{"id":67516,"date":"2025-09-09T19:08:43","date_gmt":"2025-09-09T17:08:43","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=67516"},"modified":"2025-09-08T17:24:43","modified_gmt":"2025-09-08T15:24:43","slug":"radiogeschichten","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/09\/radiogeschichten","title":{"rendered":"Storia\/e radiofonica\/e"},"content":{"rendered":"
\"\"
Foto: Miguel Alc\u00e2ntara \/ unsplash.com<\/figcaption><\/figure>\n

\u00c8 forse nostalgia il fatto che oggi appaiano cos\u00ec tante pubblicazioni che si occupano del passato (eroico) della radio, degli studi elettronici, dei radiodrammi o, in questo caso, dei fondamenti del mezzo? Forse \u00e8 anche una forma di autostima in tempi di crisi e di ridimensionamento, perch\u00e9 la radio \u00e8 cambiata molto, in termini tecnici e artistici, ma anche nelle nostre abitudini di ascolto.<\/p>\n

Ci\u00f2 emerge chiaramente in questa raccolta di 42 testi di origine, che spazia dagli inizi fino ai giorni nostri. \u00c8 il secondo volume di Radiofonico<\/em>curato dagli studiosi dei media di Basilea Ute Holl e Jan Philip M\u00fcller e Tobias Gerber; il primo volume ha presentato lo stato attuale del dibattito sul medium nel 2019. A questo segue ora il materiale storico: Il risultato \u00e8 un importante compendio.<\/p>\n

Attraverso i secoli<\/h3>\n

All'inizio si addentra, per cos\u00ec dire, nell'archeologia dei media, fino agli esperimenti di Nikola Tesla, che nel 1893 descrisse la telegrafia senza fili. Segue subito la riflessione puntuale di Robert Walser, che gi\u00e0 nel 1926 affermava che sarebbe stato \"scortese non ammettere apertamente il trionfo dell'inventiva tecnica\", pur obiettando che \"l'arte di fare societ\u00e0\" veniva di conseguenza un po' trascurata. Nella sua diversit\u00e0 a volte contraddittoria, la radio \u00e8 anche un simbolo della modernit\u00e0.<\/p>\n

Seguono i manifesti artistici degli inizi (da Brecht e Marinetti ad Adorno): La radio \u00e8 intesa anche come forma d'arte, come arte dell'ascolto. Pierre Schaeffer, John Cage e Karlheinz Stockhausen, ad esempio, raccontano di esperimenti con nastro e microfono. E Hans Werner Henze fa riferimento a forme quasi dimenticate con le sue opere radiofoniche. I testi pi\u00f9 recenti ci dicono cosa ne \u00e8 rimasto e come \u00e8 stato usato in modo creativo negli ultimi decenni: Tuttavia, il discorso sembra meno utopico e pi\u00f9 a pezzi, guidato dalla sfida in tempi difficili. Ciononostante, il mezzo \u00e8 rimasto rilevante e racchiude ancora un potenziale. Come verr\u00e0 utilizzato nel XXI secolo?\"\"<\/p>\n

Radiofonica, Materiali, vol. 2, a cura di Ute Holl, Jan Philip M\u00fcller e Tobias Gerber, 448 p., \u20ac 29,80, Kehrer-Verlag, Heidelberg 2024, ISBN 978-3-86828-863-6<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Una raccolta di 42 testi di origine dagli albori alle forme di radio odierne. <\/p>","protected":false},"author":29,"featured_media":67517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[5291,5289,5292,5290],"class_list":["post-67516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-jan-philip-mueller","tag-radio","tag-tobias-gerber","tag-ute-holl"],"acf":[],"yoast_head":"\nRadiogeschichte(n) - Schweizer Musikzeitung<\/title>\n<meta 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