{"id":69407,"date":"2025-12-02T11:21:12","date_gmt":"2025-12-02T10:21:12","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=69407"},"modified":"2025-11-28T11:36:04","modified_gmt":"2025-11-28T10:36:04","slug":"musikkultur-und-ki","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2025\/12\/musikkultur-und-ki","title":{"rendered":"Cultura musicale e IA"},"content":{"rendered":"<figure id=\"attachment_69409\" aria-describedby=\"caption-attachment-69409\" style=\"width: 1499px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-69409 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash.jpg\" alt=\"\" width=\"1499\" height=\"1124\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash.jpg 1334w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash-300x225.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash-1024x768.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash-768x576.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash-16x12.jpg 16w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash-233x175.jpg 233w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash-467x350.jpg 467w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash-1067x800.jpg 1067w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash-920x690.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/possessed-photography-U3sOwViXhkY-unsplash-1400x1050.jpg 1400w\" sizes=\"auto, (max-width: 1499px) 100vw, 1499px\" \/><figcaption id=\"caption-attachment-69409\" class=\"wp-caption-text\">Immagine: possessed photography \/ unsplash.com<\/figcaption><\/figure>\n<p>L'antologia <em>Intelligenza artificiale dei suoni <\/em>offre una solida panoramica delle attuali discussioni sull'intelligenza artificiale nell'industria musicale. Gli argomenti spaziano dalle basi tecniche alle questioni di protezione del copyright, produzione e mediazione, fino alle riflessioni sugli sviluppi della critica d'arte. La maggior parte degli articoli \u00e8 di facile lettura. Tra i punti salienti si segnalano Ludger Br\u00fcmmer, che rende comprensibile il principio statistico delle catene di Markov, importanti per l'IA, e Michael Schmidt con una panoramica degli strumenti fisici e digitali per la composizione con l'aiuto dell'IA.<\/p>\n<p>Dorte Lena Eilers fornisce aneddoti divertenti sulle reazioni storiche delle pagine artistiche ai primi tentativi di comporre ed eseguire opere ispirate all'IA. La corporazione dei critici ha preso alla sprovvista ChatGPT, scrive l'autrice. La derisione che la scrittrice rivolge all'Ars Electronica di Linz e al Centro di Karlsruhe per l'arte e la tecnologia dei media, che \"non hanno il futuro sotto controllo\", potrebbe essere rivolta anche ai testi di questo libro.<\/p>\n<p>Sebbene il sommario si chieda fino a che punto la \"netta separazione tra lavoro, arrangiamento, interpretazione ed esecuzione si adatti ancora alla pratica musicale supportata dall'IA\", l'argomento \u00e8 trattato in uno stile convenzionale di feuilleton che separa nettamente queste aree. L'intera raccolta di testi sembra quindi un po' nostalgica. Dovrebbe essere utile per le generazioni che sono state socializzate prima della rivoluzione digitale. I nativi digitali e presumibilmente presto anche quelli dell'intelligenza artificiale utilizzeranno YouTube e ChatGPT per raccogliere informazioni sugli sviluppi dell'intelligenza artificiale nell'industria musicale. Con tutti i rischi connessi. E questo \u00e8 probabilmente il principale punto di forza del libro: Ci si pu\u00f2 fidare delle informazioni praticamente senza riserve. <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-69408 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-190x300.jpg\" alt=\"\" width=\"190\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-190x300.jpg 190w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-647x1024.jpg 647w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-768x1216.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-970x1536.jpg 970w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-1294x2048.jpg 1294w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-8x12.jpg 8w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-111x175.jpg 111w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-221x350.jpg 221w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-505x800.jpg 505w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-920x1456.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-1400x2216.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler-300x475.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/11_12_crit_buch_Boehler.jpg 632w\" sizes=\"auto, (max-width: 190px) 100vw, 190px\" \/><\/p>\n<p><em>Intelligenza artificiale dei suoni - Etica ed estetica della cultura musicale digitale, a cura di Michael Schmidt, 124 p., \u20ac 22,00, edizione testo + kritik, Monaco 2025 , ISBN 978-3-689-30030-2<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Questioni tecniche, artistiche, legali, etiche e sociali sulla produzione e la ricezione musicale con l'intelligenza artificiale. <\/p>","protected":false},"author":29,"featured_media":69409,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[2445],"class_list":["post-69407","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-kuenstliche-intelligenz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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