{"id":72713,"date":"2026-04-20T08:48:56","date_gmt":"2026-04-20T06:48:56","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=72713"},"modified":"2026-04-23T09:20:07","modified_gmt":"2026-04-23T07:20:07","slug":"classicalnext-2026-die-zukunft-der-kunstmusik-gestalten","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2026\/04\/classicalnext-2026-die-zukunft-der-kunstmusik-gestalten","title":{"rendered":"Classica:next 2026: Dare forma al futuro della musica d'arte"},"content":{"rendered":"
\"\"
L'ensemble Ilsang dalla Corea del Sud. Foto: Christoph Mangler\/Classical:Next 2026<\/figcaption><\/figure>\n

Poco prima di una storica domenica elettorale, circa 900 professionisti della cultura provenienti da 49 Paesi si sono riuniti nella capitale ungherese per il 13\u00b0 incontro del settore Classical:next. Con il motto \u00abShaping the future of art music\u00bb, la conferenza, il festival e la fiera si sono svolti dall'8 all'11 aprile in sedi culturali centrali - Millen\u00e1ris, Accademia Liszt, Centro musicale di Budapest e Casa della musica ungherese - e sono stati organizzati congiuntamente da Hangvet\u00f6 e dalle Settimane artistiche internazionali di primavera di Bart\u00f3k.<\/p>\n

All'Accademia Liszt, la direttrice Fabienne Krause ha aperto una serata dedicata esclusivamente ai compositori ungheresi, da Liszt a P\u00e9ter E\u00f6tv\u00f6s. Alla presenza di Gy\u00f6rgy Kurt\u00e1g, che ha appena compiuto 100 anni, la pianista Ildik\u00f3 Rozsonits, tra gli altri, ha dimostrato che il modernismo classico pu\u00f2 far vibrare una sala. Il direttore d'orchestra e compositore Iv\u00e1n Fischer aveva gi\u00e0 definito il contesto con il suo discorso di apertura a mezzogiorno: Il rituale del concerto nella sua forma attuale non \u00e8 sostenibile; \u00e8 necessario un riorientamento verso il pubblico e la veridicit\u00e0 sul palco.<\/p>\n

\u00a0<\/strong>Come si raggiunge un pubblico disperso?<\/strong><\/h3>\n

I temi della conferenza spaziavano dalle nuove tecnologie musicali alla rappresentazione di genere, dai modelli salariali alla sostenibilit\u00e0. Il dibattito sul giornalismo musicale \u00e8 stato particolarmente vivace. \u00abChi decide cosa conta?\u00bb, ha chiesto la moderatrice Olivia Brown (Londra). L'atteggiamento del British Rivista di musica classica<\/em> si \u00e8 affiancato al successo di Traccia in streaming<\/em> con circa due milioni di abbonati. La creatrice di contenuti e flautista Cinci Baglyas si \u00e8 espressa a favore dei contenuti \u00abdietro le quinte\u00bb come mezzo per combattere le barriere all'accesso; Martin Andris (Elbphilharmonie) ha riferito di un \u00abcreatore in residenza\u00bb - il risultato resta da vedere. Resta incerto se l'intelligenza artificiale porter\u00e0 nuovi ascoltatori al settore musicale. Anna Tiszolczi della Budapest Festival Orchestra ha presentato proposte pi\u00f9 concrete per diversi segmenti di pubblico: Oltre ai \u00abconcerti al cacao\u00bb per i bambini, \u00e8 stato un successo il format \u00abMidnight Music\u00bb, concerti lounge per i giovani, espressamente senza genitori, ha detto. Toks Dada (Southbank Centre) e Linda Begbie (Manchester Collective) hanno incoraggiato a correre pi\u00f9 rischi: \u00abQuando facciamo cose diverse, verranno persone diverse\u00bb.\u00bb<\/p>\n

Tecnologie pluripremiate al servizio della musica<\/strong><\/h3>\n

Tre progetti sono stati premiati con il Premio Innovazione 2026, incentrato sulle nuove tecnologie: SOAVE (Stage Orchestra Audio Video Experience, Italia) utilizza la realt\u00e0 virtuale per immergere il pubblico in un concerto sinfonico da diverse prospettive orchestrali. Il Borealis Festival (Norvegia) utilizza ausili tecnologici per creare nuove esperienze di ascolto fisico che vanno oltre i formati convenzionali dei concerti. Giocare con il fuoco: un'odissea immersiva<\/em> (Francia) vi invita a un intimo incontro virtuale con la pianista in un concerto in realt\u00e0 mista con Yuja Wang - realizzato da Vive Arts e dalla Philharmonie de Paris.<\/p>\n

Sperando in una pi\u00f9 ampia partecipazione della Svizzera<\/strong><\/h3>\n

Unico contributo svizzero tra 69 artisti provenienti da 15 Paesi, il progetto crossover \u00abCharles River\u00bb del percussionista basilese Florian Arbenz ha impressionato il pubblico con un programma basato su canzoni di Charles Ives. Le cantanti Anna Juniki e Immy Churchill hanno portato sul palco una poesia malinconica con il contrasto di voci classiche e jazz; l'ensemble di otto elementi ha riempito senza sforzo la sala del Budapest Music Centre.<\/p>\n

Il 2027 offre l'opportunit\u00e0 di una maggiore presenza: nell'ambito del programma della Capitale polacca della cultura, Classical:next si terr\u00e0 dall'11 al 14 maggio 2027 a Katowice, citt\u00e0 della musica UNESCO con un vivace panorama orchestrale. Esportazione di musica svizzera, prendete nota!<\/p>\n

Info: classicnext.com<\/a><\/p>\n

 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

L'edizione di quest'anno del pi\u00f9 grande simposio di musica classica e contemporanea del mondo si \u00e8 svolta a Budapest. La partecipazione svizzera \u00e8 stata marginale.<\/p>","protected":false},"author":23,"featured_media":72714,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[28,3008],"tags":[4061,5611,5610],"class_list":["post-72713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-berichte","category-treffpunkte-berichte","tag-classicalnext","tag-kunstmusik","tag-virtual-reality"],"acf":[],"yoast_head":"\nClassical:next 2026: Die Zukunft der Kunstmusik gestalten - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/berichte\/2026\/04\/classicalnext-2026-die-zukunft-der-kunstmusik-gestalten\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Classical:next 2026: Die Zukunft der Kunstmusik gestalten - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die diesj\u00e4hrige Ausgabe des weltgr\u00f6ssten Fachtreffens f\u00fcr klassische und zeitgen\u00f6ssische Musik fand in Budapest statt. 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