{"id":6686,"date":"2021-05-26T00:00:00","date_gmt":"2021-05-25T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/ein-panorama-an-ausdrucksweisen\/"},"modified":"2024-09-02T10:58:13","modified_gmt":"2024-09-02T08:58:13","slug":"ein-panorama-an-ausdrucksweisen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2021\/05\/ein-panorama-an-ausdrucksweisen","title":{"rendered":"Un panorama di modalit\u00e0 espressive"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/450864_original_R_K_by_Paulwip_pixelio.de_.jpg\" alt=\"\" width=\"554\" height=\"415\" \/><figcaption class=\"wp-caption-text\">Contrabbassista sul Ponte Carlo a Praga. Foto: <a href=\"https:\/\/www.pixelio.de\/media\/450864\" target=\"_blank\" rel=\"noopener\">Paulwip \/ pixelio.de<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Il compositore, nato nel 1906 nella Boemia occidentale e morto a Praga nel 1973 dopo una vita musicalmente varia, \u00e8 noto soprattutto come autore della Sonata per contrabbasso e pianoforte, scritta nel 1946. Si \u00e8 fatto conoscere anche come insegnante di contrabbasso della Scuola di Praga, come compositore per vari ensemble di musica da camera e opere orchestrali e come direttore d'orchestra.<\/p>\n<p>Mentre la Sonata per contrabbasso e il Concerto per contrabbasso, raramente eseguito, si muovono per lo pi\u00f9 in tonalit\u00e0 cromaticamente estese, la <em>Quattro pezzi<\/em> pi\u00f9 in direzione di una modalit\u00e0 basata su quarte e quinte. Con i suoi ritmi concisi, la rapida successione di dinamiche contrastanti, i tempi contrastanti e gli spostamenti tonali tra chiari e scuri, espressivi e impressionistici, il suo linguaggio tonale pu\u00f2 essere caratterizzato come legato alla tradizione, ma individuale e a casa nel XX secolo.<\/p>\n<p>Il <em>Preludio<\/em> (da Moderato ad Allegro) esplora gli estremi della dinamica e dell'articolazione. Il <em>Burlesque<\/em> in forma ABA inizia con staccati scherzosi e simili a Scherzo nel pianoforte e termina con uno stretto esagerato in fortissimo. Il fine, cantabile <em>Notturno<\/em> segue un <em>Tarantella<\/em>. Franti\u0161ek Hertl gioca abilmente con il suo idioma, utilizzando le dissonanze per conferirgli un'espressivit\u00e0 che va ben oltre l'intrattenimento.<\/p>\n<p>Gli errori editoriali sono deplorevoli. Presumibilmente le lastre di stampa originali sono state copiate senza correggere le bozze, il che ha comportato errori accidentali, nonch\u00e9 note e legature errate e la conseguente necessit\u00e0 di un lavoro di investigazione. Alla luce della tecnologia disponibile oggi, \u00e8 incomprensibile che la partitura per pianoforte del <em>Preludio<\/em> la parte del contrabbasso \u00e8 annotata all'ottava, ma negli altri tre brani \u00e8 annotata una seconda maggiore pi\u00f9 bassa o una settima minore pi\u00f9 alta rispetto al suono effettivo, cio\u00e8 viene adottata la notazione necessaria per il contrabbasso solista in Re. Nel suo arrangiamento, Stefan Sch\u00e4fer si \u00e8 limitato a poche raccomandazioni tecniche sull'arco a favore della libert\u00e0 interpretativa.<\/p>\n<p>La nuova edizione arricchisce il repertorio di musica da camera per contrabbassisti, altrimenti non troppo abbondante.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/06_crit_note_Kontrabass_Hertel.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Franti\u0161ek Hertl: Quattro pezzi per contrabbasso e pianoforte, parte di contrabbasso arrangiata da Stefan Sch\u00e4fer, BA 11556, \u20ac 18,95, B\u00e4renreiter Praga<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Nei suoi \"Quattro pezzi\" per contrabbasso e pianoforte, scritti nel 1968, Franti\u0161ek Hertl esplora la tavolozza sonora del suo strumento fino ai suoi estremi.<\/strong><\/p>","protected":false},"author":1,"featured_media":6687,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Andreas Cincera"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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