{"id":72635,"date":"2026-04-16T06:19:31","date_gmt":"2026-04-16T04:19:31","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=72635"},"modified":"2026-04-16T08:24:51","modified_gmt":"2026-04-16T06:24:51","slug":"neue-leitlinien-fuer-sampling","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/news\/2026\/04\/neue-leitlinien-fuer-sampling","title":{"rendered":"Nuove linee guida per il campionamento"},"content":{"rendered":"
\"\"
La centrale elettrica in una foto del 1975 (Immagine: Pubblico dominio)<\/figcaption><\/figure>\n

Secondo un rapporto del Giornale della nuova musica<\/em> la Corte di giustizia europea ha stabilito che, a determinate condizioni, il campionamento pu\u00f2 essere consentito senza l'autorizzazione del titolare dei diritti. Tuttavia, non \u00e8 ancora stata emessa una sentenza definitiva sul caso specifico.<\/p>\n

La Corte di giustizia europea si concentra principalmente sui cosiddetti pastiche. Si tratta di utilizzazioni che \u00abricordano un'opera esistente, ma allo stesso tempo presentano differenze percepibili. Inoltre, devono instaurare un dialogo artistico o creativo riconoscibile con l'opera\u00bb. Questo dialogo pu\u00f2 assumere varie forme, come l'aperta imitazione di uno stile, un omaggio o un confronto umoristico.<\/p>\n

Al centro della controversia c'\u00e8 una sequenza di due secondi che Pelham ha preso dal brano dei Kraftwerk \u00abMetall auf Metall\u00bb (1977) senza il previo consenso del gruppo musicale e l'ha utilizzata in una versione leggermente modificata nella propria canzone. Poich\u00e9 l'uso di tali campioni da canzoni pi\u00f9 vecchie \u00e8 una pratica comune nell'industria musicale, la controversia ha un effetto di segnalazione per l'intero settore.<\/p>\n

Articolo originale:
\nhttps:\/\/www.nmz.de\/politik-szene\/musikwirtschaft\/wie-weiter-im-streit-um-kraftwerk-beat-eugh-setzt-massstaebe<\/a><\/p>","protected":false},"excerpt":{"rendered":"

La pi\u00f9 alta corte europea ha creato nuove linee guida per il campionamento in una disputa legale tra la band Kraftwerk e il produttore musicale Moses Pelham. <\/p>","protected":false},"author":30,"featured_media":72636,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[27],"tags":[5607],"class_list":["post-72635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-sampling"],"acf":[],"yoast_head":"\nNeue 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