{"id":70555,"date":"2026-02-04T08:55:57","date_gmt":"2026-02-04T07:55:57","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=70555"},"modified":"2026-02-04T18:34:50","modified_gmt":"2026-02-04T17:34:50","slug":"violine-statt-stimme","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2026\/02\/violine-statt-stimme","title":{"rendered":"Violino al posto della voce"},"content":{"rendered":"
\"\"
Sergei Prokofiev a New York nel 1918. Foto: Bains News Service \/ Biblioteca del Congresso<\/figcaption><\/figure>\n

Prokofiev inizi\u00f2 a scrivere vocalizzi per voce e pianoforte per la sua amata cantante Nina Koshetz a New York nel 1920. Termin\u00f2 questi cinque Canzoni senza parole<\/em> durante una tourn\u00e9e in California. Nel 1925, a Parigi, Joseph Szigeti, Pawe\u0142 Kocha\u0144ski e Cecilia Hansen gli chiesero di arrangiare le melodie per violino. Kocha\u0144ski contribu\u00ec alla riorganizzazione della parte per violino; la parte per pianoforte rimase invariata. I brani furono pubblicati dall'Edition russe de Musique di Berlino nel 1925. Da allora fanno parte dell'importante repertorio violinistico. L'inizio \u00e8 costituito da una Barcarolle, seguita da una Ninna nanna, un Pensiero misterioso, uno Scherzando (Seguidilla) e un Notturno.<\/p>\n

La nuova edizione contiene molte piccole correzioni, spiegate nelle note, e si presenta con una generosa notazione musicale.\"\"<\/p>\n

Sergei Prokofiev: Cinque melodie<\/em> per violino e pianoforte op. 35a, a cura di Fabian Czolbe, con una parte aggiuntiva per violino etichettata da T. A. Irnberger, HN1539, \u20ac 13,00, G. Henle, Monaco di Baviera <\/em><\/p>","protected":false},"excerpt":{"rendered":"

Le melodie per violino di Sergei Prokofiev, tratte da vocalizzi, in una nuova edizione. <\/p>","protected":false},"author":29,"featured_media":70559,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[3720],"class_list":["post-70555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-sergei-prokofiew"],"acf":[],"yoast_head":"\nVioline statt Stimme - Schweizer 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