{"id":72317,"date":"2026-04-03T09:19:45","date_gmt":"2026-04-03T07:19:45","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=72317"},"modified":"2026-04-16T19:26:13","modified_gmt":"2026-04-16T17:26:13","slug":"zwei-neue-werke-von-bach","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2026\/04\/zwei-neue-werke-von-bach","title":{"rendered":"Due \u00abnuove\u00bb opere di Bach"},"content":{"rendered":"<figure id=\"attachment_72326\" aria-describedby=\"caption-attachment-72326\" style=\"width: 3229px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-72326 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched.jpg\" alt=\"\" width=\"3229\" height=\"2257\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-300x210.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-1024x716.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-768x537.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-1536x1074.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-2048x1432.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-250x175.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-501x350.jpg 501w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-1145x800.jpg 1145w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched-920x643.jpg 920w\" sizes=\"auto, (max-width: 3229px) 100vw, 3229px\" \/><figcaption id=\"caption-attachment-72326\" class=\"wp-caption-text\">Organo Wender restaurato nella chiesa protestante di Arnstadt. Nel 1703, il diciottenne Johann Sebastian Bach mise in funzione l'organo appena costruito. Foto: <a href=\"https:\/\/de.wikipedia.org\/wiki\/Johann-Sebastian-Bach-Kirche_(Arnstadt)\" target=\"_blank\" rel=\"noopener\">GFreihalter\/wikimedia commons<\/a><\/figcaption><\/figure>\n<p>Lo scorso novembre, i media hanno annunciato come \u00absensazione mondiale\u00bb la (ri)prima di due ciaccone, che il musicologo Peter Wollny attribuisce ora al giovane Johann Sebastian Bach dopo anni di ricerche e alle quali sono stati quindi assegnati anche due numeri BWV.<\/p>\n<h3>L'allievo di Bach Salomon G\u00fcnther John<\/h3>\n<p>La presente edizione, pubblicata da Breitkopf &amp; H\u00e4rtel come supplemento al quarto volume dell'ultima edizione completa delle opere organistiche, \u00e8 impeccabile come sempre e ripercorre nella prefazione la meticolosa ricerca, quasi \u00abpoliziesca\u00bb, delle tracce delle due opere. Attraverso complicate comparazioni di scritture, un manoscritto anonimo conservato a Bruxelles \u00e8 stato ricondotto al cantore, insegnante e organista Salomon G\u00fcnther John, nato nel 1695, che nel 1727 indic\u00f2 in una domanda di assunzione di aver \u00abinizialmente frequentato le lezioni del precedente organista di Arnstadt\u00bb (senza indicarne il nome). Poich\u00e9 da un'altra copia di un'opera di John (BWV 951), sicuramente scritta da Bach, si pu\u00f2 supporre che egli sia stato effettivamente allievo di Bach durante il suo periodo ad Arnstadt (1703-07), \u00e8 possibile ipotizzare anche la paternit\u00e0 di Bach delle due chaconnes anonime presenti nel manoscritto di Bruxelles. (N.B.: in precedenza erano state attribuite a un altro compositore, J. C. Graff, sotto il cui nome furono anche occasionalmente eseguite).<\/p>\n<h3>Caratteristiche di stile<\/h3>\n<p>Wollny sostiene inoltre la sua teoria con confronti stilistici con altre opere giovanili di Bach, le cui caratteristiche sono state analizzate dall'organista svizzero Jean-Claude Zehnder nella sua opera fondamentale, pubblicata nell'ambito della <em>Schola Cantorum Basiliensis Scripta<\/em> che \u00e8 stato analizzato in modo esaustivo in un lavoro pubblicato da Schwabe nel 2009. Inoltre, alcune figurazioni ricordano la passacaglia per organo BWV 582 di Bach, che, proprio come BWV 1178, viene poi proseguita in una fuga.<\/p>\n<h3>Una prova affascinante<\/h3>\n<p>Come era prevedibile, la \u00abprima\u00bb ha scatenato ulteriori discussioni sulla paternit\u00e0 di Bach. Senza poter approfondire in questa sede le varie argomentazioni a favore e contro: Le due opere, che possono essere facilmente realizzate anche su organi pi\u00f9 piccoli, mostrano un compositore che ha una solida maestria, sa scrivere con gioia virtuosistica e a volte (se non sempre) lascia trasparire una firma personale e tratti di \u00abgenialit\u00e0\u00bb. Se questo \u00e8 davvero il Bach (tra i 18 e i 22 anni), allora qui si \u00e8 aperta un'ulteriore fase del suo sviluppo come compositore. In ogni caso, il percorso che ha portato a questa attribuzione \u00e8 affascinante!<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-72324 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-300x234.jpg\" alt=\"\" width=\"300\" height=\"234\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-300x234.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-1024x800.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-768x600.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-1536x1200.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-15x12.jpg 15w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-224x175.jpg 224w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-448x350.jpg 448w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-920x719.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach-1400x1094.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/02_crit_note_Willi_Bach.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Johann Sebastian Bach:<\/em> <em>Due ciaccone BWV 1178 e 1179,<\/em> <em>(Opere organistiche complete, supplemento al volume 4), a cura di Peter Wollny, EB 9648, \u20ac 16,90, Breitkopf &amp; H\u00e4rtel, Wiesbaden\u00a0 \u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Due ciaccone in un manoscritto di Bruxelles sono attribuite al giovane Johann Sebastian Bach e portano i numeri BWV 1178 e 1179. <\/p>","protected":false},"author":29,"featured_media":72326,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[5578,5579,5577,5581,2222,1699,5580,5582],"class_list":["post-72317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-bwv-1178","tag-bwv-1179","tag-chaconne","tag-j-c-graff","tag-johann-sebastian-bach","tag-orgel","tag-peter-wollny","tag-salomon-guenther-john"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Zwei \u00ab neue\u00bb Werke von Bach - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Zwei Chaconnen in einem Br\u00fcsseler Manuskript werden dem jungen Johann Sebastian Bach zugeschrieben und tragen die BWV-Nummer 1178 unf 1179.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2026\/04\/zwei-neue-werke-von-bach\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zwei \u00ab neue\u00bb Werke von Bach - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Zwei Chaconnen in einem Br\u00fcsseler Manuskript werden dem jungen Johann Sebastian Bach zugeschrieben und tragen die BWV-Nummer 1178 unf 1179.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2026\/04\/zwei-neue-werke-von-bach\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-03T07:19:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-16T17:26:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"979\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2026\\\/04\\\/zwei-neue-werke-von-bach#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2026\\\/04\\\/zwei-neue-werke-von-bach\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Zwei \u00ab neue\u00bb Werke von Bach\",\"datePublished\":\"2026-04-03T07:19:45+00:00\",\"dateModified\":\"2026-04-16T17:26:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2026\\\/04\\\/zwei-neue-werke-von-bach\"},\"wordCount\":433,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2026\\\/04\\\/zwei-neue-werke-von-bach#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/Arnstadt_Bachkirche_Orgel_980_retouched.jpg\",\"keywords\":[\"BWV 1178\",\"BWV 1179\",\"Chaconne\",\"J. 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