{"id":6545,"date":"2022-05-25T00:00:00","date_gmt":"2022-05-24T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/komponieren-wie-brotbacken\/"},"modified":"2024-08-22T12:35:14","modified_gmt":"2024-08-22T10:35:14","slug":"komponieren-wie-brotbacken","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2022\/05\/komponieren-wie-brotbacken","title":{"rendered":"Comporre come cuocere il pane"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Vieuxtemps_Barthelemy_Vieillevoye.jpg\" alt=\"\" width=\"554\" height=\"341\" \/><figcaption class=\"wp-caption-text\">Henri Vieuxtemps all'et\u00e0 di otto anni. Ritratto di Barth\u00e9lemy Vieillevoye del 1828. fonte: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Portret_van_Henri_Vieuxtemps_(1828)_door_Barth%C3%A9lemy_Vieillevoye.jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">Museo Wittert, Universit\u00e0 di Liegi; wikimedia commons<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Henri Vieuxtemps (1820-1881) fu un talento precoce. Il <em>Air vari\u00e9 n. 3<\/em> scrisse all'et\u00e0 di 13 anni: \"Faccio ogni giorno un'aria variata come una pagnotta di pane!\". L'introduzione del brano per violino e quartetto d'archi o orchestra d'archi presenta drammatiche ascese punteggiate e sospiri a doppia battuta. Il semplice tema viene sviluppato cinque volte in ritmi diversi e in doppi stop e interrotto da potenti tutti di quattro battute. Una coda chiude brillantemente il brano.<\/p>\n<p>La versione per violino e pianoforte qui presentata \u00e8 un interessante materiale di studio per giovani violinisti con diteggiature per lo pi\u00f9 accettabili; il pianoforte ha solo una funzione di supporto. La prefazione tratta della biografia e dell'opera ed \u00e8 stimolante, mentre la relazione critica lascia all'interprete la libert\u00e0 di prendere le proprie decisioni. Negli ultimi mesi, l'editore svizzero Kunzelmann ha pubblicato lodevolmente una serie di altri brani per violino e orchestra di Henri Vieuxtemps come riduzioni per pianoforte.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/06_crit_note_Violine_Vieuxtemps1.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>In seguito, Vieuxtemps tenne concerti in America, Europa e Russia, fu un insegnante di talento (Ysa\u00efe, Hubay) e (ancora) un compositore diligente. Oltre ai concerti per violino e ai quartetti per archi, scrisse anche per violino e pianoforte.<\/p>\n<p>Il libretto di selezione <em>Henri Vieuxtemps repertorio <\/em>I pezzi che si distinguono per me sono i <em>3 Romances sans paroles: Chant d'amour, D\u00e9sespoir <\/em>e <em>Souvenir<\/em>che durano tra i tre e i quattro minuti. Il carattere del titolo \u00e8 chiaramente espresso ed \u00e8 rafforzato da ricchi ritmi pianistici e sorprendenti svolte armoniche. Gli altri pezzi pi\u00f9 lunghi sono costellati di virtuosismi, in cui \u00e8 coinvolto anche il pianoforte. Il terzo Morceau de salon \u00e8 divertente:<em> La Chasse<\/em>in cui la corda di sol deve essere accordata in si b, in modo che le note annotate suonino una terza pi\u00f9 alte. La prefazione descrive la vita e i successi di Vieuxtemps e caratterizza le opere contenute nel libretto. Friedemann Eichhorn ha fornito la parte del violino con diteggiature e archi. Nella parte del pianoforte, la parte solista \u00e8 stata lasciata come nella prima edizione e nelle prime edizioni.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/06_crit_note_Violine_Vieuxtemps2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Henri Vieuxtemps: Air vari\u00e9 No. 3, edizione per violino e pianoforte, prima edizione, a cura di Olaf Adler, GM-1954a, Fr. 14.00, Edition Kunzelmann, Adliswil<br \/>\n<\/em><\/p>\n<p><em>Repertorio di Henri Vieuxtemps. I pi\u00f9 bei pezzi per violino e pianoforte, a cura di Wolfgang Birtel e Friedemann Eichhorn, ED 22603, \u20ac 28,00, Schott, Mainz et al.<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Un'antologia presenta le opere di Henri Vieuxtemps per violino e pianoforte; la maestria compositiva del giovane compositore si pu\u00f2 ammirare nell'Aria n. 3. <\/strong><\/p>","protected":false},"author":1,"featured_media":6546,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[1634,1805,1806],"class_list":["post-6545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-ammann","tag-vieuxtemps","tag-violine"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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