{"id":68207,"date":"2025-10-16T16:18:30","date_gmt":"2025-10-16T14:18:30","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=68207"},"modified":"2025-10-13T16:54:49","modified_gmt":"2025-10-13T14:54:49","slug":"cellokonzerte-aus-dem-umfeld-haydns","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2025\/10\/cellokonzerte-aus-dem-umfeld-haydns","title":{"rendered":"Concerti per violoncello della cerchia di Haydn"},"content":{"rendered":"
\"\"
Anton Kraft, 1749-1820, da un dipinto della collezione della Gesellschaft der Musikfreunde di Vienna. Biblioteca pubblica di New York per le arti dello spettacolo \/ wikimedia commons<\/a><\/figcaption><\/figure>\n

Dal 1778 al 1790, il violoncellista boemo Anton (o Anton\u00edn) Kraft fu primo violoncellista nella cappella della corte del principe Nikolaus Esterh\u00e1zy (1714-1790), dove lavorava anche Joseph Haydn. Kraft prendeva saltuariamente lezioni di composizione da lui e si pu\u00f2 supporre che Haydn abbia composto il suo grande secondo concerto per violoncello in re maggiore per Kraft. A volte \u00e8 stato persino erroneamente attribuito a lui.<\/p>\n

Il violoncello svolge un ruolo centrale nell'opera compositiva di Kraft. L'Edition Walhall ha ora ripubblicato i suoi due concerti per violoncello superstiti. Entrambi sono nella tonalit\u00e0 di do maggiore e durano all'incirca lo stesso tempo, tra i 20 e i 23 minuti.<\/p>\n

Il primo concerto segue l'orchestrazione di Haydn nei concerti solistici con 2 oboi, 2 corni e archi. La parte solistica \u00e8 impegnativa, ma \u00e8 scritta in modo grato ed equilibrato (gamma C-g2). Il secondo concerto op. 4 ha una dimensione orchestrale quasi beethoveniana: 2 flauti, 2 oboi, 2 fagotti, 2 corni, 2 trombe, timpani e archi. La parte del violoncello \u00e8 virtuosistica e costellata di difficolt\u00e0 tecniche elevatissime (gamma C-h2), paragonabile alla parte del violoncello solista nel Triplo Concerto di Beethoven.<\/p>\n

In entrambe le edizioni, l'ampia prefazione fornisce informazioni sulle fonti e contestualizza i concerti nel campo musicale della tensione tra Haydn e Beethoven. \u00c8 auspicabile che queste edizioni portino entrambe le opere a essere studiate pi\u00f9 spesso nei conservatori di musica e quindi eseguite con maggiore frequenza.\"\"<\/p>\n

Anton Kraft: Concerto n. 1 in do maggiore \"Seydl\", a cura di Max M\u00f6llenbeck; partitura, EW 996, \u20ac 43,50; riduzione per pianoforte, EW 1157, \u20ac 24,80; Edition Walhall, Magdeburg<\/em><\/p>\n

Id.: Concerto n. 2 in do maggiore op. 4; partitura, EW 1031, \u20ac 49,80; riduzione per pianoforte, EW 1273, \u20ac 28,50<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Anche i due concerti in cui Anton Kraft affid\u00f2 al proprio strumento la parte solista riflettono lo sviluppo dell'orchestra. <\/p>","protected":false},"author":29,"featured_media":68212,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[5351,5352],"class_list":["post-68207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-anton-kraft","tag-cellokonzert"],"acf":[],"yoast_head":"\nCellokonzerte aus dem Umfeld Haydns - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" 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