{"id":6926,"date":"2019-09-04T00:00:00","date_gmt":"2019-09-03T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/der-meister-will-mitspielen\/"},"modified":"2024-09-05T14:29:30","modified_gmt":"2024-09-05T12:29:30","slug":"der-meister-will-mitspielen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2019\/09\/der-meister-will-mitspielen","title":{"rendered":"Il campione vuole stare al gioco"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/768px-Bohemian_National_Hall_Desk_1.jpg\" alt=\"\" width=\"554\" height=\"375\" \/><figcaption class=\"wp-caption-text\">Ricostruzione della scrivania di Dvo\u0159\u00e1k nella Bohemian National Hall, New York. Foto (dettaglio): Steven Bornholtz \/ wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Questa \u00e8 l'edizione del trio di Anton\u00edn Dvo\u0159\u00e1k pi\u00f9 adatta all'uso pratico! Le pagine sono disposte dall'editore in modo tale da non doverle girare fino alla fine del secondo movimento, la carta \u00e8 di qualit\u00e0 stabile e i numeri di battuta sono posti all'inizio di ogni battuta e non includono il levare. Nessuna delle parti stampate che conosco negli ultimi cinque decenni soddisfa tutti questi criteri allo stesso tempo. La concisa Relazione Critica di questa edizione Urtext testimonia una grande cura. Le differenze tra la partitura autografa e la prima stampa delle parti e della partitura sono segnalate nelle note. La curatrice Annette Oppermann privilegia in ogni caso la soluzione pi\u00f9 plausibile. Le parti non contengono alcun dispositivo per l'arco, ma solo le diteggiature originali, che si limitano a occasionali armonici e corde vuote. Questo \u00e8 un vantaggio anche per gli esecutori!<\/p>\n<p>La storia di come \u00e8 nato questo gioiello della musica da camera \u00e8 divertente: nel 1887, uno studente di chimica e musicista dilettante viveva a casa di Dvo\u0159\u00e1k e riceveva lezioni di violino nella sua stanza. Mentre lavorava a commissioni sinfoniche, Dvo\u0159\u00e1k ascolt\u00f2 i due violinisti e fu ispirato a diventare il terzo violista del loro ensemble. A causa della mancanza di letteratura per questa strumentazione, compose l'opera <em>Tercet <\/em>op. 74 (il nome originale in ceco) e poco dopo ha consegnato l'opera <em>Drobnosti <\/em>(inezie). Queste ultime sono state arrangiate dal compositore per violino e pianoforte come <em>Pezzi romantici<\/em> L'op. 75, tuttavia, \u00e8 pi\u00f9 popolare.<\/p>\n<p>Il nome italianizzante <em>Terzetto <\/em>L'editore di Dvo\u0159\u00e1k, Fritz Simrock, non volendo esaudire il desiderio del compositore di un titolo ceco in vista del mercato musicale tedesco, diede all'opera 74 in do maggiore un nome tedesco. Il nome tedesco \"Terzett\", d'altra parte, avrebbe offeso i sentimenti della patria boema di Dvo\u0159\u00e1k.<\/p>\n<p>I suoni che Anton\u00edn Dvo\u0159\u00e1k evoca con questo piccolo ensemble sono magistrali! E le richieste strumentali rimangono adeguate al livello di allievi avanzati e dilettanti esperti. Questa edizione facilita inoltre le prove e allontana ogni preoccupazione quando si sfogliano le pagine.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/09_crit_note_Kammermusik_Dvorak.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Anton\u00edn Dvo\u0159\u00e1k: Terzetto in do maggiore op. 74, per due violini e viola, a cura di Annette Oppermann; parti, HN 1235, \u20ac 12,00; partitura di studio, HN 7235, \u20ac 8,00; G. Henle, Monaco di Baviera <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Anton\u00edn Dvo\u0159\u00e1k scrisse il \"Terzetto\" in do maggiore op. 74 per 2 violini e viola per uno studente di chimica, il suo insegnante di violino e lui stesso.<\/strong><\/p>","protected":false},"author":1,"featured_media":6927,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6926","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Martin Lehmann"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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