{"id":6741,"date":"2021-01-20T00:00:00","date_gmt":"2021-01-19T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/einblick-in-die-proben-zur-urauffuehrung\/"},"modified":"2024-09-02T11:40:18","modified_gmt":"2024-09-02T09:40:18","slug":"einblick-in-die-proben-zur-urauffuehrung","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2021\/01\/einblick-in-die-proben-zur-urauffuehrung","title":{"rendered":"Approfondimento sulle prove per la prima mondiale"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/600px-Ferdinand_david.jpeg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Ferdinand David 1846, litografia di Georg Weinhold: <a href=\"http:\/\/www.portraitindex.de\/documents\/obj\/33201626\" target=\"_blank\" rel=\"noopener\">Indice dei ritratti digitali<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>\u00c8 noto che Robert Schumann trov\u00f2 estremamente difficile mettere su carta i propri quartetti per archi dopo il significativo contributo di Beethoven e Schubert al genere. Ci prov\u00f2 pi\u00f9 volte, poich\u00e9 l'unit\u00e0 d'archi a quattro parti lo affascinava immensamente. Tuttavia, essendo un pianista che non aveva studiato uno strumento ad arco, gli standard stabiliti gli sembrarono a lungo troppo alti, l'obiettivo troppo ambizioso. La motivazione di Clara Schumann e l'esempio di Felix Mendelssohn, che raccolse la sfida con le proprie opere, portarono infine, nel 1842, al triumvirato dell'Op. 41, composto quasi in preda alla frenesia e in un lasso di tempo molto breve. In esso - come nelle sinfonie - Schumann mostra la via d'uscita compositiva dallo stato di shock innescato da Beethoven tra i suoi contemporanei e la generazione di compositori immediatamente successiva. L'orientamento estetico verso il nucleo dell'Alto Romanticismo, che lascia sempre pi\u00f9 indietro i vincoli formali, armonici e strutturali, apre al rinascimento del quartetto d'archi che Mendelssohn aveva gi\u00e0 audacemente intrapreso prima del 1826.<\/p>\n<p>La versione manoscritta, qui presentata in una nuova edizione da Breitkopf &amp; H\u00e4rtel, offre uno spaccato del laboratorio compositivo di Schumann. Nel corso della prima prova dei tre lavori da parte del quartetto del violinista Ferdinand David, che richiese il tempo incomprensibilmente breve di cinque giorni fino alla prima in un ambiente privato, Schumann intervenne sulla partitura in numerosi punti per correggere vari squilibri che si erano rivelati insoddisfacenti nel corso del lavoro. Miglior\u00f2 anche la suonabilit\u00e0, evitando scomodi doppi stop, inchini, fraseggi e tecniche esecutive. Nel quartetto in la minore sono degni di nota l'uso originale delle sordine nell'Andante espressivo introduttivo, le semicrome raddoppiate annullate nello Scherzo successivo, i suggerimenti ornamentali nell'Adagio e l'accorciamento nel Presto. Schumann accorci\u00f2 ancora di pi\u00f9 nel movimento di variazione del secondo quartetto, il quartetto in fa maggiore, e una ripetizione viene omessa anche nello Scherzo. Interessante nell'op. 41\/3 \u00e8 la cancellazione di una battuta aggiuntiva all'inizio dell'introduzione del primo movimento, che aveva ritardato l'ingresso del primo violino. \u00c8 stato omesso anche un pizzicato del violoncello nel famoso e difficile tema secondario del primo movimento. Tipicamente per un pianista, Schumann scrive legature impossibilmente lunghe, ma in questa edizione servono come buon modello per un fraseggio intelligente e richiedono semplicemente una divisione pi\u00f9 praticabile che tenga conto delle istruzioni del compositore.<\/p>\n<p>Nel complesso, tuttavia, \u00e8 sorprendente il numero esiguo di deviazioni. Nel caso di Beethoven, le modifiche apportate in collaborazione con il Quartetto Schuppanzigh furono molto pi\u00f9 ampie. Dal punto di vista odierno, \u00e8 difficile capire perch\u00e9 Schumann abbia dovuto insistere pi\u00f9 volte con il suo editore affinch\u00e9 venisse pubblicata una partitura accanto alle parti per facilitare la realizzazione di opere complesse e stratificate. I quartetti, che purtroppo furono composti solo in questo anno, rimangono ancora oggi una grande sfida per qualsiasi ensemble.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/1_2_crit_note_Streichquartett-Schumann.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Robert Schumann: Quartetti per archi op. 41 n. 1-3, versione manoscritta, a cura di Nick Pfefferkorn; set di parti, EB 32032, \u20ac 37,90; partitura di studio, PB 32032, \u20ac 23,50; Breitkopf &amp; H\u00e4rtel, Wiesbaden<br \/>\n<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Grazie alla versione manoscritta dei Quartetti per archi op. 41 di Robert Schumann, \u00e8 possibile tracciare il processo di revisione prima della pubblicazione. <\/strong><\/p>","protected":false},"author":1,"featured_media":6742,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6741","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Markus Fleck"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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