{"id":6636,"date":"2021-10-29T00:00:00","date_gmt":"2021-10-28T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/vorwaertstreibende-anziehungskraft\/"},"modified":"2024-09-02T10:12:37","modified_gmt":"2024-09-02T08:12:37","slug":"vorwaertstreibende-anziehungskraft","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2021\/10\/vorwaertstreibende-anziehungskraft","title":{"rendered":"Forza di attrazione propulsiva"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/samikajtaza_reguladaehlerj.jpg\" alt=\"\" width=\"554\" height=\"370\" \/><figcaption class=\"wp-caption-text\">Sami Kajtazaj. Foto: Regula D\u00e4hler<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>In francese, \"Aimant\" sta per una persona che ama, ma anche per un magnete, quindi in ogni caso per una forma di attrazione. E <em>Aimant <\/em>\u00e8 anche il titolo di un brano del chitarrista, compositore e direttore di coro di Rheintal Sami Kajtazaj, che, oltre alla letteratura didattica per chitarra, scrive anche composizioni pi\u00f9 ampie per varie strumentazioni. L'opera in tre parti per chitarra sola si caratterizza per la chiarezza delle strutture formali e la forza ritmica propulsiva. Come in molte sonate classiche, un suggestivo movimento d'apertura, una contrastante sezione centrale e un vivace movimento finale si combinano per formare un insieme ben strutturato della durata di ben dodici minuti.<\/p>\n<p>Il primo movimento \u00e8 espressivo, con numerosi intervalli di seconda in netta progressione. La breve esposizione di venti battute \u00e8 varia e sviluppata, una coda giocosa e pulsante conduce a una piccola figura ripetitiva di basso. La calma pulsazione del secondo movimento \u00e8 completamente diversa. Le figure quasi ininterrotte di trenta secondi ricordano il movimento silenzioso ed estremamente impegnato delle delicate ali di tutti i tipi di insetti. Uno sciame colorato si muove in un ampio arco da terra verso l'alto e viceversa. Solo occasionalmente un bombo ronza forte e vicino all'orecchio. - Nell'esaltante movimento finale non ci sono firme di tempo: le battute irregolari servono soprattutto a orientarsi. Anche l'armonia non si attiene ad alcuno schema, eppure ci sono ripetuti riferimenti a una forte nota chiave. Un piccolo e potente rasgueado sulle corde pi\u00f9 basse stabilisce il punto finale.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/11_crit_note_Gitarre.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Sami Kajtazaj: Aimant, per chitarra sola, em 1172, ca. \u20ac 13,90, Edition Margaux, Berlino<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>\"Aimant\" per chitarra sola di Sami Kajtazaj mostra diverse valenze espressive nei tre movimenti, dal giocoso al luccicante all'esaltato. <\/strong><\/p>","protected":false},"author":1,"featured_media":6637,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Werner Joos"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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