{"id":65471,"date":"2025-06-06T14:58:36","date_gmt":"2025-06-06T12:58:36","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=65471"},"modified":"2025-06-10T08:59:49","modified_gmt":"2025-06-10T06:59:49","slug":"campiche-jenensis","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2025\/06\/campiche-jenensis","title":{"rendered":"Il jazz incontra la musica da camera"},"content":{"rendered":"
\"\"
Julie Campiche Quartet & Capella Jenensis. Foto: Gerd B\u00f6ttcher<\/figcaption><\/figure>\n

Su richiesta dell'ensemble barocco Capella Jenensis, Julie Campiche, arpista e compositrice della Svizzera occidentale, ha scritto la musica per un incontro tra il suo quartetto e la formazione della citt\u00e0 tedesca di Jena ben cinque anni fa. Con l'uscita del CD Transizioni<\/em> questa collaborazione trova ora una meritata continuazione. L'obiettivo degli otto musicisti \u00e8 quello di confrontare la musica da camera con la musica elettronica, ma anche di riunire elementi familiari del jazz e della musica classica. A tal fine, Campiche presenta tre brani tratti dalla propria penna e opere del compositore rinascimentale franco-fiammingo Jacques Arcadelt (1507-1568) e del virtuoso francese della viola da gamba Marin Marais (1656-1728).<\/p>\n

L'insieme, che sfuma deliberatamente i confini tra musica barocca e jazz, \u00e8 accattivante non da ultimo per l'uso intelligente delle risorse sonore disponibili: sebbene i musicisti utilizzino strumenti diversi come il flauto dolce, il sassofono soprano, il clavicembalo e le percussioni, il risultato \u00e8 fluido e sapiente. Mentre pezzi come il grazioso Perch\u00e9 Al Viso - Parte I<\/em> o quello che si affida a ritmi finemente cesellati parentesi<\/em> sanno come abbindolare in primo luogo attraverso un sottile affiatamento, mostrano se stessi Acquario<\/em> o Cabina H<\/em> curiosa, desiderosa di sperimentare e in costante dialogo tra passato e presente. \u00c8 emozionante, giocoso, ricco di sfumature e sempre meravigliosamente libero. Di conseguenza, l'album ama prendere diverse pieghe: lo scintillio \u00e8 seguito da tranquille dissonanze e l'eleganza dall'intricatezza. Il risultato \u00e8 un'opulenza sonora mai ricercata, che riesce sempre a incantare l'ascoltatore. Questo \u00e8 indubbiamente merito anche dell'abile direzione del leader della band Julie Campiche.<\/p>\n

Il fatto \u00e8 che Transizioni<\/em> un'esperienza sonora tranquilla ma spettacolare che rivela solo gradualmente le sue molteplici sfaccettature. \"\"<\/p>\n

Julie Campiche Quartet & Capella Jenensis: Transitions. nWog Records nwog063<\/em><\/p>\n

\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Il primo album congiunto del Julie Campiche Quartet e della Capella Jenensis offre una sottile sintesi musicale tra passato e presente. 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