025-06-05T13:19:51","slug":"frobergers-charmante-tastenkunst","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/05\/frobergers-charmante-tastenkunst","title":{"rendered":"L'affascinante arte della tastiera di Froberger"},"content":{"rendered":"<figure id=\"attachment_64755\" aria-describedby=\"caption-attachment-64755\" style=\"width: 1400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-64755 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun.jpg\" alt=\"\" width=\"1400\" height=\"945\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-300x203.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-1024x691.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-768x519.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-1536x1037.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-2048x1383.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-259x175.jpg 259w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-518x350.jpg 518w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-1185x800.jpg 1185w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/ClavecinJeanDenis-Issoudun-920x621.jpg 920w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-64755\" class=\"wp-caption-text\">Dettaglio di un clavicembalo di Jean Denis II, 1648 Foto: Maniac Parisien \/ Wikimedia commons<\/figcaption><\/figure>\n<p>Ad eccezione di due mottetti e di un pezzo d'insieme, l'opera di Johann Jacob Froberger (1616-1666) consiste in composizioni per strumenti a tastiera. \"Ci\u00f2 che Chopin \u00e8 diventato per la letteratura pianistica del XIX secolo, Froberger lo \u00e8 stato per la musica pianistica del XVII secolo: entrambi hanno posto al centro del loro lavoro i sentimenti soggettivi di chi suona e di chi ascolta ed entrambi sono riusciti a portare i loro strumenti ai limiti del suono e dell'espressione\" (Siegbert Rampe).<\/p>\n<p>Pieter Dirksen, lo specialista olandese della musica per tastiera del XVII secolo, ha ripubblicato le suite di Froberger, offrendo a tutti i tastieristi una panoramica della musica per suite prima di Bach e Handel. Qui \u00e8 possibile imparare l'espressivit\u00e0 e il tipo di design sonoro che deriva dallo \"stile bris\u00e9\" della musica francese per liuto. Questa specialit\u00e0 richiede una risoluzione degli accordi meticolosamente annotata, che non \u00e8 di facile lettura. Sarebbe stato quindi auspicabile un layout meno affollato, e anche la distribuzione del testo musicale tra i due sistemi di tastiera avrebbe potuto essere pi\u00f9 agevole per l'esecutore. Anche se ci si stupisce di alcune scelte editoriali, la casa editrice Henle ha comunque colmato una lacuna in un repertorio che pu\u00f2 essere utilizzato con profitto anche nella pedagogia pianistica.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-64754 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_note_Sackmann-228x300.jpg\" alt=\"\" width=\"228\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_note_Sackmann-228x300.jpg 228w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_note_Sackmann-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_note_Sackmann-133x175.jpg 133w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_note_Sackmann-265x350.jpg 265w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_note_Sackmann-300x396.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_note_Sackmann.jpg 600w\" sizes=\"auto, (max-width: 228px) 100vw, 228px\" \/><\/p>\n<p><em>Johann Jacob Froberger: Suites per clavicembalo, a cura di Pieter Dirksen, HN 1091, \u20ac 31,00, G. Henle, Monaco di Baviera<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Lo specialista olandese di musica per tastiera Pieter Dirksen ha pubblicato una nuova edizione delle suite di Froberger per clavicembalo.<\/p>","protected":false},"author":29,"featured_media":64755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[4909,4907,4908],"class_list":["post-64753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-cembalo","tag-johann-jakob-froberger","tag-suiten"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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