{"id":6701,"date":"2021-03-30T00:00:00","date_gmt":"2021-03-29T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/die-distanz-ueberwinden\/"},"modified":"2024-09-02T11:14:38","modified_gmt":"2024-09-02T09:14:38","slug":"die-distanz-ueberwinden","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2021\/03\/die-distanz-ueberwinden","title":{"rendered":"Superare la distanza"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/nadine-shaabana-schnitt.jpg\" alt=\"\" width=\"554\" height=\"288\" \/><figcaption class=\"wp-caption-text\">Foto (taglio): <a href=\"https:\/\/unsplash.com\/photos\/ypyaaEf2ntM\" target=\"_blank\" rel=\"noopener\">Nadine Shaabana \/ unsplash.com<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p><em><br \/>\nWalter Amadeus Ammann<\/em> - Una poesia di Christiane Schwarze fa da cornice all'intimo brano di cinque minuti. <em>Il vento accarezzava una melodia d'ombra <\/em>sul dolore, la speranza e la consolazione per le due anime amanti lasciate indietro, separate dalla morte. Sincopando, cercando, dialogando con pause o duettando, passando dall'arco al pizzicato, si creano melodie con semitoni malinconici e aggrappati, che terminano in un confortante La minore. L'idea di separazione \u00e8 rappresentata dalla distanza tra le altezze dei due strumenti, che possono anche avvicinarsi.<\/p>\n<p>La composizione di Eva Batt \u00e8 stata pubblicata da Gilgenreiner. Un importante obiettivo di questa casa editrice svizzera \u00e8 la pubblicazione di musica e materiale didattico per contrabbasso.\n<\/p><\/div>\n<div>\n<hr \/>\n<\/div>\n<div class=\"text-section\">\n<p><em><br \/>\nHeike Sch\u00e4fer <\/em> - <em> Il vento accarezzava una melodia d'ombra<\/em> \u00e8 tratto dalla poesia <em>In precedenza<\/em> della paroliera Christiane Schwarze. Si tratta quindi di un'opera che unisce le arti della musica e della poesia. Le altezze molto separate dei due strumenti a corda corrispondono alla poesia, in cui due persone che si amano, separate nella vita terrena, sono lontane e tuttavia unite nel loro amore.<\/p>\n<p>Il compositore sfrutta abilmente i vantaggi tecnici dei due strumenti. Con i suoi parametri espressivi (ad esempio, istruzioni metaforiche) e i suoi effetti (ad esempio, battitura sul corpo, sul ponticello, ecc.), l'opera ha un carattere distintamente espressivo il cui messaggio \u00e8 trasmesso in modo impressionante sia dal punto di vista acustico che esecutivo. \"Richiede sicurezza intonativa, ritmica e tecnica da parte dei musicisti interpreti e richiede un approccio polistilistico in considerazione delle figure prese in prestito dall'idioma jazz\". La prefazione in tedesco e inglese contiene anche la poesia di fondo. Il materiale supplementare \u00e8 disponibile sotto forma di un CD e di un volume di poesie dal titolo <em>Il silenzio delle ombre<\/em> -<em> Mosaico di una ricerca<\/em> disponibile nei negozi.<\/p>\n<p>L'incongruenza della lingua - tedesco o inglese - \u00e8 fonte di incertezza. A prima vista, il brano sembra essere caratterizzato dalla cultura svizzera, ma allo stesso tempo le note del testo musicale sono in inglese. Sarebbe opportuno pubblicare una versione puramente inglese e una puramente tedesca. La parte del contrabbasso \u00e8 disponibile sia in versione orchestrale che solistica, quindi l'esecuzione non dipende dalla rispettiva scordatura. Wind stroich eine Schattenmelodie \u00e8 una fonte di ispirazione e un esempio di arte transdisciplinare - apre nuovi spazi sonori e verbali per musicisti e ascoltatori.\n<\/p><\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/04_crit_note_Kontrabass.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Eva Batt: Wind strich eine Schattenmelodie, duetto per violino e contrabbasso; parti in partitura, contrabbasso con due versioni: Accordatura normale e scordatura F diesis B E A, \u20ac 27,00, Gilgenreiner, Winterthur, ISMN 979-0-700268-32-9<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Nel duetto per violino e contrabbasso \"Wind strich eine Schattenmelodie\" di Eva Batt sono coinvolti gli strumenti ad arco pi\u00f9 acuti e quelli pi\u00f9 gravi. - Una doppia recensione dal punto di vista di un contrabbassista e di un violinista. <\/strong><\/p>","protected":false},"author":1,"featured_media":6702,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Walter Amadeus Ammann (Violine) und Heike Sch\u00e4fer (Kontrabass) "},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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