{"id":6916,"date":"2019-10-31T00:00:00","date_gmt":"2019-10-30T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/schostakowitschs-beruehmter-walzer-nr-2\/"},"modified":"2024-09-05T12:49:18","modified_gmt":"2024-09-05T10:49:18","slug":"schostakowitschs-beruehmter-walzer-nr-2","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2019\/10\/schostakowitschs-beruehmter-walzer-nr-2","title":{"rendered":"Il famoso Valzer n. 2 di Shostakovich"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/adi-goldstein-rUCs1XNax2c-unsplash.jpg\" alt=\"\" width=\"554\" height=\"372\" \/><figcaption class=\"wp-caption-text\">Foto: <a href=\"https:\/\/unsplash.com\/@adigold1\" target=\"_blank\" rel=\"noopener\">Adi Goldstein \/ unsplash.com<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Appoggiarsi allo schienale con gli occhi spalancati e godersi la musica: questo \u00e8 ci\u00f2 che fa l'opera di Dmitri Shostakovich. <em>Valzer n. 2<\/em> dalla Suite per orchestra di variet\u00e0 degli anni Cinquanta. <em>Eyes Wide Shut<\/em> \u00e8 anche il nome del film di Stanley Kubrick, che ha reso questa melodia ancora pi\u00f9 popolare vent'anni fa.<\/p>\n<p>Nell'arrangiamento per quattro chitarre di Michel D\u00e9marez, a ogni voce \u00e8 assegnata una funzione che mantiene per tutto il brano. La prima prende il comando e suona la melodia. La seconda si muove per seste parallele, poi per terze o addirittura per ottave. Solo verso la fine della seconda parte ronza nel suono complessivo con crome virtuosistiche come voce centrale indipendente. La terza voce \u00e8 responsabile della struttura armonica. Di solito, ma non sempre, \u00e8 molto facile da suonare. Laddove gli accordi sono un po' pi\u00f9 difficili da capire, tuttavia, potrebbero essere semplificati senza problemi - ad esempio nel contesto di un'esibizione in una scuola di musica. Nella quarta parte, a parte due brevi passaggi, solo le note basse della terza sono raddoppiate; se necessario, potrebbero essere omesse e il brano eseguito come trio. Conclusione: un'aggiunta vivace al repertorio di letteratura facilmente eseguibile per ensemble di chitarre.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/11_crit_note_Gitarre_Schosta.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Dmitri Shostakovich: Valzer n. 2 da \"Suite per orchestra di variet\u00e0\", arrangiato per quattro chitarre da Michel D\u00e9marez, UE 36748, \u20ac 14,95, Universal Edition, Vienna <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Un arrangiamento facilmente eseguibile di questo brano vivace e popolare per un ensemble di quattro o al massimo tre elementi di chitarra.<\/strong><\/p>","protected":false},"author":1,"featured_media":6917,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6916","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Werner Joos"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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