{"id":73905,"date":"2026-06-12T16:20:06","date_gmt":"2026-06-12T14:20:06","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=73905"},"modified":"2026-06-12T16:50:20","modified_gmt":"2026-06-12T14:50:20","slug":"transkriptionsmethode-in-us-manier","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2026\/06\/transkriptionsmethode-in-us-manier","title":{"rendered":"Metodo di trascrizione di tipo americano"},"content":{"rendered":"
\"\"
Foto: diignat \/ depositphotos.com<\/figcaption><\/figure>\n

Nato nel 1987 nel Canton Turgovia, Andreas H\u00e4berlin insegna oggi alla Nova Southeastern University in Florida, USA. Ha vinto numerosi premi in Svizzera, dove ha studiato composizione e teoria alla ZHdK, e a livello internazionale, tra cui un premio di sponsorizzazione del Canton Turgovia nel 2016. Negli Stati Uniti, H\u00e4berlin ha lavorato con grandi artisti come Michael Bubl\u00e9 e Barbra Streisand e si \u00e8 fatto un nome come produttore di musica per film.<\/p>\n

Ora sta pubblicando il suo primo libro dal titolo promettente A <\/em>Metodo di trascrizione musicale - Annotare a orecchio la musica registrata<\/em> prima. Il titolo mantiene solo in parte la sua promessa. Nelle quattro parti \u00abPreparazione - Processo - Interpretazione - Risorse\u00bb, l'autore tratta in modo meticoloso e scientifico l'approccio prevalentemente digitale alla trascrizione musicale, con un gran numero di riferimenti alla letteratura in materia. Online, l'autore fornisce un'ampia raccolta di esempi di musica autoregistrata e di partiture per il libro - ma l'assegnazione ai singoli capitoli non \u00e8 immediatamente evidente.<\/p>\n

Si pu\u00f2 dire che la scrittura di musica esistente richieda una notevole abilit\u00e0 nell'ear training, nella comprensione del ritmo e dell'armonia. Tuttavia, i metodi proposti non approfondiscono, ma presuppongono le suddette competenze. Il capitolo sull\u00ab\u00bbOrchestrazione\" rimane molto generico; H\u00e4berlin presenta il Creative Software Sampler Cube e cita almeno gli insegnamenti sulla strumentazione di Berlioz e Rimsky-Korsakov nella bibliografia corrispondente. Vengono presentati numerosi ausili tecnici, da dispositivi midi e software di notazione a workstation audio digitali. Inoltre, ci sono istruzioni piuttosto banali per rispettare la scadenza fissata dal cliente - e per assicurarsi che i vicini non vengano disturbati durante la riproduzione della musica.\"\"<\/p>\n

Andreas H\u00e4berlin: A Music Transcription Method - Notating Recorded Music by Ear, 178 p., \u20ac 50,99, Routledge, New York e Londra 2025,\u00a0<\/em>ISBN 978-1-032-84254-7<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Il libro di Andreas H\u00e4berlin \u00abA Music Transcription Method - Notating Recorded Music by Ear\u00bb amplia non tanto le competenze dell'arrangiatore quanto la sua conoscenza dei possibili ausili. <\/p>","protected":false},"author":29,"featured_media":73908,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[5719,5718],"class_list":["post-73905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-andreas-haeberlin","tag-transcription-method"],"acf":[],"yoast_head":"\nTranskriptionsmethode in US-Manier - Schweizer Musikzeitung<\/title>\n<meta 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