{"id":7023,"date":"2019-02-21T00:00:00","date_gmt":"2019-02-20T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/extrem-gegensaetzliche-stuecke\/"},"modified":"2024-09-05T15:26:31","modified_gmt":"2024-09-05T13:26:31","slug":"extrem-gegensaetzliche-stuecke","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2019\/02\/extrem-gegensaetzliche-stuecke","title":{"rendered":"Pezzi estremamente contrastanti"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Prieure_de_Ganagobie.jpg\" alt=\"\" width=\"554\" height=\"371\" \/><figcaption class=\"wp-caption-text\">Priorato di Ganagobie, nave, mosaico n. 11, foto: Jochen Jahnke\/wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Nel 2012, il compositore e arpista Bernard Andr\u00e8s (<em>Calembredaine<\/em>) e 2013 (<em>Ganagobie<\/em>) ha composto due opere che non potrebbero essere pi\u00f9 diverse. I titoli promettenti per noi germanofoni nascondono mondi diversi: <em>Calembredaine<\/em> significa \"divertimento sciocco\", mentre <em>Ganagobie<\/em> \u00e8 il nome di un monastero benedettino dell'Alta Provenza. La musica si differenzia di conseguenza!<\/p>\n<\/div>\n<div class=\"text-section\">\n<p>Prima a <em>Calembredaine<\/em>Un brano davvero spiritoso, divertente e vivace. \u00c8 scritto in tempo 6\/8 e gioca con gli spostamenti ritmici e gli offbeat. Le brevi pause creano delle sorprese che fanno davvero perdere la testa. Il brano si basa per lo pi\u00f9 sulla propria modalit\u00e0, che ricorda in qualche modo la musica araba. Ci\u00f2 significa che ci sono solo pochi cambi di pedale, ma deve essere suonato su un'arpa a pedali. Il divertimento dura solo quattro pagine, ha slancio ed \u00e8 avvincente. Oltre alle consuete tecniche di esecuzione, compaiono anche i tipici \"Sons Xylo\" e \"Sons Pinc\u00e9es\" di Andr\u00e8s. In termini di difficolt\u00e0, assegnerei il brano al 5\u00b0-6\u00b0 livello. Va inoltre segnalato un errore di stampa: Alla fine della battuta 25 manca la chiave di basso nella mano sinistra, e alla fine della battuta 30 la chiave di basso si scioglie in chiave di violino.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Harfe1.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Ganagobie ha un effetto completamente diverso: \u00e8 una suite di cinque movimenti. La pulsazione dei quarti \u00e8 chiaramente percepibile in tutto il brano, che ricorda un monastero appoggiato su pilastri. I vari movimenti descrivono uno stato d'animo dignitoso: nel primo, <em>Il Monastero sulla Collina<\/em>Il monastero \u00e8 visibile sulla collina; nella seconda, <em>Il Portail de pierre<\/em>Nel primo si entra attraverso il portale; nel terzo si visita il vecchio monaco, <em>Le Vieux Moine<\/em>; il quarto ruota attorno ai mosaici cosmici, <em>Mosaici cosmologici<\/em>e il quinto gioca sotto querce verdi, <em>Sous les ch\u00e8nes vertes<\/em>. Dopo un inizio in fortissimo, il brano si conclude in modo molto tranquillo dopo undici minuti.<\/p>\n<p>Bernard Andr\u00e8s utilizza diversi linguaggi musicali. Mentre l'inizio \u00e8 piuttosto impressionistico e ricorda Debussy, le armonie e i gesti romantici ricompaiono in seguito per rappresentare la grandezza del monastero. I movimenti di semicrome in filigrana della mano destra completano spesso la struttura di base dei pilastri, ricordando le decorazioni del monastero.<\/p>\n<p>Il brano non \u00e8 facile da suonare, poich\u00e9 \u00e8 per lo pi\u00f9 tranquillo e raramente cerca la tensione dei contrasti. Tuttavia, posso immaginare che possa trovare il suo spazio in un ambiente ecclesiastico.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo pos-2\">\n<dt><img decoding=\"async\" class=\"media photo pos-2 aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/03_crit_note_Harfe2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Bernard Andr\u00e8s: Calembredaine pour Harpe, HA 09753, ca. \u20ac 11,40, Edition Hamelle (Alphonse Leduc), Paris<\/em><\/p>\n<p><em>id.: Ganagobie, Suite pour Harpe, HA 09754, ca. \u20ac 17,80<\/em>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Due nuove opere per arpa, \"Calembredaine\" e \"Ganagobie\", di Bernard Andr\u00e8s promettono divertimento e atmosfera. <\/strong><\/p>","protected":false},"author":1,"featured_media":7024,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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