{"id":6738,"date":"2021-01-20T00:00:00","date_gmt":"2021-01-19T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/dreizehn-mal-charaktervoll\/"},"modified":"2024-09-02T11:36:08","modified_gmt":"2024-09-02T09:36:08","slug":"dreizehn-mal-charaktervoll","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2021\/01\/dreizehn-mal-charaktervoll","title":{"rendered":"Tredici volte pieno di carattere"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/chris-lawton-c0rIh0nFTFU-unsplash.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Foto: <a href=\"https:\/\/unsplash.com\/photos\/c0rIh0nFTFU\" target=\"_blank\" rel=\"noopener\">Chris Lawton\/unsplash.com<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Quando si parla di \"stagioni\", molti amanti della musica probabilmente pensano innanzitutto a Vivaldi o a Haydn. Forse anche a \u010cajkovskij, che ha dato lo stesso nome alla sua raccolta di 12 quadri musicali mensili per pianoforte. Il <em>13 Stagioni <\/em>per pianoforte di Daniel R. Schneider, pubblicati da Gilgenreiner-Verlag alla fine del 2019.<\/p>\n<p>Il compositore di Winterthur, che scrive anche per orchestre, ensemble e teatri, si \u00e8 sempre cimentato con una grande variet\u00e0 di stili musicali ed \u00e8 chiaramente a suo agio nella musica classica, nel jazz e nella musica popolare. Il <em>13 Stagioni <\/em>sono, come dice lui stesso, ispirati a storie, stati d'animo ed eventi quotidiani e combinano stili diversi in un linguaggio musicale unificato. I singoli numeri non hanno titoli (come in Tchaikovsky, ad esempio), ma sono semplicemente etichettati con un numero di metronomo e una semplice descrizione del tempo o del carattere. Alcuni rivelano l'abile musicista jazz che ama spaziare con virtuosismo su tutta la tastiera. In altri, uno stato d'animo immediatamente toccante \u00e8 creato con mezzi pianistici e compositivi molto semplici (eppure non quotidiani!). Questo \u00e8 particolarmente vero per il numero 11.<\/p>\n<p>Schneider sa anche come incorporare nuove tecniche di gioco, come i cluster o la preparazione. Tuttavia, le istruzioni non sono sempre formulate in modo del tutto coerente. In alcuni punti, il compositore invita all'improvvisazione. \u00c8 il caso in particolare del numero 5, con le sue ampie figure di accompagnamento nella mano sinistra e le lunghe pause nella mano destra.<\/p>\n<p>Il livello di difficolt\u00e0 pianistica varia notevolmente da un brano all'altro, ma ci\u00f2 non deve costituire un ostacolo. Nella prefazione, Schneider scrive espressamente: \"Il ciclo pu\u00f2 essere eseguito nella sua interezza o i singoli pezzi possono essere combinati a piacere\". Tuttavia, vale sicuramente la pena di dare un'occhiata pi\u00f9 da vicino all'intero libretto. Perch\u00e9 l'ultimo pezzo in particolare, il numero 13, \u00e8 un piccolo gioiello!<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/1_2_crit_note_Klavier_Kolly_Schneider.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Daniel R. Schneider: 13 stagioni, per pianoforte, fr. 36.00, Gilgenreiner, Winterthur 2019, ISMN 979-0-700268-31-2<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Il ciclo pianistico \"13 stagioni\" di Daniel R. Schneider \u00e8 composto da parti molto diverse tra loro, sia dal punto di vista stilistico che della difficolt\u00e0. Si conclude con un gioiello. <\/strong><\/p>","protected":false},"author":1,"featured_media":6739,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Karl-Andreas Kolly"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dreizehn Mal charaktervoll - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2021\/01\/dreizehn-mal-charaktervoll\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dreizehn Mal charaktervoll - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Sehr unterschiedliche Teile, sowohl stilistisch wie vom Schwierigkeitsgrad her, bilden den Klavierzyklus \u00ab13 Jahreszeiten\u00bb von Daniel R. 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